Lansdale - “Neighbors” by Megan Lindholm - “I Know How to Pick ’Em” by Lawrence Block - “Shadows For Silence in the Forests of Hell” by Brandon Sanderson - A Cosmere story - “A Queen in Exile” by Sharon Kay Penman - “The Girl in the Mirror” by Lev Grossman - A Magicians story - “Second Arabesque, Very Slowly” by Nancy Kress - “City Lazarus” by Diana Rowland - “Virgins” by Diana Gabaldon - An Outlander story - “Hell Hath No Fury” by Sherilynn Kenyon - “Pronouncing Doom” by S.M. Stirling - An Emberverse story - “Name the Beast” by Sam Sykes - “Caretakers” by Pat Cadigan - “Lies My Mother Told Me” by Caroline Spector - A Wild Cards story - “The Princess and the Queen” by George R.R. Martin - A Song of Ice and Fire story

    Nevertheless, it is often whispered by those who claim knowledge of such things, that a number of these Elder Gods - the lower rank and file, if you will - decided to hold this ground, so enamored were they by the cults who spilled blood in their names.Those times are all but forgotten, obscured by the shifting mists of history.Fast forward to today, and a wrong turn on a country lane is about to expose Jennifer Bueller, and her daughter Megan, to an unpleasant truth: Yes, times have changed, but ancient deities will adapt in order to thrive.Abandoned space gods, an unfaithful husband, a sociopath rapist, and a broken society with a social welfare system that presents horrors of its own; lastly, though by no means least in this eclectic collection of stories, a flash fiction homage to James Herbert, featuring his most infamous creation.

    Some of Howard’s best-known characters–Solomon Kane, Bran Mak Morn, and sailor Steve Costigan among them–roam the forbidding locales of the author’s fevered imagination, from the swamps and bayous of the Deep South to the fiend-haunted woods outside Paris to remote jungles in Africa.The collection includes Howard’s masterpiece “Pigeons from Hell,” which Stephen King calls “one of the finest horror stories of [the twentieth] century,” a tale of two travelers who stumble upon the ruins of a Southern plantation–and into the maw of its fatal secret. In “Black Canaan” even the best warrior has little chance of taking down the evil voodoo man with unholy powers–and none at all against his wily mistress, the diabolical High Priestess of Damballah. In these and other lavishly illustrated classics, such as the revenge nightmare “Worms of the Earth” and “The Cairn on the Headland,” Howard spins tales of unrelenting terror, the legacy of one of the world’s great masters of the macabre.

    God help the living.It's too late to run. The zombies are everywhere. They stalk through urban jungles and across the carefully manicured lawns of suburbia. They shudder to unlife on the bloodiest battlefields of the Civil War and in the deepest tunnels of interstellar mining colonies. They lurk on your street, in you company boardroom, in your own bedroom. And they hunger.

    Bingham's strange sense of morbid fancy collides with a gutsy realism; the result is splendid wreckage: a young man is seduced by his first cousin (or maybe it's the other way around) at her brother's wake ("The Other Family"); a bored couple plot to kill a man during their ski-resort honeymoon ("Marriage Is Murder"); a yuppie banker risks his whole perfect life for an affair with a junkie ("The Fixers"); an insurance-company bounty hunter tracks down walk-aways from drug and alcohol rehab ("Preexisting Condition"); and in the title story, an eleven-year-old boy is caught at the exquisitely uneasy intersection of the safety of childhood play and the pain of grown-up love and longing.These lean, potent stories are utterly original, and yet by turns recall Salinger, in their intellectual acuity, emotional depth, and wicked, dark humor; Fitzgerald, in their vivid chronicling of a new, restless social elite; and the work of "transgressive" writers, in their pervasive sense of the imminent possibility of danger and violence, even in the most civilized surroundings. Above all, the stories in Pure Slaughter Value mark the debut of a striking new literary voice--unsparing, bold, ironic, and true--that will haunt us for a long time to come.

