When she met Ernest Simpson it was as if he was sent to save her from her past. But marriage to him led her to an extraordinary future.

    a gem of a novel' Robert Dinsdale Moscow, 1932. Gareth Jones, a young Welsh reporter, arrives in the Soviet Union excited to see for himself how Josef Stalin is forging a new civilisation. He meets American and British journalists who acclaim Stalin’s great experiment – but when Jones witnesses people starving to death in Ukraine, his belief in the Soviet revolution is shattered. He must decide whether to report the truth or become just another useful idiot, saying only what the Communist secret police allow and smothering the evidence of his own eyes. In this special kind of hell, anyone could be an informer, and Jones knows his life will be at risk if he is even thought to be defying Stalin. And when the woman he loves falls under the suspicion of the secret police, everything Jones values is in danger. Can he reveal the terrible truth about the Ukrainian famine to the world, or will he be silenced forever? THE USEFUL IDIOT is the secret history of the first great Soviet lie – wrapped up in an electrifying novel perfect for readers of Robert Harris, Ken Follett, Frederick Forsyth, John le Carré and Kate Atkinson. As Vladimir Putin rewrites the Nazi-Soviet pact and with the horrors of Chernobyl and the Cold War so recent, this thriller of fake news in 1932 is real storytelling of enormous significance. *** John Sweeney is an award-winning journalist and a former long-serving BBC reporter. He is the author of eleven books, including three novels: the 200,000-copy bestseller ELEPHANT MOON, another historical thriller based on true events, two modern-day political thrillers, COLD and ROAD, an investigation into the Church of Scientology, THE CHURCH OF FEAR, an account of his time spent undercover in North Korea, NORTH KOREA UNDERCOVER. He tweets from @johnsweeneyroar.

    When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition. Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers’ works, plus an epilogue (“for Monsters”), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Pérez Masón, for example, in the sample included here, is an imaginary member of the real Orígenes group in Cuba, and his farcical clashes with José Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Piñera, as recounted in Guillermo Cabrera Infante’s Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina (8) and the USA (7).

    I vow to you and to the leaders that you set for me, absolute allegiance until death. So help me God!”The SS Oath of Loyalty – words that became the very death sentence for millions of Jews and Germans alike. Six decades later, we still ask ourselves why and how did it happen? "The Angel of Auschwitz", a tragic epic of historical fiction, explores these inquiries through the eyes of an unlikely antagonist-turned-protagonist – the Nazi soldier."The Angel of Auschwitz" chronicles the life of Wolfgang Bremmer, an adolescent boy from the hills of Hamburg during the Nazi occupation of Germany. As a Hitler Youth, Wolfgang is captivated by the prowess of the Nazis and thrust into the ideologies of Adolf Hitler. With an adoration for the new Fűhrer and the Third Reich, Wolfgang enlists as a young man in the SS-Death’s Head Division, the gatekeepers of the regime’s most lethal concentration camp, Dachau. It is here he is introduced to Theodor Eicke’s “School of Violence” and becomes one of the most ruthless guards the SS has ever seen. After joining Hitler’s Mobile Killing Units, he participates in the invasion of Poland and the evacuation and extermination of its Jewish inhabitants. Wolfgang is the ideal Nazi warrior: vicious, ruthless, and entirely intolerant.But evil erodes even the hardest of hearts and Wolfgang grows weary in the midst of all the death and destruction. His conscience begins to return and with that a gnawing guilt for what he and his fellow Germans have done and are about to do. But with the fear of punishment for treason, Wolfgang is trapped in the cyclone of violence. That is, until he is promoted as a guard at the Reich’s most sophisticated concentration camp, Auschwitz. In the belly of such a beast as Auschwitz, Wolfgang discovers a secret that will not only save his own life and salvation, but the lives of so many prisoners as well.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    Published in 1938, this was the first book from Wright, who would continue on to worldwide fame as the author of the novels Native Son and Black Boy.

    Against his mother's advice and wishes, he quits, and leaves home to become a professional baseball player

    Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.

    Berlin Stories collects his alternately celebratory, droll, and satirical observations on every aspect of the bustling German capital, from its theaters, cabarets, painters’ galleries, and literary salons, to the metropolitan street, markets, the Tiergarten, rapid-service restaurants, and the electric tram. Originally appearing in literary magazines as well as the feuilleton sections of newspapers, the early stories are characterized by a joyous urgency and the generosity of an unconventional guide. Later pieces take the form of more personal reflections on the writing process, memories, and character studies. All are full of counter-intuitive images and vignettes of startling clarity, showcasing a unique talent for whom no detail was trivial, at grips with a city diving headlong into modernity.

    You'll be good at it. And I had said, 'Are you on crack?' And he replied, continuing to fold a blue twill jacket, ""Yes, a little.""--Lorrie Moore'Hey,' Paul yelled out. 'Why's everybody talking behind the patient's back?' 'Shut up, we're having sex,' she called back. She poured a cup for herself. 'He seems pretty chipper this morning.' 'Yeah, I don't know what to hope for,' I said. 'Quality, I guess. And then not too much quantity.' --David Gates'If everything we said had been a poem, the index of first lines would have formed a pattern: 'Do you remember', 'Tell me if I remember wrong', 'There was that time', 'Wasn't it funny when' --Anne BeattieAnd Abeer Ayyoub, Bernard Cooper, Olivia Laing, Laura Kasischke, Thomas McGuane, Colin McAdam, Katherine Faw Morris, Melinda Moustakis, Norman Rush, Edmund White and Joy Williams

    This prequel to the conspiracy thriller Isle of the Dead introduces us to the dark side of Venice - a city with secrets to rival its splendour.

    Following the fractured origins and destines of two brothers named after demigods from the ancient epic the Mahabharata, we meet a family struggling with the reverberations of the past in their lives. These ten interlinked stories redraw the map of our world in surprising ways: following an act of violence, a baby girl is renamed after a Hindu goddess but raised as a Muslim; a lonely butcher from Angola finds solace in a family of refugees in New Jersey; a gentle entomologist, in Sri Lanka, discovers unexpected reserves of courage while searching for his missing son.By turns heartbreaking and fiercely inventive, Half Gods reveals with sharp clarity the ways that parents, children, and friends act as unknowing mirrors to each other, revealing in their all-too human weaknesses, hopes, and sorrows a connection to the divine.

     Arthur, Duke of Wellington, and Emperor Napoleon Bonaparte were adversaries on an epic scale. Across Europe and beyond, the armies of Great Britain and France clashed, from the Iberian Peninsula to India, from Austerlitz to the final confrontation at Waterloo. What drove the two clever, ambitious, determined men who masterminded these military campaigns? How did the underdog from Corsica develop the strategic military skills and the political cunning that gave him power over swathes of Europe? And how did Wellington, born to be a leader, hone his talents and drive an army to victory after victory?From an outstanding historian and novelist come four epic novels, now available in one volume for the first time, which tell the full story of both these men, from their very early days till the momentous battle at Waterloo which decided the future of Europe.INCLUDES MAPS

    For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.