Now, sixteen top tale-tellers offer fascinating new stories of those who commit magic crimes, those who investigate them, and those who prosecute them. From a young woman who uses out-of-body excursions to research paranormal crimes to a bookie who?s been paying for hex protection against magical interference to an artist who does divination through his sketched visions which may lead to a murderer?s undoing, here are powerful tales of magical crimes and punishments.

    She is able to see the unbroken link of the macabre that ties Edgar Allan Poe to Anne Rice and to recognize the dark psychological bonds between Henry James and Stephen King. This remarkable anthology of gothic fiction, spanning two centuries of American writing, gives us an intriguing and entertaining look at how the gothic imagination makes for great literature in the works of forty-six exceptional writers. In showing us the gothic vision—a world askew where mankind’s forbidden impulses are set free from the repressions of the psyche, and nature turns malevolent and lawless—Joyce Carol Oates includes Henry James’s “The Romance of Certain Old Clothes,” Herman Melville’s horrific tale of factory women, “The Tartarus of Maids,” and Edith Wharton’s “Afterward,” which are rarely collected and appear together here for the first time.Added to these stories of the past are new ones that explore the wounded worlds of Stephen King, Anne Rice, Peter Straub, Raymond Carver, and more than twenty other wonderful contemporary writers. This impressive collection reveals the astonishing scope of the gothic writer’s subject matter, style, and incomparable genius for manipulating our emotions and penetrating our dreams. With Joyce Carol Oates’s superb introduction, American Gothic Tales is destined to become the standard one-volume edition of the genre that American writers, if they didn’t create it outright, have brought to its chilling zenith.rom Wieland, or The transformation / Charles Brockden Brown --The legend of Sleepy Hollow / Washington Irving --The man of adamant / Nathaniel Hawthorne --Young Goodman Brown / Nathaniel Hawthorne --The Tartarus of maids / Herman Melville --The black cat / Edgar Allan Poe --The yellow wallpaper / Charlotte Perkins Gilman --The romance of certain old clothes / Henry James --The damned thing / Ambrose Bierce --Afterward / Edith Wharton --The striding place / Gertrude Atherton --Death in the woods / Sherwood Anderson --The outsider / H.P. Lovecraft --A rose for Emily / William Faulkner --The lonesome place / August Derleth --The door / E.B. White --The lovely house / Shirley Jackson --Allal / Paul Bowles --The reencounter / Isaac Bashevis Singer --In the icebound hothouse / William Goyen --The enormous radio / John Cheever --The veldt / Ray Bradbury --The Dachau shoe / W.S. Merwin --The approved / W.S. Merwin --Spiders I have known / W.S. Merwin --Postcards from the Maginot Line / W.S. Merwin --Johnny Panic and the Bible of dreams / Sylvia Plath --In bed one night / Robert Coover --Schrödinger's cat / Ursula K. Le Guin --The waterworks / E.L. Doctorow --Shattered like a glass goblin / Harlan Ellison --Human moments in World War III / Don DeLillo --The anatomy of desire / John L'Heureux --Little things / Raymond Carver --The temple / Joyce Carol Oates --Freniere (from Interview with the Vampires) / Anne Rice --A short guide to the city / Peter Straub --In the penny arcade / Steven Millhauser --The reach / Stephen King --Exchange value / Charles Johnson --Snow / John Crowley --The last feast of Harlequin / Thomas Ligotti --Time and again / Breece D'J Pancake--Replacements / Lisa Tuttle --Spirit seizures / Melissa Pritchard --Cat in glass / Nancy Etchemendy --The girl who loved animals / Bruce McAllister --Ursus Triad, later / Kathe Koja and Barry N. Malzberg --(from Geek Love) The nuclear family: his talk, her teeth / Katherine Dunn --Subsoil / Nicholson Baker

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    It includes the entire text of John Wyndham's novel of alien invasion, Out of the Deeps, and 24 short stories by American or British authors, all written in the 20th century. Authors represented include T. H. White, Donald E. Westlake, Theodore Sturgeon, Thomas M. Disch, Ellis Peters, E. Phillips Oppenheim, Margaret St. Clair, Algis Budrys, and Gerald Kersh.

