Schama, the author of the highly acclaimed Citizens and The Embarrassment of Riches, is one of the most popular and celebrated historians of our day, and in this magnificent work he brings history to dramatic life with a wealth of stories and vivid, colorful detail, reanimating familiar figures and events and drawing them skillfully into a powerful and compelling narrative. Schama's perspective moves from the birth of civilization to the Norman Conquest; through the religious wars and turbulance of the Middle Ages to the sovereignties of Henry II, Richard I and King John; through the outbreak of the Black Death, which destroyed nearly half of Europe's population, through the reign of Edward I and the growth of national identity in Wales and Scotland, to the intricate conflicts of the Tudors and the clash between Elizabeth I and Mary Queen of Scots. Driven by the drama of the stories themselves but exploring at the same time a network of interconnected themes--the formation of a nation state, the cyclical nature of power, the struggles between the oppressors and the oppressed--this is a superbly readable and illuminating account of a great nation, and its extraordinary history.

    It is a fiery history of Queens, the perils of power and of how the Wars of the Roses were ended – not by knights in battle, but the sinewy political skills of women.The events of the Wars of the Roses are usually described in terms of the men involved; Richard, Duke of York, Henry VI, Edward IV and Henry VII. The reality though, argues Sarah Gristwood, was quite different. These years were also packed with women's drama and – in the tales of conflicted maternity and monstrous births – alive with female energy.In this completely original book, acclaimed author Sarah Gristwood sheds light on a neglected dimension of English history: the impact of Tudor women on the Wars of the Roses. She examines Cecily Neville, the wife of Richard Duke of York, who was deprived of being queen when her husband died at the Battle of Wakefield; Elizabeth Woodville, a widow with several children who married Edward IV in secret and was crowned queen consort; Margaret Beaufort, mother of Henry VII, whose ambitions centred on her son and whose persuasions are likely to have lead her husband Lord Stanley, previously allied with the Yorkists, to play his part in Henry's victory.Until now, the lives of these women have remained little known to the general public. Sarah Gristwood tells their stories in detail for the first time. Captivating and original, this is historical writing of the most important kind.

    In many ways, this war, and the subsequent peace of Westphalia, would set the stage for the balance of power in Europe until the First World War in 1914. Fully illustrated to capture both the majesty and the horror of The Thirty Years' War.

    . . A LARD raised his head. It was a pleasant voice, though a little drunken, and the words came clearly enough, a trifle blurred about the con sonants, to the high window of the Maison du Poirier. The window was open, for the June night was hot, and there were few noises after ten oclock in the Place du Parvis Notre Dame. Time goes by, And naught do I. Time comes again, . . . Et ne fais rien Abelards smile broadened. I am very sure, my friend, said he, that you do not. But at any rate he had found a good tune. The listeners ear was quick. He began not ing it on the margin of his manuscript, while his brain busied itself fitting Latin words to the original a pity to waste so good a tune and so profound a sentiment on a language that was the breath of a day, Fugit hora, Absque mora, Nihil facio . . . Not to that tune. The insinuating, if doomed, vernacu lar lilted again. Abelard realized that he was spoiling the 3 PETER ABELARD margin of his Commentary on Ezekiel, and turned back resolutely. Now, as Augustine says, our concern with any man is not with what eloquence he teaches, but with what evidence. But the thread of his argument was broken he got up and came over to the window. The singing had stopped, but he could see the tonsured head below him, glimmeringlike a mushroom in the dusk, while the legs tacked uncertainly across the broad pavement of the Parvis Notre Dame on their way to the cheerful squalors of the Petit Pont. Suddenly they halted the moon had come out from a drifting haze, and the singer, pausing on the edge of a pool of light, peered at it anxiously, and then lifted up his eyes. The voice rose again, chastened, this time in the venerable cadences of the hymn for dawn Jam lucis orto sidere Statini oportct bibere. The blasphemous pup, said Abelard. He leaned out, to hear the rest of it Now risen is the star of day. Let us arise and drink straightway. That we in peace this day may spend, Drink we and drink, nor make an end. This was a better parody, because a simpler, than the one he had made upon it himself ten years ago, to illus trate for his students the difference between the acci dents and the essential, the accidents being the words, the essential the tune. Lord, the Blessed Gosvins face when he began singing it Doubtless he would be the Blessed Gosvin some day so holy a youth could not fail of a 4 THE CLOISTER OF NOTRE DAME sanctified old age. St. Gosvin perhaps the youngster was Prior already at ... he had forgotten where. The im pudent, smooth-faced prig. Abelards mind was running down a channel it knew and did not like the moment in the classroom at St. Genevieve, when Gosvins reedy treble had interrupted the resonant voice from the rostrum with those innocent questionings, answered contemptuously, the masters eyes half averted and his mind less than half attentive, till the sudden horrid silence brought him to his senses and he realized that he was trapped, even as he had so often trapped that good old goat, William of Champeaux. He had recovered, magnificently but for the moment he had felt the hounds at his throat. And the cheering had been too vehement they knew. Somebody on the lie de Cite that night made a song about David and Goliath, not a very good song, but the name had stuck to him since, though not many remembered the origin of it. A pity, all the same, that Gosvin took to the cloister. It w r ould be very pleasant to have him lecturing to empty benches at St. Genevieve, while at Notre Dame the stu dents wedged open the doors and stood thick on the stairs...

