Allen (U. of Colorado, Denver) takes categories of difference (gender, race, class, sexuality, age and ability) in turn to remind her students that each "matters," despite the traditions of prejudice. Each chapter includes questions for reflection. Annotation ©2004 Book News, Inc., Portland, OR

    Drawing on history, pop culture and sociological and psychological research, she looks at the forces that shape how boys see themselves and how we see them. With empathy and insight, she tells stories of how boys from different races, classes and backgrounds are navigating the transition into manhood.The successes of the feminist movement have led to greater opportunities for girls and women, as well as a broadening in our understanding of what it means to be female. While boys and men have travelled alongside this transformation, what it means for them is not always clear. Boy aims to make sense of this moment of confusion, backlash and sometimes even rage. Might boys one day be free of stifling expectations about manhood and masculinity? With lively reportage and clear-eyed analysis, Giese reveals reasons to feel hopeful for our young men, and shows that this emerging new gender reality has the potential to liberate us all.

    Common explanations for this disparity range from biological differences between the sexes to the conscious and unconscious biases that guide hiring and promotion decisions. Just One of the Guys? sheds new light on this phenomenon by analyzing the unique experiences of transgender men—people designated female at birth whose gender identity is male—on the job.Kristen Schilt draws on in-depth interviews and observational data to show that while individual transmen have varied experiences, overall their stories are a testament to systemic gender inequality. The reactions of coworkers and employers to transmen, Schilt demonstrates, reveal the ways assumptions about innate differences between men and women serve as justification for discrimination. She finds that some transmen gain acceptance—and even privileges—by becoming “just one of the guys,” that some are coerced into working as women or marginalized for being openly transgender, and that other forms of appearance-based discrimination also influence their opportunities. Showcasing the voices of a frequently overlooked group, Just One of the Guys? lays bare the social processes that foster forms of inequality that affect us all.

    Baumeister argues that relations between men and women are now and have always been more cooperative than antagonistic, that men and womenare different in basic ways, and that successful cultures capitalize on these differences to outperform rival cultures. Amongst our ancestors---as with many other species--only the alpha males were able to reproduce, leading them to take more risks and to exhibit more aggressive and protectivebehaviors than women, whose evolutionary strategies required a different set of behaviors. Whereas women favor and excel at one-to-one intimate relationships, men compete with one another and build larger organizations and social networks from which culture grows. But cultures in turn exploit men byinsisting that their role is to achieve and produce, to provide for others, and if necessary to sacrifice themselves. Baumeister shows that while men have greatly benefited from the culture they have created, they have also suffered because of it. Men may dominate the upper echelons of business andpolitics, but far more men than women die in work-related accidents, are incarcerated, or are killed in battle--facts nearly always left out of current gender debates.Engagingly written, brilliantly argued, and based on evidence from a wide range of disciplines, Is There Anything Good About Men? offers a new and far more balanced view of gender relations.

    Peeling away notions of a rigid pre-modern Islamic gender system, Afsaneh Najmabadi provides a compelling demonstration of the centrality of gender and sexuality to the shaping of modern culture and politics in Iran and of how changes in ideas about gender and sexuality affected conceptions of beauty, love, homeland, marriage, education, and citizenship. She concludes with a provocative discussion of Iranian feminism and its role in that country's current culture wars. In addition to providing an important new perspective on Iranian history, Najmabadi skillfully demonstrates how using gender as an analytic category can provide insight into structures of hierarchy and power and thus into the organization of politics and social life.

    More than half a billion women live their entire lives peeking out from behind heavy veils. Theirs is a mysterious, misunderstood life often lived without hope and under great persecution.This groundbreaking book is written by evangelical Christian women who have seen the other side. Ranging from missionaries in Islamic countries, to former reporters and columnists, the contributors give a powerful and unsilenceable voice to the women behind the veil.Written by women with such deep knowledge of Muslim life that some of the identities have been obscured for their protection A discussion of the real women of Islam--not the veils, protocols, and rules

    Using quintessential figures from classical literature--Don Quixote, Hamlet, and Faust--Robert Johnson shows us three clearly defined stages of consciousness development. He demonstrates how the true work of maturity is to grow through these levels to the self-realized state of completion and harmony.In Johnson's view, we all reach the stages depicted by Don Quixote, Hamlet, and Faust at various times of our lives. The three represent levels of consciousness within us, each vying for dominance. Don Quixote portrays the innocent child, while Hamlet stands for our self-conscious need to act and feel in control though we have no real connection to our inner selves. Faust embodies the master of the true self, who has gained awareness by working through the stages.

