An inland expedition ends in disaster when the group is attacked by Indians.The Witness explores the relationship between existence and description, foreignness and cultural identity.Juan Jose Saer was born in Argentina in 1937 and is considered one of Argentina's leading writers of the post-Borges generation. He died in 2005.

    Mao, at least, is still on view for the masses to see, some two decades after his demise. But no corpse engendered as much intrigue as that of Eva Peron. Elevated to near sainthood in Argentina after her death in 1952, her perfectly preserved corpse was seized by the Argentine Army following the ouster of her husband in 1955. By then, her corpse was the equivalent of a sacred relic, and while army officials wanted to keep it out of the hands of Peronists, they were loath to destroy the corpse for fear of the wrath that might follow. Tomas Eloy Martinez has reassembled the story of the corpse of Eve Peron in Santa Evita, and in the process, produced a riveting, rich book that not only tells the tale of one of the more bizarre sagas in the history of South American politics, but that also gets to the heart of the age-old human impulse to create myths and tell stories.

    It is the story of an ignorant Castillian peasant and multiple murderer, and it tells of the savage impulses behind his crimes and his redeeming characteristics.

    Take any book of apologetics-that is to say, of theological advocacy-and you will see how many times you will meet with this phrase-"the disastrous consequences of this doctrine." Now the disastrous consequences of a doctrine prove at most that the doctrine is disastrous, but not that it is false, for there is no proof that the true is necessarily that which suits us best. -from "The Rationalist Dissolution" This is the masterpiece of Miguel de Unamuno, a member of the group of Spanish intellectuals and philosophers known as the "Generation of '98," and a writer whose work dramatically influenced a wide range of 20th-century literature. His down-to-earth demeanor and no-nonsense outlook makes this 1921 book a favorite of intellectuals to this day, a practical, sensible discussion of the war between faith and reason that consumed the twentieth century and continues to rage in the twenty-first century. de Unamuno's philosophy is not the stuff of a rarefied realm but an integral part of fleshly, sensual life, metaphysics that speaks to daily living and the real world. Spanish philosopher MIGUEL DE UNAMUNO (1864-1936) was a prolific writer of essays, novels, poetry, and the stage plays. His books include Peace in War (1895), The Life of Don Quixote and Sancho (1905), and Abel Sanchez (1917)."

    In Rain of Gold, Victor Villasenor weaves the parallel stories of two families and two countries…bringing us the timeless romance between the volatile bootlegger who would become his father and the beautiful Lupe, his mother–men and women in whose lives the real and the fantastical exist side by side…and in whose hearts the spirit to survive is fueled by a family’s unconditional love.

    Tormented by illness, doubts and self-recrimination, she gradually came to recognize the power of prayer and contemplation - her spiritual enlightenment was intensified by many visions and mystical experiences, including the piercing of her heart by a spear of divine love. She went on to found seventeen Carmelite monasteries throughout Spain. Teresa always denied her own saintliness, however, saying in a letter: 'There is no suggestion of that nonsense about my supposed sanctity.' This frank account is one of the great stories of a religious life and a literary masterpiece - after Don Quixote, it is Spain's most widely read prose classic.

    This remarkable book is his odyssey, first written in 1542 as an official report to the king of Spain under the title La Relacion.

    Grouped in sections that follow the cycle of life, these stories explore the varied aspects of human existence and, cumulatively, form the satisfying dramatic arc of a novel. The authors range from the acknowledged masters of short fiction - Anton Chekhov, Dorothy Parker, John Cheever, Raymond Carver, T.C. Boyle, Jhumpa Lahiri - to the very best of today's emerging writers. As a bonus, the anthology includes interviews with T.C. Boyle and Jhumpa Lahiri, in which they illuminate the process of creating a short story. Aspiring writers who enjoyed Gotham Writers' Workshop previous book, Writing Fiction, will also find this anthology an invaluable source of inspiration and instruction. Praise for Writing Fiction: "The writing is fresh and full of concrete advice."-Publishers' Weekly " It's an incredible book, not just for the aspiring writer but for the ardent reader as well." - Michael Ray, Senior Editor, Zoetrope: All-Story "This book has a vividness that somehow captures the excitement and fellowship in good writers' workshops. I've clearly found a new book to use in my own writing classes. A fine guide."-Chuck Kinder, Writing Program Director, University of Pittsburgh "The strength of this book is its accessibility: It explains all the basics of writing fiction in a simple, easy-to-understand manner that doesn't intimidate."-The Writer Magazine Gotham Writers' Workshop is America's leading private creative writing school, offering classes in New York City and on the web at www.WritingClasses.com. The school's interactive online classes, selected "Best of the Web" by Forbes, have attracted thousands of aspiring writers from across the United States and more than sixty countries. Also available:

