Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    Called up in 1940, Reg expected to be fighting Germans. Instead, he found himself caught up in the worst military defeat in modern British history - the fall of Singapore to the Japanese.What followed were three years of hell, moving from one camp to another along the Kwai river, building the infamous Burma railway for the all-conquering Japanese Imperial Army. Some prisoners coped with the endless brutality of the code of Bushido by turning to God; others clung to whatever was left of the regimental structure. Reg made the deadly jungle, with its malaria, cholera, swollen rivers, lethal snakes and exhausting heat, work for him. With an ingenuity that is astonishing, he trapped and ate lizards, harvested pumpkins from the canteen rubbish heap and with his homemade razor became camp barber.That Reg survived is testimony to his own courage and determination, his will to beat the alien brutality of camp guards who had nothing but contempt for him and his fellow POWs. He was a risk taker whose survival strategies sometimes bordered on genius. Reg's story is unique.Reg Twigg was born at Wigston (Leicester) barracks on 16 December 1913. He was called up to the Leicestershire Regiment in 1940 but instead of fighting Hitler he was sent to the Far East, stationed at Singapore. When captured by the Japanese, he decided he would do everything to survive.After his repatriation from the Far East, Reg returned to Leicester. With his family he returned to Thailand in 2006, and revisited the sites of the POW camps. Reg died in 2013, at the age of ninety-nine, two weeks before the publication of this book.

    Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.

    In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.

    Norman, dresser to the troupe's aging, megalomaniac star, struggles to maintain his composure and sanity amid air raid sirens, German bombing runs, and a master thespian slowly merging with the thunderous Mad King.Premiered in 1980 at the Royal Exchange Theatre, Manchester, starring Freddie Jones as "Sir" and Tom Courtenay as Norman.

    Yet the relationship between the two men did not end there. Far from it: in the years that followed, Logue was to play an even more important role at the monarch's side.The King's War follows this relationship through the dark days of Dunkirk and the drama of D-Day to eventual victory in 1945 - and beyond. It is written by Peter Conradi, a Sunday Times journalist, and Mark Logue, Lionel's grandson, whose previous book, The King's Speech: How One Man Saved the British Monarchy, was a best-seller in Britain and America and translated into more than 20 languages.The book draws on exclusive material from the Logue Archive - the collection of diaries, letters and other documents left by Lionel and his feisty wife, Myrtle. It provides a fascinating portrait of two men and their respective families - the Windsors and the Logues - as they together faced up to the greatest challenge in Britain's history.

    Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

    With SAINT JOAN (1923) Shaw reached the height of his fame and Joan is one of his finest creations; forceful, vital, and rebelling against the values that surround her. The play distils Shaw's views on the subjects of politics, religion and creative evolution.

    It tells the story of very private lives caught up in the heartrendering ordeal of suffering and doom - an ordeal that was largely ignored for reasons of politics and majority morality.Filled with power, anger, and intelligence, Larry Kramer's riveting play dramatizes what actualy happened from the time of the disease's discovery to the present, and points a moral j'accuse in many directions. His passionate indictment of government, the media, and the public for refusing to deal with a national plague is electrifying theater - a play that finally breaks through the conspiracy of silence with a shout of stunning impact. As Douglas Watt summed it up in his review for the New York Daily News,THE NORMAL HEART is "an angry, unremitting and gripping piece of political theater. You are bound to come away moved."

    Often referred to as a "comedy of manners", "The School for Scandal" is one Sheridan's most performed plays and a classic of English comedic drama.

    Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority. This version of the play is the famous one that was brought to completion by Brecht himself, working with Charles Laughton, who played Galileo in the first two American productions (Hollywood and New York, 1947). Since then the play has become a classic in the world repertoire. "The play which most strongly stamped on my mind a sense of Brecht's great stature as an artist of the modern theatre was Galileo." - Harold Clurman; "Thoughtful and profoundly sensitive." - Newsweek.

    

    With Mirabell? You call my blood into my face with mentioning that traitor. She durst not have the confidence. I sent her to negotiate an affair, in which if I'm detected I'm undone. If that wheedling villain has wrought upon Foible to detect me, I'm ruined. O my dear friend, I'm a wretch of wretches if I'm detected.

    Traditionally seen as either the pawn of an ambitious family maneuvered into the King's bed or as a predator manipulating her way to power, Anne—and her ghost—are seen in a very different light in Howard Brenton's epic play.

    Just a few weeks later, trapped in one of the worst blizzards Antarctica has ever known, Scott and his four companions perish in subzero temperatures. How did the icy conditions overwhelm Scott, Captain Oates and their party on the fateful return journey? Both experienced explorers, neither Scott or Oates were prepared for the disappointment of losing their polar race against Norwegian Roald Amundsen. Nor could they have known that the accretion of a few small mistakes would ultimately cost them their lives. The story of Scott and Oates, their incredible journey and their tragic final days, combines ambition, national pride and the kind of bravery and dignity most men can only dream of. It is one of the most captivating and endlessly fascinating tales from the Golden Age of Exploration.