Whether denouncing the corporate world ("To Whom It May Concern"), or lustily joining it ("New Millennial Bad Ass"), to celebrating love in the face of smut ("Let's Make Out!"), Aptowicz dramatizes the hopes, humor and ambitions of young poet first steps into a very surreal 'real world.' This expanded version nearly triples the length of the original with previously unpublished works, including "Sass Manifesto," which was used to win the 2004 National Forsenics Championship in Poetry Interpretation.

    Confederate Captain Patrick Driscoll and his dear friend and manservant Shadrack "Shad" Bryan leave their tearful families to help fight for the Southern cause. They are to set up fort at Raccoon Island off Georgia's coast in a last-ditch effort to save their beloved city from Union attack. But only days into their assignment, the two men die in each other's arms in a Yankee bombardment. Though the men are gone, their legacy will live on-as will the legend of the priceless Driscoll family treasure the two men have buried on Raccoon Island.Four generations after the Civil War, many Confederate families still remain in Savannah, struggling through the twentieth-century in a South rife with hardball politics, personal vendettas and the hangover of war.John-Morgan Hartman, son of a newspaper man and great-great grandson of Captain Patrick Driscoll, goes to serve his country in Vietnam, unaware of the physical and psychological wounds that will befall him...Tony O'Boyle is an ambitious young politician who will stop at nothing and spare no one to get ahead-but his family's dark past will come back to haunt him...Lloyd Bryan, descended from slaves, is determined to succeed where his ancestors didn't. But his celebrity as a professional football player immerses him in a world of temptation that ultimately turns him toward religion...Charlotte Drayton, a successful television reporter, has always used her beauty to get her way-but the one man she can't have is the only one she wants...After many years, four friends will meet on the very island where the two confederate soldiers died in each other's arms. To find where they buried Driscoll's treasure-and to uncover the dangerous secrets of a prominent Savannah family.A gripping novel of history, intrigue, war, and love, Delirium of the Brave follows four generations of families contemplating the pain of the past and the promise of the future. Get swept away by this glorious saga rich with the sights, sounds, flavors, and people of the South's most stunning locale.

    A heroin addict living in a sordid London squat, she was already close to death when her American lover took charge, carrying off the baby Alexander to give him an affluent future and a loving home in the Midwest. But now Alex is 27 and afflicted by his lost roots and a romantic vision of England. When a business trip provides the chance to go and trace his unknown relatives, he discovers that while some British people are, indeed, very hard to get along with, others turn out to be more closely akin to him than he ever could have imagined.

    This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.

    (He died on July 31st, 2012 at the age of 86.) The triumphant arc of Vidal’s literary career wasn’t solely a mastery of language, though that never hurts. Handsome, poised, slim, charismatic, able to hold his own in verbal fisticuffs without losing his imperious cool, Vidal was the premiere star author of his generation, the one who elevated the role of talk-show guest to a command performance--a theatrical event. He brought the electronic crackle of the TV screen to his prose and the tactical precision of his prose to combat debate on TV. His near-violent altercations on camera with William F. Buckley, Jr. and Norman Mailer are the stuff of YouTube legend and the secret to The Gore Supremacy. A contributing writer to Vanity Fair, a partisan observer of pop culture, and the author of the New York-in-the-70s memoir Lucking Out (which comes out in paperback this fall), James Wolcott has been a closeup observer of Vidal on-camera and off for more years than seems respectable. This, his first Kindle Single, is his way of paying homage--and saying goodbye.

    It captured with devastating accuracy the deep-seated racial conflicts of a tightly knit southern town. The book is as engrossing and incendiary now as the day it was written.

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    

    Vincent Millay defined a generation with her passionate lyrics and intoxicating voice of liberation. Edited by Millay biographer Nancy Milford, this Modern Library Paperback Classics collection captures the poet’s unique spirit in works like Renascence and Other Poems, A Few Figs from This-tles, and Second April, as well as in “The Ballad of the Harp-Weaver” and eight sonnets from the early twenties. As Milford writes in her Introduction, “These are the poems that made Edna St. Vincent Millay’s reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page.”

    Poems consider women's roles in society, childhood, home, nature, language, communications, the past, and mortality.

    She held on to language for dear life and somehow -- in spite of alcoholism and the mental illness that ultimately led her to suicide -- managed to create a body of work that won a Pulitzer Prize and that still sings to thousands of readers. This exemplary biography, which was nominated for the National Book Award, provoked controversy for its revelations of infidelity and incest and its use of tapes from Sexton's psychiatric sessions. It reconciles the many Anne Sextons: the 1950s housewife; the abused child who became an abusive mother; the seductress; the suicide who carried "kill-me pills" in her handbag the way other women carry lipstick; and the poet who transmuted confession into lasting art.

    Three Lives is "a fine new kind of realism." (William James) Tender Buttons is "to writing what cubism is to art." (W.G. Rogers)

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel

    The next day a home in Georgia is burned. Both events are etched into the memory of Cole Bishop, eerily playing out the predictions of a former classmate named Marie Fitzpatrick. Cole and Marie are high school seniors when they first meet in fall 1954. He is a native-born Southerner accepting the traditions of segregation as a way of life. Marie is a recent transplant from Washington, DC, a brilliant and assertive nonconformist with bold predictions about a new world that is about to be ushered in by desegregation. The story revolves around the fiftieth reunion of the Overton High School class of 1955. The Book of Marie is the story of a generation?whites and blacks?who ignited the war of change. Yet, it is also as much about the power of place?the finding of home?as it is about the history of events.