    It is a story of a ruthless dictator and his schemes to dispose of a political adversary in an unnamed Latin American country usually identified as Guatemala. The book has been acclaimed for portraying both a totalitarian government and its damaging psychological effects. Drawing from his experiences as a journalist writing under repressive conditions, Asturias employs such literary devices as satire to convey the government’s transgressions and surrealistic dream sequences to demonstrate the police state’s impact on the individual psyche. Asturias’s stance against all forms of injustice in Guatemala caused critics to view the author as a compassionate spokesperson for the oppressed. My work,” Asturias promised when he accepted the Nobel Prize for Literature, “will continue to reflect the voice of the people, gathering their myths and popular beliefs and at the same time seeking to give birth to a universal consciousness of Latin American problems.”

    While he dances the night away in the milongas with the fiery denizens of Buenos Aires, the country around them collapses, gripped by inflation, street riots, and revolution. In a book that is part travelogue and part history, the author evokes his immersion in a dark underworld. He visits old dance salons, brothels, and shacks on the dusty Pampa, searching for the tango's shady origins in the hope that understanding may help him dance better. Along the way, he discovers that the tango, with its tales of jealousy, melodrama, and lost glory, may hold the secret to the country that is inexplicably disintegrating before his eyes.

    Suddenly left abandoned and penniless in Morocco by her lover, Sira Quiroga forges a new identity. Against all odds she becomes the most sought-after couture designer for the socialite wives of German Nazi officers. But she is soon embroiled in a dangerous political conspiracy as she passes information to the British Secret Service through a code stitched into the hems of her dresses.

    It was first written in 1335.The book is divided into four parts. The first and most well-known part is a series of 50 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales. Story 28, "Of what happened to a woman called Truhana", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.Tales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.

    Emma Gable, a blind teenager coming of age in a small industrial town in Western New York, is about as far from the seismic cultural transformations rocking campuses and city streets across America as a person can get. Emma escapes the chaos of her dysfunctional family by dialing up random numbers on the phone in her bedroom, just to see who'll answer. But when a fateful call connects her to a mysterious band of proto-hackers calling themselves "Phone Phreaks," the revolution comes home, changing Emma's life for good. Because Bell Telephone, the world's biggest corporation, is not amused that a handful of teenagers suddenly have the power to seize control of its vast and lucrative network and bend it to their will. Bringing down the Phreaks is the corporate goliath's number one priority, but for Bell Security Agent Bill Connolly, the crusade becomes personal as he struggles to outwit and outmaneuver an adversary that seems always one step ahead of him.Phreaks is the story of a fracturing family struggling to redefine itself as the world changes rapidly around it. Set at the dawn of the information age, its characters struggle with the same issues that define us today: privacy and surveillance, misuse of personal data, the ownership of ideas, our century-long obsession with the telephone, and the thirst for community that's driven us, since the dawn of time, to seek out new ways to "reach out and touch someone."Full voice cast includes: Christian Slater, Carrie Coon, Ben McKenzie, Justice Smith, Bree Klauser, Ashley Williams, Esau Pritchett, Arielle Goldman, Danny Mastrogiorgio, Alejandro Hernandez, Daniel Kim, Dave Ahdoot, Rachel Kenney, Chris Roberti, and Katie Hartman. Written by Matthew Derby Directed by Shaina Feinberg Executive Produced by Morgan Jones

    Once students have understood the terms and concepts in their own language, it is easier for them to understand their textbook. With simple explanations and numerous examples, this brief handbook compares English and Spanish grammar and points out the similarities and differences.

    But when he walks through the door of his apartment, he is transformed into the impassioned lover of Blanca, the beautiful, inscrutable wife he saved from the brink of personal crisis. For the love of Blanca, Mario eats sushi and carpaccio, nods in feigned understanding at experimental films, sits patiently through long conversations with her avant-garde friends, and conceals his disgust at shocking art exhibits.Then, little by little, a strange and ominous threat begins to weigh on the marriage.How can love survive its own disappearance? The desperate answer that Antonio Mu�oz Molina proposes in this short, circular novella is a model of literary strategy and style, a splendid homage to Flaubert.