The calls to ban it were more or less instant.Re:cyclists is the tale of what happened next, of how we have spent two centuries wheeling our way about town and country on bikes--or on two-wheeled things that vaguely resembled what we now call bikes. Michael Hutchinson picks his way through those 200 years, discovering how cycling became a kinky vaudeville act for Parisians, how it became an American business empire, and how it went on to find a unique home in the British Isles. He considers the penny-farthing riders exploring the abandoned and lonely coaching roads during the railway era, and the Victorian high-society cyclists of the 1890s bicycle craze--a time when no aristocratic house party was without bicycles and when the Prince of Wales used to give himself an illicit thrill on a weekday afternoon by watching the women's riding-school in the Royal Albert Hall.Re:cyclists looks at how cycling became the sport, the pastime and the social life of millions of ordinary people, how it grew and how it suffered through the 1960s and '70s, and how at the dawn of the twenty-first century it rose again, much changed but still ultimately just someone careering along on two wheels.

    From war correspondents, farmers, and slaves to foot soldiers, officers, wives and lovers on both sides of the conflict, Tom Wicker creates a most memorable cast.

    Global sea levels, as the result of rapidly melting polar ice rose by more than 300 feet in a very short period of time, causing the planet to become unstable.In Egypt, Peru, Bolivia, Lebanon and other locations we see the existence of ancient damaged but very sophisticated megalithic stone structures which we would be hard pressed to re-create today. They hint that once upon a time one or "Atlantean" civilizations indeed did exist

    Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami’s global impact socially, culturally, and art historically. Essays focus on Murakami’s early works, which were based on a social critique of Japan’s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture; and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami’s working methods within the tradition of the Western avant-garde.

    Hunt's Lyndon Johnson's War reinterprets the values, choices, misconceptions, and miscalculations that shaped the long process of American intervention in Southeast Asia, and renders more comprehensible--if no less troubling--the tangled origins of the war.

    Here he argues that Canada did not begin in 1867; indeed, its foundation was laid by two visionary men, Louis-Hippolyte LaFontaine and Robert Baldwin. The two leaders of Lower and Upper Canada, respectively, worked together after the 1841 Union to lead a reformist movement for responsible government run by elected citizens instead of a colonial governor.But it was during the "Great Ministry" of 1848—51 that the two politicians implemented laws that created a more equitable country. They revamped judicial institutions, created a public education system, made bilingualism official, designed a network of public roads, began a public postal system, and reformed municipal governance. Faced with opposition, and even violence, the two men— polar opposites in temperament—united behind a set of principles and programs that formed modern Canada. Writing with verve and deep conviction, Saul restores these two extraordinary Canadians to rightful prominence.

    His memoir is a story of extraordinary challenges met for honor, freedom, and the Corps.

    Accused of crimes against humanity, they have brutally mistreated their people. Yet in the last couple of years, and in spite of sham elections, the pace of change has been breathtaking. Much is now hoped for. However, Burma is one of the most ethnically diverse nations in SE Asia: there are roughly seven major ethnic groups living along its borders. They have a long history of conflict with the government and have been cruelly treated by the current regime. Their future affects the country as a whole, as Benedict Rogers explains. Drawing heavily on his many fact-finding visits both inside Burma and along its frontiers, he gives a unique appraisal of the current ethnic situation and its implications for the nation as a whole. Wide-ranging, expertly researched, and full of brand new accounts of the courage and determination of the Burmese people, Burma: a nation at the crossroads explains the country's conflicted history, as well as its contemporary struggle for justice. Burma stands poised for freedom, or for further repression. No one can be sure. This fascinating and accessible book describes what is really happening inside this beautiful, secretive, and potentially prosperous country.

    However, Sally's brother, a London-based reporter, refuses to accept this and begins an investigation of his own.

    They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans — black and white, Latino and Native American, men and women, officers and “grunts” — whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war — Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers — as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories — individual and cultural — that capture a central if often overlooked component of the American war in Vietnam.

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    

    Ever a game little guinea pig, Kingwell put himself on Prozac and St. John's wort. He hired himself out as an expert to "help" marketers suss out material sources of happiness for the 18 to 29 cohort. He notices little things such as the fact that Pepperidge Farm has added smiley faces to their Goldfish crackers. (And for what? The fish are happy that you are happy when you eat them?) He ranges widely, writing about Roman Stoic Epictetus, Nick Hornby, The Honeymooners, Freud, Sir Thomas More, PMS, Plato, and much more. Kingwell, a philosophy professor at the University of Toronto, exceeds at making the personal philosophical--a skill that has earned him mild derision from academic contemporaries, but that lay readers will appreciate. His writing is clear, engaging, and thought-provoking, and, like fellow pop philosopher Alain de Botton (How Proust Can Change Your Life, The Consolations of Philosophy), Kingwell doffs his mortarboard at Montaigne, surely the most loose-limbed and least po-faced of philosophers--human, confused, and curious--who seems to be enjoying something of a revival. Your happiness does not depend on reading this book. But it's nice to know that for those of us who abjure books with titles like Become Happy in Eight Minutes, there are wry, funny, smart, and even uplifting reads such as In Pursuit of Happiness. --J.R.

    By the middle of the 6th century the Byzantine emperor ruled a mighty empire that straddled Europe, Asia, and North Africa. Within 100 years, this powerful empire had been cut in half. Two centuries later the Byzantine empire was once again a power to be reckoned with that soon recovered its position as the paramount East Mediterranean and Balkan power, an empire whose fabulous wealth attracted Viking mercenaries and central Asian nomad warriors to its armies, whose very appearance on the field of battle was sometimes enough to bring enemies to terms. This book provides essential support for those interested in Byzantine history in general as well as a useful corrective to the more usual highly romanticized views of Byzantine civilization.

    Altho his recordings were never bestsellers & there were times when he was more greatly appreciated in the UK, Canada & the 3rd World than at home, the late Philip David Ochs was one of the few American folksingers, aside from Woody Guthrie & Bob Dylan, who wrote & performed his own songs. This singing journalist's earliest ballads--championing civil rights, pacifism & revolution, attacking unemployment & US foreign policy--dealt with the romance of politics. Later ones celebrated the politics of romance. Fascinated by night, death, drowning, James Dean & Elvis Presley, Ochs was only 36 when, after surviving an attack in Africa followed by a psychotic break, he hanged himself in 1976. Eliot's sympathetic, powerful biography 1st appeared in paperback in 1979. Newer editions contain an epilog that updates information on Ochs's family & friends, discusses the FBI's 13-year surveillance of him & offers a revised discography.