    Mosse provides the first historical account of the masculine stereotype in modern Western culture, tracing the evolution of the idea of manliness to reveal how it came to embody physical beauty, courage, moral restraint, and a strong will. This stereotype, he finds, originated in the tumultuous changes of the eighteenth century, as Europe's dominant aristocrats grudgingly yielded to the rise of the professional, bureaucratic, and commercial middle classes. Mosse reveals how the new bourgeoisie, faced with a bewildering, rapidly industrialized world, latched onto the knightly ideal of chivalry. He also shows how the rise of universal conscription created a soldierly man as an ideal type. In bringing his examination up to the present, Mosse studies the key historical roles of the so-called fairer sex (women) and unmanly men (Jews and homosexuals) in defining and maintaining the male stereotype, and considers the possible erosion of that stereotype in our own time.

    The dagongmei are women in their late teens and early twenties who move from rural areas to urban centers to work in factories. Because of state laws dictating that those born in the countryside cannot permanently leave their villages, and familial pressure for young women to marry by their late twenties, the dagongmei are transient labor. They undertake physically exhausting work in urban factories for an average of four or five years before returning home. The young women are not coerced to work in the factories; they know about the twelve-hour shifts and the hardships of industrial labor. Yet they are still eager to leave home. Made in China is a compelling look at the lives of these women, workers caught between the competing demands of global capitalism, the socialist state, and the patriarchal family.Pun Ngai conducted ethnographic work at an electronics factory in southern China’s Guangdong province, in the Shenzhen special economic zone where foreign-owned factories are proliferating. For eight months she slept in the employee dormitories and worked on the shop floor alongside the women whose lives she chronicles. Pun illuminates the workers’ perspectives and experiences, describing the lure of consumer desire and especially the minutiae of factory life. She looks at acts of resistance and transgression in the workplace, positing that the chronic pains—such as backaches and headaches—that many of the women experience are as indicative of resistance to oppressive working conditions as they are of defeat. Pun suggests that a silent social revolution is underway in China and that these young migrant workers are its agents.

    Strange shifts in perspective can take place when Berlin is viewed from Jakarta, or when complex histories of colonial domination strand what counts as the founding work of a national culture in a language its people no longer read. The “spectre of comparisons” arises as nations stir into self awareness, matching themselves against others, and becoming whole through the exercise of the imagination.In this series of profound and eloquent essays, Benedict Anderson, best known for his classic book on nationalism, Imagined Communities, explores these effects as they work their way through politics and culture. Spanning broad accounts of the development of nationalism and identity, and detailed studies of Southeast Asia, the book includes pieces on East Timor, where every Indonesian attempt to suppress national feeling has had the opposite effect; on the Philippines, where it is said that some horses eat better than stable-hands; on Thailand, where so much money can be made in elected posts that candidates regularly kill to get them; on the Filipino nationalist and novelist José Rizal for whom “we mortals are like turtles—we have value and are classified according to our shells;” and a remarkable essay on Mario Vargas Llosa, detailing the fate of indigenous minorities at the hands of the modern state.While The Spectre of Comparisons is an indispensable resource for those interested in Southeast Asia, Anderson also takes up the large issues of the universal grammars of nationalism and ethnicity, the peculiarity of nationalist imagery as replicas without originals, and the mutations of nationalism in an age of mass global migrations and instant electronic communications.

    Despite recent awareness that girls are not too fragile to play sports and that boys can benefit from learning to cook, we still find ourselves surrounded by limited gender expectations and persistent gender inequalities. Through the lively and engaging stories of parents from a wide range of backgrounds, The Gender Trap provides a detailed account of how today's parents understand, enforce, and resist the gendering of their children. Emily Kane shows how most parents make efforts to loosen gendered constraints for their children, while also engaging in a variety of behaviors that reproduce traditionally gendered childhoods, ultimately arguing that conventional gender expectations are deeply entrenched and that there is great tension in attempting to undo them while letting 'boys be boys' and 'girls be girls.'

    It is impossible not to be drawn in to the provocative (often contentious) discussion that Harvey Mansfield sets before us. This is the first comprehensive study of manliness, a quality both bad and good, mostly male, often intolerant, irrational, and ambitious. Our “gender-neutral society” does not like it but cannot get rid of it.Drawing from science, literature, and philosophy, Mansfield examines the layers of manliness, from vulgar aggression, to assertive manliness, to manliness as virtue, and to philosophical manliness. He shows that manliness seeks and welcomes drama, prefers times of war, conflict, and risk, and brings change or restores order at crucial moments. Manly men in their assertiveness raise issues, bring them to the fore, and make them public and political—as for example, the manliness of the women’s movement.After a wide-ranging tour from stereotypes to Hemingway and Achilles, to Nietzsche, to feminism, and to Plato, the author returns to today’s problem of “unemployed manliness.” Formulating a reasoned defense of a quality hardly obedient to reason, he urges men, and especially women, to understand and accept manliness, and to give it honest and honorable employment.

