His father, Akbar, transformed the Mughal kingdom into an empire, and his reign is often considered an epoch in itself. Jahangir's son Shahjahan built the tomb that Tagore famously described as a 'teardrop on the cheek of time', and was sometimes upheld as Akbar's true heir. Jahangir, on the other hand, has the reputation of a weak man, at best: an alcoholic with an eye for art and greed for pleasure, controlled by a powerful wife. But far from being a disinterested prince and insignificant ruler, Jahangir showed tremendous ambition and strength throughout his life. When his succession was threatened, Jahangir set up a rebel court in the face of the mighty Akbar himself. While he made no conquests to match his father's, Jahangir was the first Mughal to win the allegiance of the fearsome Ranas of Mewar. And, for all his reputed frivolity, Jahangir was the emperor who won his dynasty its glorious association with things of beauty and splendour - and who wrote one of the most perceptive and entertaining imperial memoirs of all time. The man who is most often defined by his relationships is here presented holistically as a canny ruler and conscientious administrator, an astute observer of human society and a connoisseur with wide-ranging interests. In this marvellous work of popular history, Parvati Sharma tells a compelling story of one of the most fascinating and undervalued rulers of India.

    In this lively collection, learn how an ordinary young man, Mahesh Das, became the beloved Raja Birbal we all know today, and how he uses his famous wit, time and again, to build a ‘celestial palace’ for Emperor Akbar, order a census of crows, trap a thief using a magic bamboo, and much more.Replete with wisdom and wit, and brought to life by Tapas Guha’s beautiful illustrations, this clever collection of stories also offers valuable life lessons hidden beneath its humour.

    Instead, he was the ‘CEO’ of a large temple. Guided by his guru A C Bhaktivedanta Srila Prabhupada. Propelled forward by the Divine Plan.A chance meeting with Mohandas Pai inspired Madhu Pandit to use the spare capacity in the ISKCON kitchen. To start a mid-day meal program for 1500 children, in and around Bangalore. Today, Akshaya Patra is the world’s largest NGO-led mid-day meal program, with 27 kitchens across 11 states. Serving 1.6 million hot lunches to government schools each day.This is the exciting story of spiritualists and capitalists coming together to launch a unique start-up. And taking it to scale. A ‘Made in India’ success story using the head, the heart and a whole lot of soul.

    With mordant wit, this biography of a city spares neither half of its split-personality: from moody, magical Madras to bursting-at-the-seams, tech-savvy Chennai. And, a minute into the book, the reader knows they are inseparable-and Bishwanath Ghosh refuses to take sides.And yet, he tells us, while Chennai is usually known as conservative and orthodox, almost every modern institution in India-from the army to the judiciary, from medicine to engineering-traces its roots to Madras’s Fort St George, which was built when Delhi had only just become the capital of the Mughal Empire, and Calcutta and Bombay weren’t even born. Today, the city once again figures prominently on the global map as ‘India’s Detroit’, a manufacturing giant, and a hub of medical tourism. There have been sweeping changes since pre-Independent India, but even as Chennai embraces change, its people hold its age-old customs and traditions close to their heart. ‘This is what makes Chennai unique,’ says Ghosh, ‘the marriage of tradition and technology’.Bishwanath Ghosh wears a reporter’s cap and explores the city he has made his home, delving into its past, roaming its historic sites and neighbourhoods, and meeting a wide variety of people-from a top vocalist to a top sexologist, from a yoga teacher to a hip transsexual, from a yesteryear film star to his own eighty-five-year-old neighbour, from the ghosts of Clive, Wellesley, Hastings and Yale to those of Periyar and MGR, two people who redefined the political skyline of Tamil Nadu.What emerges is an evocative portrait of this unique city, drawn without reservation-sometimes with humour, sometimes with irony-but always with love.

