Every story has a hero. We are all the hero of our own tale, and so it must be true for legions of monsters, from Lucifer to Mordred, from child-thieving fairies to Frankenstein’s monster and the Wicked Witch of the West.From the point of view of an outsider, they may very well be horrible, terrifying monstrosities, but of course they won’t see themselves in the same light. Demons and goblins, dark gods and aliens, creatures of myth and legend, lurkers in darkness and beasts in human clothing…these are the subjects of The Monster’s Corner, an anthology of never-before-published stories assembled by Bram Stoker Award-winning author Christopher Golden.With contributions from such luminous authors as Lauren Groff, Chelsea Cain, Simon R. Green, Sharyn McCrumb, Kelley Armstrong, David Liss, Kevin J. Anderson, Jonathan Maberry, and many others, this is the ultimate anthology on the dark heart of a monster.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    A detective caught in a war between two worlds... A man whose terrible appetites hide an even darker secret . . .Dark Horse once again teams up with Hugo and Bram Stoker award-winning editor Ellen Datlow (Lovecraft Unbound) to bring you this masterful marriage of the darkness without and the darkness within. Supernatural Noir is an anthology of original tales of the dark fantastic from twenty modern masters of suspense, including Brian Evenson, Joe R. Lansdale, Caitlin R. Kiernan, Nick Mamatas, Gregory Frost, Jeffrey Ford, and many more.

    McCammon, Graham Masterton, Harlan Ellison, Ramsey Campbell and other masters of the macabre take readers into their private world of fear, fantasy, and fatal attraction--in 24 tales of dread and debauchery, riveting stories of sex and terror . . . the fresh fusion that is fast becoming America's obsession.

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

    Kevin Brockmeier's fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive--or, as it happens, not to be.

    A place hidden from view, nestled in the darkest recesses of your mind, awaiting the perfect moment to reveal itself—only to scare you blind. In this collection of unforgettable horror stories, discover the terrifying truth as told by today’s greatest masters of the macabre—classic twisted tales that will reach out from the past and draw you into the depths of their darkness. Prepare to enter a nightmarish reality in which seeing is disbelieving, your eyes can deceive you…and DARK MASQUES conceal the ultimate in terror….

    In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.

    The Dark takes a look at the tormented and unquiet dead; the darkness in us, the living; and the sometimes tenuous boundary between the two.

    It didn't give you the date and it didn't give you specifics. It just spat out a sliver of paper upon which were printed, in careful block letters, the words DROWNED or CANCER or OLD AGE or CHOKED ON A HANDFUL OF POPCORN. It let people know how they were going to die." Machine of Death tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out. Featuring stories by: * Randall Munroe* Ben "Yahtzee" Croshaw* Tom Francis* Camille Alexa* Erin McKean* James L. Sutter* Douglas J. Lane* and many others.Featuring illustrations by: * Kate Beaton* Kazu Kibuishi* Aaron Diaz* Jeffrey Brown* Scott C.* Roger Langridge* Karl Kerschl* Cameron Stewart* and many others

    Weaving tales of the everyday world transformed into an unrecognizable place, where reason no longer exists and logic ceases to explain the workings of the universe, Clive Barker provides the stuff of nightmares in packages too tantalizing to resist.Never one to shy away from the unimaginable or the unspeakable, Clive Barker breathes life into our deepest, darkest nightmares, creating visions that are at once terrifying, tender, and witty.The Books of Blood confirm what horror fans everywhere have known for a long time: We will be hearing from Clive Barker for many years to come. This first volume contains the short stories : "The Book of Blood," "The Midnight Meat Train," "The Yattering and Jack," "Sex, Death, and Starshine," and "In the Hills, the Cities."