    Even a hard-rocking punk or orchestral aesthete can’t help cracking a smile or singing along with songs like “Jolene” and “9 to 5.” More than a mere singer or actress, Parton is a true cultural phenomenon, immediately recognizable and beloved for her talent, tinkling laugh, and steel magnolia spirit. She is also the only female star to have her own themed amusement park: Dollywood in Pigeon Forge, Tennessee. Every year thousands of fans flock to Dollywood to celebrate the icon, and Helen Morales is one of those fans. In Pilgrimage to Dollywood, Morales sets out to discover Parton’s Tennessee. Her travels begin at the top celebrity pilgrimage site of Elvis Presley’s Graceland, then take her to Loretta Lynn’s ranch in Hurricane Mills; the Country Music Hall of Fame and the Grand Ole Opry in Nashville; to Sevierville, Gatlinburg, and the Great Smoky Mountains National Park; and finally to Pigeon Forge, home of the “Dolly Homecoming Parade,” featuring the star herself as grand marshall. Morales’s adventure allows her to compare the imaginary Tennessee of Parton’s lyrics with the real Tennessee where the singer grew up, looking at essential connections between country music, the land, and a way of life. It’s also a personal pilgrimage for Morales. Accompanied by her partner, Tony, and their nine-year-old daughter, Athena (who respectively prefer Mozart and Miley Cyrus), Morales, a recent transplant from England, seeks to understand America and American values through the celebrity sites and attractions of Tennessee. This celebration of Dolly and Americana is for anyone with an old country soul who relies on music to help understand the world, and it is guaranteed to make a Dolly Parton fan of anyone who has not yet fallen for her music or charisma.

    Yet internationally renowned Islamic scholar Akbar Ahmed believes that through dialogue and understanding, these cultures can coexist peacefully and respectfully. That hope and belief result in an extraordinary journey. To learn what Muslims think and how they really view America, Ahmed traveled to the three major regions of the Muslim world the Middle East, South Asia, and East Asia. Journey into Islam: The Crisis of Globalization is the riveting story of his search for common ground. His absorbing narrative and personal photos bring the reader on a tour of Islam and its peoples. Ahmed sought to understand the experiences and perceptions of ordinary Muslims. Visiting mosques, madrassahs, and universities, he met with people ranging from Pakastan President Pervez Musharraf to prime ministers, princes, sheikhs, professors, and students. He observed, listened, and asked them questions. For example, who inspires them? What are they reading? How do the Internet and international media impact their lives? How do they view America, the West, and changes in society? Ahmed's anthropological expedition enjoyed extensive access to women and youths, revealing unique information on large yet often misunderstood populations. Lamentably, he found high levels of anti-Americanism and anti-Semitism and a widespread perception that Islam is under attack from the West. But he also brought back reason for hope. He returned from his groundbreaking travels both impressed with the concerned, kind nature of the individuals he encountered and invigorated with the vitality and passion they displayed. Journey into Islam makes a powerful plea for forming friendships across religion, race, and tradition to create lasting peace between Islam and the West.

    And while there are definitely a handful of reasons for the fractured family unit, the most significant phenomenon to rupture marriage was feminism. In the span of a few short decades, the movement managed to demote its men from respected providers and protectors of the family to superfluous buffoons. To a large segment of the population, the idea that men can be victims at all is preposterous. Everyone knows there's more work to be done for women to achieve so-called equality. Everyone knows the patriarchy is alive and well. But Americans have been had. Feminism isn't about equal rights, nor is it about providing women with choices. I don't care how pretty feminists package their agenda-the mission is clear: Feminism is a war on men. It's time to say what no one else will: the sexual revolution was a disaster. Modern men have no respect for modern women and vice versa. Marriage has turned into a competition rather than a partnership. Dating is defunct and any reference to gender differences it met with skepticism or outright derision. Post-feminist America thinks males and females are virtually identical. We've become genderless. To end the war on men, women must stop clamoring for something we already have-and have had for quite some time: equality. They must adopt the mantra equal, but different. Men and women have been equally blessed with amazing and unique qualities that each brings to the table. Isn't it time we stopped fussing about who brought what and just enjoy the feast?