    But that is not the only truth about the city that Amitava Kumar explores in this vivid, entertaining account of his hometown. We accompany him through many Patnas, the myriad cities locked within the city—the shabby reality of the present-day capital of Bihar; Pataliputra, the storied city of emperors; the dreamlike embodiment of the city in the minds and hearts of those who have escaped contemporary Patna's confines. Full of fascinating observations and impressions, A Matter of Rats reveals a challenging and enduring city that exerts a lasting pull on all those who drift into its orbit.Kumar's ruminations on one of the world's oldest cities, the capital of India's poorest province, are also a meditation on how to write about place. His memory is partial. All he has going for him is his attentiveness. He carefully observes everything that surrounds him in Patna: rats and poets, artists and politicians, a girl's picture in a historian's study, and a sheet of paper on his mother's desk. The result is this unique book, as cutting as it is honest.

    A metropolis, reclaimed from ocean and iniquity, it effortlessly manufactured the dreams that captivated a nation and drew fortune seekers to it by the million. Once a princesss dowry, these seven conjoined islands were settled over time by the most diverse collection of people the Indian subcontinent has ever known, they proceeded to create a mishmash culture that perfectly reflected their heterogeneity and gave the city its unique verve. No longer. For some time now, Bombays charms have been wearing thin, other cities have become more alluring and disastrous new trends such as its re-islanding into luxury ghettos, could spell its final descent into chaos and terminal decay. In this arresting new biography, award winning writer and journalist, Naresh Fernandes, writes with a mixture of passion, exasperation, poignancy, empathy and great elegance about his beloved Bombay giving us a very deep understanding and appreciation of one of the worlds most iconic cities.

    It also examines some vital aspects of cultural transformation in modern India.Candidates of many competitive examinations, but especially those of the civil services, will find this book worth reading.

    Brand New!! Re-check ISBN before Purchase

    Thus CHACHA CHAUDHARY was born in 1971.Tall and robust SABU, who is an inhabitant of planet Jupiter, gave Chaudhary an ideal company. A combination of wisdom and strength was formed to tackle any difficult task. It is said that " Chacha Chaudhary's brain works faster than a computer". Though both fight the criminals and tricksters, each episode ends with a touch of humour. The duo perform in lighter vein. The CHAUDHARY family consists of his wife Bini, a fat sharp tongue woman, Sabu, Rocket - the dog and Dag- Dag, an old truck who is half human- half machine. Chacha Chaudhary is the most popular Indian comics. More than 10 million readers enjoy this series regularly in newspapers and comic books in ten languages. A T.V. serial based on the comics has crossed 500 episodes and still continue to be telecast on premier channel "Sahara ONE".

    Yet—startling as this is— the instrument as we know it is only a century old. T.M. Krishna investigates the history of the mrdangam and meets the invisible keepers of a tradition: the mrdangam makers.The making process is an intellectually, aesthetically and physically taxing one. From acquiring the skins for the circular membranes and straps to the wood for the drum, from curing the material to the final construction, and at the end of it all, making sure that it has the tone that the mrdangam player wants, mrdangam-making is also a highly nuanced operation at every stage.While several artists have been credited with the evolution of the instrument, including the stalwart Palghat Mani Iyer, none of them had knowledge of a fundamental aspect of the making: hide. The quality of the hide and how it is cured, cut, stretched, bound and braided impacts the tone, timbre and sound of the instrument. This requires a highly tuned ear and an ability to translate abstract ideas expressed by musicians into the corporeal reality of a mrdangam. Yet, their contribution to the art of the mrdangam is dismissed as labour and repair—when it is spoken of at all.There are legendary mrdangam players, yes; there are also distinguished mrdangam makers, many of them from Dalit Christian communities, who remain on the fringes of the Karnatik community. Sebastian and Sons explores the world of these artists, their history, lore and lived experience to arrive at a more organic and holistic understanding of the music that the mrdangam makes.

    The political and socio-economic developments that have influenced the growth of modern India have been dealt with in independent chapters.

    S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India.Traveling from the bureaucratic morass of Bombay to the ethereal beauty of Kashmir, from a sacred ice cave in the Himalayas to an abandoned temple near Madras, Naipaul encounters a dizzying cross-section of humanity: browbeaten government workers and imperious servants, a suavely self-serving holy man and a deluded American religious seeker. An Area of Darkness also abounds with Naipaul’s strikingly original responses to India’s paralyzing caste system, its apparently serene acceptance of poverty and squalor, and the conflict between its desire for self-determination and its nostalgia for the British raj. The result may be the most elegant and passionate book ever written about the subcontinent.

