Bonaparte had returned, and it would be just one hundred days before he met his enemies in a final, epic battle. In Napoleon and the Hundred Days, Stephen Coote vividly re-creates the rise and fall of Bonaparte's empire, and brings to life the characters who shaped it. With the eye of an historian and the dramatic style of a novelist, Coote describes how the path to war became inevitable and how, at the Battle of Waterloo, the fatigued but ever arrogant Napoleon met his match. This is a dazzling portrait of the legendary emperor, whose genius, courage, and tenacity won--and lost--him a vast empire.

    Elting examines every facet of this incredibly complex human machine: its organization, command system, logistics, weapons, tactics, discipline, recreation, mobile hospitals, camp followers, and more. From the army's formation out of the turmoil of Revolutionary France through its swift conquests of vast territories across Europe to its legendary death at Waterloo, this book uses excerpts from soldiers' letters, eyewitness accounts, and numerous firsthand details to place the reader in the boots of Napoleon's conscripts and generals. In Elting's masterful hands the experience is truly unforgettable.

    It is also a wonderful piece of travel writing. Custine, who met with people in all walks of life, including the Czar himself, offers vivid descriptions of St. Petersburg and Moscow, of life at court and on the street, and of the impoverished Russian countryside. But together with a wealth of sharply delineated incident and detail, Custine's great work also presents an indelible picture--roundly denounced by both Czarist and Communist regimes--of a country crushed by despotism and "intoxicated with slavery."Letters from Russia, here published in a new edition prepared by Anka Muhlstein, the author of the Goncourt Prize-winning biography of Custine, stands with Tocqueville's Democracy in America as a profound and passionate encounter with historical forces that are still very much at work in the world today.

    Her mother was a figure, a name, Irène Némirovsky, a once popular novelist, a Russian émigré from an immensely rich family, a Jew who didn’t consider herself one and who even contributed to collaborationist periodicals, and a woman who died in Auschwitz because she was a Jew. To her daughter she was a tragic enigma and a stranger. It was to come to terms with that stranger that Gille wrote, in The Mirador, her mother’s memoirs. The first part of the book, dated 1929, the year David Golder made Némirovsky famous, takes us back to her difficult childhood in Kiev and St. Petersburg. Her father is doting, her mother a beautiful monster, while Irene herself is bookish and self-absorbed. There are pogroms and riots, parties and excursions, then revolution, from which the family flees to France, a country of “moderation, freedom, and generosity,” where at last she is happy. Some thirteen years later Irène picks up her pen again. Everything has changed. Abandoned by friends and colleagues, she lives in the countryside and waits for the knock on the door. Written a decade before the publication of Suite Française made Irène Némirovsky famous once more (something Gille did not live to see), The Mirador is a haunted and a haunting book, an unflinching reckoning with the tragic past, and a triumph not only of the imagination but of love.

    It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.

    Writing in the present tense, Ludwig brings to life his subject's character better than any other biography of Napoleon. The biography is divided into five books One, "The Island" (birth to marriage); Two, "The Torrent" (Army of Italy to First Counsel); Three, "The River" (Marengo to birth of Napoleon II); Four, "The Sea" (Russia to Waterloo); and Five, "The Rock" (St. Helena). Each book begins with a quote from Goethe. Although Ludwig does not include a bibliography, the concluding four pages, the "Envoy", he states, "In this book, all the data are recorded facts, except the soliloquies." Also, in the acknowledgments he thanked Professor Pariset and Kurt Wildhagen for advice on the book and Edouard Driault and F.M. Kircheisen for help with supplying material for the illustrations.

    Humorous and troubling stories, unreliable confessions, stray reminiscences, and thoughts on life, love, art, nature, and society all find a place in Maupassant’s pages, which are, in conception and in effect, so many reflections of the fluid sea on which he finds himself–happily but forever precariously–afloat. Afloat is thus a book that in both content and form courts risk while setting out to chart the meaning, and limits, of freedom, a book that makes itself up as it goes along and in doing so proves as startling and compellingly vital as the paintings of Maupassant’s contemporaries van Gogh and Gauguin.

    The Duke of Wellington’s remarkable life and extraordinary campaigns are recreated with Holmes’ superb skill in this compelling book.Richard Holmes charts Wellington’s stellar military career from India to Europe, and in the process, rediscovers the reasons Queen Victoria called him the greatest man the nineteenth century had produced. Combining his astute historical analysis with a semi-biographical examination of Wellington, Holmes artfully illustrates the rapid evolution in military and political thinking of the time.Wellington is a brilliant figure, idealistic in politics, cynical in love, a wit, a beau, a man of enormous courage often sickened by war. As Richard Holmes charts his progress from a shy, indolent boy to commander-in-chief of the allied forces, he also exposes the Iron Duke as a philanderer, and a man who sometimes despised the men that he led, and was not always in control of his soldiers. Particularly infamous is the bestial rampage of his men after the capture of Cuidad Rodgrigo and Badajoz.THE IRON DUKE is a beautifully produced book, complete with stunning illustrations and colour plates. Richard Holmes’ TV series to accompany THE IRON DUKE will be lavishly constructed in four parts, and filmed on location in Britain, India, Spain, Portugal, France and Belgium.