    Terrifying urban myths, malicious ghosts, cursed architecture, malignant city deities, personal demons (in business or relationships) twisted into something worse virtually anything that inspires the contributors to imagine some bit of urban darkness."

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    Lost worlds where T-Rex and Velociraptors still roam and man is now on the menu. Laboratories at the forefront of cloning technology experiment with dinosaurs they do not understand or are able to contain. The deepest parts of the ocean where Megalodon, the largest and most ferocious predator to have ever existed is stalking new prey. Plus many more thrillers filled with extinct prehistoric monsters written by some of the best creature feature authors this side of the Jurassic period.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    Robb’s Missing in Death investigates a female tourist’s disappearance during a ferry ride. Detective Eve Dallas wonders…if she didn’t jump, and she’s not on board, then where in the world is she? In Patricia Gaffney’s The Dog Days of Laurie Summer, a woman awakens to a familiar yet unsettling world. In Mary Blayney’s Lost in Paradise, a man locked in an island fortress finds hope for freedom in an enigmatic nurse. And Ruth Ryan Langan’s Legacy belongs to a young woman who unearths a family secret buried on the grounds of a magnificent but imposing Irish castle.

    Years later, the writer’s stepson reflects upon his stepmother and the strange stories she used to tell him. Meanwhile, a surgeon’s lover vows to kill him if he does not leave his wife. Before she can follow-through on her crime of passion, though, the surgeon will cross paths with another remarkable woman, a cabaret singer whose heart beats delicately outside of her body. But when the surgeon promises to repair her condition, he sparks the jealousy of another man who would like to preserve the heart in a custom tailored bag. Murderers and mourners, mothers and children, lovers and innocent bystanders—their fates converge in a darkly beautiful web that they are each powerless to escape.Macabre, fiendishly clever, and with a touch of the supernatural, Yoko Ogawa’s Revenge creates a haunting tapestry of death—and the afterlife of the living.

    Colt Nightshade couldn't believe his luck partnering on a case with Lieutenant Althea Grayson. But the breathtaking detective was strictly by-the-book and had no use for Colt's easygoing renegade style. Thawing the heart of this enticing ice goddess just might be the toughest challenge Colt had ever faced. Night Smoke - He had a reputation for being abrasive, aggressive and annoying -- but if Natalie Fletcher was going to save her business, she needed arson investigator Ryan Piasecki's help. The classy executive was accustomed to being in control and Ry's arrogance was utterly infuriating -- and oddly irresistible. Only, as the sparks flew, danger was hot on their trail.

    Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career.

    By turns interlocutor and interpreter, magician and realist, she dissects the psyches of ordinary people and their potential for good and evil with chilling understatement and lasting power.

    But first they'll have to overcome some very unusual residents of the hills and valleys. One is David Drake's unforgettable creation, Old Nathan the Wizard. He doesn't claim much for his magical powers, but they're real enough for what they are-and besides, he hasn't forgotten how to use his long flintlock rifle. Enter the gritty, realistic world of Old Nathan, a backwoodsman who talks to animals and says he'll face the Devil himself-and who in the end will have to face the Devil in very fact. A century later, very different interlopers, from criminals to snooping college professors, are poking around the hills, up to no good. But a very unusual family, the Hogbens, are likely to cause more trouble than unwelcome visitors can handle, as Henry Kuttner relates. They're a family of mutants, with very unusual powers, and city folk who cause trouble are likely to suddenly find unbelievable-and unpleasant-things happening to them. But not all of the trouble is caused by humans, as the Slade family find out when Eric Flint and Ryk E. Spoor relate how a Kentucky family finds itself caught in the middle of a struggle between battling groups of the creatures who live deep underground and are the basis from the old legends of gnomes. The Slades have to make sure that the right gnomes win-or an earthquake will wipe out everyone in at least four states. Magic, mutants, and mountain folk add up to an unusual volume, with adventure ranging from the grim and eerie to the wildly comic.