    Assembling an array of talent, this collection includes contributions from visionaries Michael Moorcock and China Miéville, modern icon Clive Barker, and audacious new talents Hal Duncan, Jeffrey Ford, and Sarah Monette. An essential snapshot of a vibrant movement in popular fiction, this anthology also features critical writings from authors, theorists, and international editors as well as witty selections from online debates.ContentsIntroduction: The New Weird: “It’s Alice?” by Jeff VanderMeer“The Gutter Sees the Light That Never Shines” by Alistair Rennie“Watson’s Boy” by Brian Evenson“Cornflowers Beside the Unuttered” by Cat Rambo“Jack” by China Miéville“In the Hills, the Cities” by Clive Barker“Forfend the Heaven’s Rending” by Conrad Williams“Locust-Mind” by Daniel Abraham“Tracking Phantoms” by Darja Malcolm-Clarke“Constable Chalch and the Ten Thousand Heroes” by Felix Gilman“The Lizard of Ooze” by Jay Lake“Festival Lives: Preamble: An Essay” by Jeff VanderMeer and Ann VanderMeer“At Reparata” by Jeffrey Ford“Immolation” by Jeffrey Thomas“The Art of Dying” by Darja Malcolm-Clarke“Whose Words You Wear” by K. J. Bishop“The Neglected Garden” by Kathy Koja“Letters from Tainaron” by Leena Krohn“The Luck in the Head” by M. John Harrison“Crossing Cambodia” by Michael Moorcock“Death in a Dirty Dhorti” by Paul Di Filippo“All God’s Chillun Got Wings” by Sarah Monette“The Braining of Mother Lamprey” by Simon D. Ings“The Ride of the Gabbleratchet” by Steph Swainston“A Soft Voice Whispers Nothing” by Thomas Ligotti“European Editor Perspectives on the New Weird: An Essay” by Martin Šust, Michael Haulica, Hannes Riffel, Jukka Halme, Konrad Walewski“The New Weird: I Think We’re the Scene” by Michael Cisco“New Weird Discussions: The Creation of a Term” by various authors

    Braunbeck109 • The Pig Man • (1993) • short story by Augustine Funnell125 • Mobius • (1987) • short story by Richard Christian Matheson129 • The Rendering Man • (1994) • short story by Douglas Clegg147 • Weight • (1994) • short story by Dominick Cancilla159 • Layover • (1991) • short story by Ed Gorman169 • Johnny Halloween • (1992) • short story by Norman Partridge181 • Hope • (1993) • short story by Steve Bevan187 • The Mailman • (1988) • short story by Bentley Little197 • Silhouette • (1996) • short story by Stephen Mark Rainey215 • Roadkill • (1991) • short story by Tom Elliott221 • The Rifle • (1995) • short story by Jack Ketchum233 • Pieces • (1992) • short story by Ray Garton237 • Rustle • (1993) • short story by Peter Crowther255 • When the Silence Gets Too Loud • (1995) • short story by Brian Hodge269 • The Rabbit • (1990) • short story by Jack Pavey281 • The Flood • (1986) • short story by John Maclay287 • The Right Thing • (1994) • short story by Gary L. Raisor [as by Gary Raisor]305 • Pig's Dinner • (1991) • short story by Graham Masterton317 • Crash Cart • (1993) • short story by Nancy Holder329 • Wall of Words • (1994) • short story by Lucy Taylor337 • Metastasis • (1990) • short story by David B. Silva349 • Wrapped Up • (1981) • short story by Ramsey Campbell357 • Depth of Reflection • (1990) • short story by David L. Duggins369 • The Mole • (1990) • short story by David Niall Wilson375 • Saviour • (1991) • short story by Gary A. Braunbeck391 • Great Expectations • (1990) • short story by Kim Antieau397 • Shell • (1992) • short story by Adam Corbin Fusco

    A recovering alcoholic on the run from his past, all Billy Smith wants is to be left alone. But commanded by the voices in his head to commit acts of violence he does not understand, he kidnaps a prostitute known only as Angel and heads north to a bucolic little New England town called White Falls. Something monstrous has taken root in White Falls, and has waited centuries for the right time to awaken. Psyches begin to unravel and violence erupts. The fate of the living ultimately rests on the back of one man. For the dead are watching . . . and they are hungry. Nate Kenyon and his family reside in Boston, Massachusetts.

    Where nature rubs against small towns, in mountains and woods and bedrooms, here is strangeness seen through a poet’s eye.They say there are always greener pastures. These stories consider the cost of that promise.