A must for this counterculture idol's legion of fans.

    Still, what he saw of the devastation there sent him back to New Orleans eager for a normal life and a job as a floorwalker in the city’s biggest department store, and to start anew with his wife years after losing a son to illness. But when a little girl disappears from the store on his shift, he loses his job and soon joins her parents working on a steamboat plying the Mississippi and providing musical entertainment en route. Sam comes to suspect that on the downriver journey someone had seen this magical child and arranged to steal her away, and this quest leads him not only into this raucous new life on the river and in the towns along its banks but also on a journey deep into the Arkansas wilderness. Here he begins to piece together what had happened to the girl—a discovery that endangers everyone involved and sheds new light on the massacre of his own family decades before.Tim Gautreaux brings to vivid life the exotic world of steamboats and shifting currents and rough crowds, of the music of the twenties, of a nation lurching away from war into an uneasy peace at a time when civilization was only beginning to penetrate a hinterlands in which law was often an unknown force. The Missing is the story of a man fighting to redeem himself, of parents coping with horrific loss with only a whisper of hope to sustain them, of others for whom kidnapping is either only a job or a dream come true. The suspense—and the complicated web of violence that eventually links Sam to complete strangers—is relentless, urgently engaging and, ultimately, profoundly moving, the finest demonstration yet of Gautreaux’s understanding of landscape, history, human travail, and hope.

    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    With a wild and inquisitive lyricism, Willis—“one of the most outstanding poets of her generation” (Susan Howe)—draws us into intricate patterns of thought and feeling. The intimate and civic address of these poems is laced with subterranean affinities among painters, botanists, politicians, witches and agitators. Coursing through this work is the clarity and resistance of a world that asks the poem to rise to this, to speak its fury.

    He's having a hard time getting started because his career is floundering, his girlfriend Roz has recently left him, and he is thinking about the great poets throughout history who have suffered far worse and deserve to feel sorry for themselves. He has also promised to reveal many wonderful secrets and tips and tricks about poetry, and it looks like the introduction will be a little longer than he'd thought. What unfolds is a wholly entertaining and beguiling love story about poetry: from Tennyson, Swinburne, and Yeats to the moderns (Roethke, Bogan, Merwin) to the staff of The New Yorker, what Paul reveals is astonishing and makes one realize how incredibly important poetry is to our lives. At the same time, Paul barely manages to realize all of this himself, and the result is a tenderly romantic, hilarious, and inspired novel.

    A collage of song, culture, and circumstance, alive and speaking.Tyehimba Jess’ numerous awards include fellowships from the NEA and the Fine Arts Work Center in Provincetown. A native of Detroit, he is a proud alumnus of the Chicago Green Mill Slam teams and Cave Canem. His first nonfiction book is African American Pride: Celebrating our Achievements, Contributions, and Enduring Legacy (Citadel Press, 2003).

    A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."

    It’s about being born—without consent. Jenny Zhang writes about accepting pain, about the way we fetishize womanhood and motherhood, and reduce women to their violations, traumas, and body parts. She questions the way we feminize and racialize nurturing, and live in service of other people’s dreams. How we idealize birth and being baby, how it’s only in our mothers’ wombs that we’re still considered innocent, blameless, and undamaged, because it’s only then that we don’t have to earn love. Her poems explore the obscenity of patriarchy, whiteness, and capitalism, the violence of rescue and heroism. The magic trick in this book is that despite all these themes, the book never feels like some jeremiad. Zhang uses friendship as a lyric. She seeks tenderness, radiant beauty, and having love for your mistakes. Through all this, she writes about being alone—really alone, like why was I ever born alone—and trying, despite everything, to reach out and touch something—skin to skin, animal to animal.

    This popular volume collects two of Lowell's finest books of poetry.

    . . More Like Wrestling is the magnificent debut novel by one of the most acclaimed music journalists of her generation. It tells the story of Pinch and Paige, two sisters coming of age in Oakland, California, in the 1980s, a time when that beautiful, crumbling city is being transformed by tectonic shifts, both literal and figurative. The novel unfolds through the alternating narration of the two sisters: Pinch, quiet and observant, and Paige, louder and wilder but faltering under her facade. The sisters are teenage refugees from a violent home, living alone in a faded Victorian mansion where they survive by creating a closed world centered around each other and their new friends—a rowdy makeshift family of castoffs, dealers, and drama queens on the periphery of the burgeoning drug game, some looking for a way out, some looking for a way deeper in. As the sisters grow from girls into women, they are confronted with a series of surprising reversals—death, imprisonment, and, just maybe, love—that force them to come to grips with the truth about their choices, their friends, and their tangled roots.More Like Wrestling takes readers into fresh and surprising terrain, bringing a complex set of characters to vivid life with bracing honesty and sophistication. With a journalist’s eye for detail and a poet’s ear for language, Danyel Smith has written an unforgettable tale about memory, forgiveness, and love in a world built on fault lines.

    From suffragettes to school girls, from spoken word superstars to civil rights activists, from aristocratic ladies to kitchen maids, these are voices that deserve to be heard.Collected by anthologist Ana Sampson She is Fierce: Brave, Bold and Beautiful Poems by Women contains an inclusive array of voices, from modern and contemporary poets. Immerse yourself in poems from Maya Angelou, Nikita Gill, Wendy Cope, Ysra Daley-Ward, Emily Bronte, Carol Ann Duffy, Fleur Adcock, Liz Berry, Jackie Kay, Hollie McNish, Imtiaz Dharker, Helen Dunmore, Emily Dickinson, Mary Oliver, Christina Rossetti, Margaret Atwood and Dorothy Parker, to name but a few!Featuring short biographies of each poet, She is Fierce is a stunning collection and an essential addition to any bookshelf.The anthology is divided into the following sections:Roots and Growing Up FriendshipLoveNature Freedom, Mindfulness and JoyFashion, society and body image Protest, courage and resistanceEndings

    Jeanann Verlee's award-winning debut collection is a series of narratives, prayers, and conjurings which address gender, sex, race, poverty, heartbreak, and survival with such stark intimacy, you will find yourself living inside. These poems cannot possibly be about you, yet they are. They cross boundaries and reclaim hope. They are as the opening poem suggests, nothing short of communion.

    This collection is many things: an exploration of strength and femininity, an invitation to let things go wrong, a reminder that growth comes in many forms, and an acknowledgment that “some things can’t be written in sugar, only salt.” Some of the writings are extravagant, some are sparse, but all are infused with Guinery’s introspection, stillness, and kindness.

    This critically acclaimed sonnet sequence is the passionately intense story of a love affair between two women, from the electricity of their first acquaintance to the experience of their parting.

    Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her). With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.~ groveatlantic.com