    In reality, the flamboyant royal family appear, in many ways, to have behaved much like most other monarchies. Their story, however, is none the less enthralling for that. It is populated by such unforgettable figures as mad Queen Juana, progressing through Spain with her husband’s decaying body; the ‘heroically fertile’ Maria Theresa, and the quixotic Maximilian, ‘Emperor’ of Mexico.

    This gripping history reveals the brutal realities of a nation torn apart by conflict and rivalry, while evocatively placing the fighting within the context of a period of rich cultural progress. From Caxton's printing press and the flourishing of English literature to advances in architecture and education, Royle's masterly narrative is a remarkable portrait of this pivotal era.

    Over fifty incredible years at the heart of the Age of Revolution, he fought courageously on both sides of the Atlantic. He was a soldier, statesman, idealist, philanthropist, and abolitionist. As a teenager, Lafayette ran away from France to join the American Revolution. Returning home a national hero, he helped launch the French Revolution, eventually spending five years locked in dungeon prisons. After his release, Lafayette sparred with Napoleon, joined an underground conspiracy to overthrow King Louis XVIII, and became an international symbol of liberty. Finally, as a revered elder statesman, he was instrumental in the overthrow of the Bourbon Dynasty in the Revolution of 1830. From enthusiastic youth to world-weary old age, from the pinnacle of glory to the depths of despair, Lafayette never stopped fighting for the rights of all mankind. His remarkable life is the story of where we come from, and an inspiration to defend the ideals he held dear.

    At its heart are the three Cartier brothers whose motto was "Never copy, only create".Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family's history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more.

    Lawrence, “a sideshow of a sideshow.”  Amidst the slaughter in European trenches, the Western combatants paid scant attention to the Middle Eastern theater.  As a result, the conflict was shaped to a remarkable degree by a small handful of adventurers and low-level officers far removed from the corridors of power.   Curt Prüfer was an effete academic attached to the German embassy in Cairo, whose clandestine role was to foment Islamic jihad against British rule.  Aaron Aaronsohn was a renowned agronomist and committed Zionist who gained the trust of the Ottoman governor of Syria. William Yale was the fallen scion of the American aristocracy, who traveled the Ottoman Empire on behalf of Standard Oil, dissembling to the Turks in order gain valuable oil concessions.  At the center of it all was Lawrence.  In early 1914 he was an archaeologist excavating ruins in the sands of Syria; by 1917 he was the most romantic figure of World War One, battling both the enemy and his own government to bring about the vision he had for the Arab people. The intertwined paths of these four men – the schemes they put in place, the battles they fought, the betrayals they endured and committed – mirror the grandeur, intrigue and tragedy of the war in the desert.  Prüfer became Germany’s grand spymaster in the Middle East.  Aaronsohn constructed an elaborate Jewish spy-ring in Palestine, only to have the anti-Semitic and bureaucratically-inept British first ignore and then misuse his organization, at tragic personal cost.  Yale would become the only American intelligence agent in the entire Middle East – while still secretly on the payroll of Standard Oil.  And the enigmatic Lawrence rode into legend at the head of an Arab army, even as he waged secret war against his own nation’s imperial ambitions. Based on years of intensive primary document research, LAWRENCE IN ARABIA definitively overturns received wisdom on how the modern Middle East was formed.  Sweeping in its action, keen in its portraiture, acid in its condemnation of the destruction wrought by European colonial plots, this is a book that brilliantly captures the way in which the folly of the past creates the anguish of the present.