    This lively historical account reveals Napoleon's often neglected private life and passionate relationships, in which he wildly worshiped certain women as often as he disdained others.Vividly evoking the political and social upheavals of post-Revolutionary France, Hibbert captures the vibrant characters who made history, not only on the battlefield but also in the bedroom, including Josephine, the charming Creole from Martinique; the plain and pliant Marie-Louise of Austria; and Marie Walewska, the sumptuous young Polish countess who, despite initial reluctance, was persuaded by her elderly husband to fall in love with Napoleon.Praised by A. N. Wilson as an "outstanding popular historian, " Hibbert dramatically brings to life the most intimate influences on Napoleon's turbulent career and character.

    TO THE FINLAND STATION is a work of history on a grand scale, at once sweeping, detailed, closely reasoned & passionately argued, that succeeds in painting an unforgettable picture--alive with conspirators, philosophers, utopians & nihilists--of the making of the modern world. 'The 1st thing that strikes us about To the Finland Station is the vastness of its scope...It is easily, equally at home in the philosopher's study, in the prisoner's cell, on the steppes, in the streets, melancholy in great country houses, choking in fetid industrial slums...It can remind us that our history is alive & open & rich with excitement & promise'--NY Times Book Review

    Petersburg in 1872, adopted the pen-name of Teffi, and it is as Teffi that she is remembered. In pre-revolutionary Russia she was a literary star, known for her humorous satirical pieces; in the 1920s and 1930s, she wrote some of her finest stories in exile in Paris, recalling her unforgettable encounters with Rasputin, and her hopeful visit at age thirteen to Tolstoy after reading War and Peace. In this selection of her best autobiographical stories, she covers a wide range of subjects, from family life to revolution and emigration, writers and writing. Like Nabokov, Platonov, and other great Russian prose writers, Teffi was a poet who turned to prose but continued to write with a poet’s sensitivity to tone and rhythm. Like Chekhov, she fuses wit, tragedy, and a remarkable capacity for observation; there are few human weaknesses she did not relate to with compassion and understanding.

    Russell Major Prize, American Historical AssociationBest Book on the First Empire by a Foreigner, Napoleon Foundation"Englund has written a most distinguished book recounting Bonaparte's life with clarity and ease...This magnificent book tells us much that we did not know and gives us a great deal to think about."--Douglas Johnson, Los Angeles Times Book Review"Englund, in his lively biography...seeks less to rehabilitate Napoleon's reputation and legacy than to provide readers with a fuller view of the man and his actions."--Paula Friedman, New York Times"Napoleon: A Political Life is a veritable tour de force the general reader will enjoy it immensely, and learn a great deal from it. But the book also has much to offer historians of modern France."--Sudhir Hazareesingh, Times Literary Supplement"Englund's incisive forays into political theory don't diminish the force of his narrative, which impressively conveys the epochal changes confronting both France and Europe...A strikingly argued biography."--Matthew Price, Washington PostThis sophisticated and masterful biography brings new and remarkable analysis to the study of modern history's most famous general and statesman. As Englund charts Napoleon's dramatic rise and fall--from his Corsican boyhood, his French education, his astonishing military victories and no less astonishing acts of reform as First Consul (1799-1804) to his controversial record as Emperor and, finally, to his exile and death--he explores the unprecedented power Napoleon maintains over the popular imagination.

    What made Arthur Duke of Wellington the military genius who was never defeated in battle? Peter Snow recalls how Wellington evolved from a backward, sensitive schoolboy into the aloof but brilliant commander.

    Now in an updated and revised edition, it is unique in its portrayal of one of the world's great generals as a scrambler who never had a plan, strategic or tactical, that did not break down or change of necessity in the field. Distinguished historian Owen Connelly argues that Napoleon was the master of the broken play, so confident of his ability to improvise, cover his own mistakes, and capitalize on those of the enemy that he repeatedly plunged his armies into uncertain, seemingly desperate situations, only to emerge victorious as he "blundered" to glory. Beginning with a sketch of Napoleon's early life, the book progresses to his command of artillery at Toulon and the "whiff of grapeshot" in Paris that netted him control of the Army of Italy, where his incredible performance catapulted him to fame. The author vividly traces Napoleon's campaigns as a general of the French Revolution and emperor of the French, knowledgeably analyzing each battle's successes and failures. The author depicts Napoleon's "art of war" as a system of engaging the enemy, waiting for him to make a mistake, improvising a plan on the spot-and winning. Far from detracting from Bonaparte's reputation, his blunders rather made him a great general, a "natural" who depended on his intuition and ability to read battlefields and his enemy to win. Exploring this neglected aspect of Napoleon's battlefield genius, Connelly at the same time offers stirring and complete accounts of all the Napoleonic campaigns.

    His diary intimately records his trials: the long, grueling marches in Prussia and Poland, the disastrous Russian campaign, and the demoralizing defeat in a war few supported or understood. It is at once a compelling chronicle of a young soldier's loss of innocence and an eloquent and moving portrait of the profound effects of all wars on the men who fight them. Also included are letters home from the Russian front, previously unpublished in English, as well as period engravings and maps from the Russian/Soviet and East European collections of the New York Public Library."Vivid and gruesome … but also a story of human fortitude. … It reminds us that the troops Napoleon drove so mercilessly were actually more victims than victors—a side of Napoleon that should not be forgotten." —Chicago Tribune