    Not one answer, but many. Not a single history, but multiple tales cutting across laws and boundaries.’ In Bhakti poetry, Radha and Krishna disregard marital fidelity, age, time and gender for erotic love. In Sufi dargahs, pirs (spiritual guides) who were married to women are buried alongside their male disciples, as lovers are. Vatsyayana, author of the world’s most famous manual of sex, insists that he did not compose it ‘for the sake of passion’, and remained celibate through the writing of it. Long hair is widely seen as a symbol of sexuality; and yet, shaved off in a temple, it is a sacred offering. Even as the country has a draconian law to punish homosexuality, heterosexual men share the same bed without comment. Hijras are increasingly marginalized; yet gender has historically been understood as fluid rather than fixed. Menon navigates centuries, geographies, personal and public histories, schools of philosophy, literary and cinematic works, as she examines the many—and often surprising—faces of desire in the Indian subcontinent. Her study ranges from the erotic sculptures of Khajuraho to the shrine of the celibate god Ayyappan; from army barracks to public parks; from Empress Nur Jahan’s paan to home-made kohl; from cross-dressing mystics to androgynous gods. It shows us the connections between grammar and sex, between hair and war, between abstinence and pleasure, between love and death. Gloriously subversive, full of extraordinary analyses and insights, this is a book you will read to be enlightened and entertained for years.About the AuthorMadhavi Menon is professor of English at Ashoka University, and writes on desire and queer theory. She is the author of Wanton Words: Rhetoric and Sexuality in English Renaissance Drama; Unhistorical Shakespeare: Queer Theory in Shakespearean Literature and Film; and Indifference to Difference: On Queer Universalism. She is also the editor of Shakesqueer: A Queer Companion to the Complete Works of Shakespeare.

    Within five weeks, Prime Minister Indira Gandhi declared the Emergency, suspending fundamental rights and imposing press censorship, and soon reckless policies said to be authored by the prime minister's younger son were unleashed on India's citizens. As the country suffered under the iron fist of an elected icon and her chosen heir, Tavleen observed that a small, influential section of Delhi's society people she knew well remained strangely unaffected by the perilous state of the nation. Before long, members of this circle were entrenched in key positions in the Indian government. In 1984, following Indira Gandhi's assassination, Rajiv Gandhi became prime minister, fortified by a huge mandate from a nation desperate for change. But, belying its hopes, the young leader chose for himself a group of advisors, friends and acolytes from the drawing rooms of Delhi, as inexperienced as him and just as unaware of the ground realities of a complex nation. It was the beginning of a political culture of favouritism and ineptitude that would take hold at the highest levels of government, stunting India's ambitions and frustrating its people well into the next century. Seasoned reporter and distinguished newspaper columnist Tavleen Singh's Durbar is a sharp account of these turbulent years. Describing the Nehruvian era of her childhood, the Emergency of her youth and the political shifts that followed, Tavleen writes of the birth and evolution of insurgencies in Punjab and Kashmir, the blood spilt in assassinations and massacres, of crises internal and external and the clumsy attempts to set things right. A remarkable memoir, vivid with the colour of election campaigns and society dinners, low conspiracies and high corruption, Durbar rewards us with this truth: that if India is to achieve a better future the past can no longer be ignored or forgotten.

    In October 2011 when he presented his passport at immigration in Germany, Kapoor was unceremoniously whisked away into Interpol custody. India had weeks earlier issued a red-corner notice for his arrest after connecting him to audacious idol thefts in two Tamil Nadu temples.And when the US authorities subsequently raided Kapoor's warehouses in New York more skeletons came tumbling out of his closet. They recovered no less than $100 million worth of stolen Indian art! This was just Kapoor's inventory - he had been in business for close to four decades and the true scale of his loot is incalculable. The US declared Kapoor one of the most prolific commodities smugglers in the world.This is the unbelievable true story of how Kapoor was caught, told by one of the men who had for years been chasing Kapoor and is still tracking idols that have passed through his hands. From complicit police officers to corrupt museum officials to jilted girlfriends and from two-faced academics to shady temple looters and smugglers - this book has it all. Prepare to be shocked at the 21st-century pillaging of India's temples by a glittering cast of suave criminals.