    Even in the darkest moments of Occupation, glamour was ever present. French women wore lipstick. Why?It was women who came face to face with the German conquerors on a daily basis – perhaps selling them clothes or travelling alongside them on the metro, where a German soldier had priority over seats. By looking at collaborators to resisters, actresses and prostitutes, as well as teachers and writers, including American women and Nazi wives, spies, mothers, mistresses, fashion and jewellery designers – Anne Sebba shows that women made life-and-death decisions every day, and, in an atmosphere where sex became currency, often did whatever they needed to survive. Her fascinating cast includes both native Parisian women and those living in Paris temporarily: American women and Nazi wives, spies, mothers, mistresses, and fashion and jewellery designers. Some like the heiress Béatrice Camondo or novelist Irène Némirovsky, converted to Catholicism; others like lesbian racing driver Violette Morris embraced the Nazi philosophy; only a handful, like Coco Chanel, retreated to the Ritz with a German lover.In enthralling detail Sebba explores the aftershock of the Second World War. How did women who survived to see the Liberation of Paris come to terms with their actions and those of others? Although politics lies at its heart, Les Parisiennes is the first in-depth account of the everyday lives of women and young girls in this most feminine of cities.

    But such a position for an unmarried woman puts the whole kingdom at risk. So on his deathbed William made a will that would ensure his daughter's protection: he promised her hand in marriage to the future King of France.Eleanor grows into a romantic and beautiful queen, but she has inherited the will of a king, determined to rule Aquitaine using her husband's power as King of France. Her resolve knows no limit and, in the years to follow, she is to become one of history's most scandalous queens.

    What made Arthur Duke of Wellington the military genius who was never defeated in battle? Peter Snow recalls how Wellington evolved from a backward, sensitive schoolboy into the aloof but brilliant commander.

    * Tom Holland, author of RUBICON and PERSIAN FIRE, gives a thrilling panoramic account of the birth of the new Western Europe in the year 1000

    Churchill's most magnificent literary works. Begun during Churchill's 'wilderness years' when he was out of government, first published in 1956 after his leadership through the darkest days of World War II had cemented his place in history and completed when Churchill was in his 80s, it remains to this day a compelling and vivid history.The first volume - The Birth of Britain - tells the story of the formation of the British state, from the arrival of Julius Caesar and the Roman Empire through the invasions of the Vikings and the Normans, the signing of the Magna Carta and establishment of the mother of parliaments to the War of the Roses.

    Like George Washington and his own hero Julius Caesar, he was one of the greatest soldier-statesmen of all times. Andrew Roberts’s Napoleon is the first one-volume biography to take advantage of the recent publication of Napoleon’s thirty-three thousand letters, which radically transform our understanding of his character and motivation. At last we see him as he was: protean multitasker, decisive, surprisingly willing to forgive his enemies and his errant wife Josephine. Like Churchill, he understood the strategic importance of telling his own story, and his memoirs, dictated from exile on St. Helena, became the single bestselling book of the nineteenth century. An award-winning historian, Roberts traveled to fifty-three of Napoleon’s sixty battle sites, discovered crucial new documents in archives, and even made the long trip by boat to St. Helena. He is as acute in his understanding of politics as he is of military history. Here at last is a biography worthy of its subject: magisterial, insightful, beautifully written, by one of our foremost historians.