    I envy those of you making your first acquaintance with this author.” – From the introduction by Matthew Carpenter Respected as one of today’s leading figures of weird fiction for his striking imagination, versatility, and deeply emotional stories, Jeffrey Thomas here offers up fourteen searing tales. Included are the haunting and surreal "Ghosts in Amber," in which a man is compelled to visit a mysterious derelict factory that harbors chilling secrets; "Jar of Mist," which focuses on a father who, in seeking to understand his daughter’s suicide, encounters a dream-like other realm; "Those Above," which imagines an alternate Victorian society controlled by vast monstrous entities from beyond; and the title novelette "The Endless Fall," which concerns an astronaut who crash-lands on an unknown forested world where time seems to work in an alien way, and where he finds he is unfortunately not alone. “With brutal elegance and chilling subtlety, Thomas pulls his readers into his dark visions immediately from every opening line.” – Paul Di Filippo, in ASIMOV’S “Jeffrey Thomas’ imagination is as twisted as it is relentless.” – F. Paul Wilson “In time he will, in this reviewer’s opinion, be listed alongside King, Barker, Koontz, and McCammon.” – Brian Keene

    And that's not even the scary stuff! Midsummer - By far the most high-brow Bubba adventure ever, which ain't saying much. There are missing kids in Nashville, and Bubba and Agent Amy are called in to investigate. Bubba has to learn how to put an app on his phone, then gets sucked into a dimension with no cell service when Shakespeare meets Pokemon Go! Bubba has to find the missing girls, escape from prison, and rassle an alligator before he can get back home and get some famous hot chicken! Oh Bubba, Where Art Thou - a Christmas romp full of guest stars as Bubba tries to save the country music industry from Auto-Tune, Bro Country, and demons. Guest star Hank Williams Sr. takes Bubba through time in this redneck Christmas Carol. Can Bubba save country music, or are we doomed to an eternity of Luke Bryan and Florida Georgia Line?

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

     Hunters come in droves but the beast proves itself too big and too cunning, using its fearsome teeth and claws to destroy the intruders. Many die and blood is spilled by the gallon, but has the beast met its match when a park ranger, an average joe, and a trail expert come together to predict where the beast will attack next?

    With the world now plagued by rotters, it's up to my team and I to take care of the living and take out the dead.

    There is nothing so complicated as a human being and sometimes nothing so horrific!

    Here before you lie several tales involving bone collectors, pagan witches, werewolves, skeletal bison, and cloned children. It is up to you to decipher between fact and fiction as the author has woven historical facts into his narratives. With his debut horror collection, Cheyenne & Arapaho author Shane Hawk explores themes of family, grief, loneliness, and identity through the lens of indigenous life.Early copies of this book were 104 pages.New copies of this book are 140 pages.I increased font and line spacing to give the book enough space for spine text so people can enjoy it on their shelves.Pages aren't important, though, what matters is word count:This work has 21k~ words.

    Although initially a stand-alone novel, it has turned into a series, reaching seven books so far. Here, for the first time, you have 290,000 words (over 1000 pages) of zombie horror for a limited time only. So sit back, and enjoy the rollercoaster ride of the apocalypse with Karen, Pickle, Jack, amongst many others. Snatchers, is a horror, which sees the slow destruction of mankind, due to an unknown virus that is sweeping the UK, possibly the world. This novel tells the story of characters, trying to survive and coming to terms with the 'new world.' The story focuses on a variety of individuals, including, Nurse Karen Bradley, Jack Slade, who is searching for his son, and prison officers and inmates, that have been released, who come together to try and survive the pandemic. These set of characters are brought together, and find that as time goes by, their quandary becomes tougher by the hour. Who will survive? Not for persons under the age of 18. The Snatchers series so far: Snatchers Snatchers 2: The Dead Don't Sleep Snatchers 3: The Dead Don't Cry Snatchers 4: The Dead Don't Pity Snatchers 5: The Dead Don't Breathe Snatchers 6: The Dead Don't Feel Snatchers 7: The Dead Don't Yield Snatchers 8: The Dead Don't Pray (tba)

    We staked out our territory and nailed this to the wall to guide us: YEAR'S BEST HARDEST HORROR Not your mama's best-of horror annual. This stuff comes from the edge of the abyss, stories you read at your own risk because you feel the abyss looking right back into you through the tainted lens of each twisted tale. Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect. Some of these quieter tales offer the reader some time to recover from the more disturbing ones preceding. Most of the stories collected here are from small and specialty press anthologies, with a few from periodicals, like the prestigious Splatterpunk Zine in the UK and Thuglit here in the US. Bizarro is also represented with a couple of tales from the unlikely anthology Blood For You: A Literary Tribute To GG Allin from Weirdpunk Books. (If you're not familiar with the late GG Allin, you can find snippets from some of his outrageous and obscene punk shows online, which will increase your appreciation of those two tales.) So for now, forget about that neighbor you suspect is a serial killer, don't worry about the drunk driver that could take you out on your next trip to the store, push those troubling news stories to the back of your mind and immerse yourself in the imaginary horrors at hand. But don't be surprised if you sense something dark staring back at you from between the lines. That is to be expected when you enter these forbidding realms. With any luck, you may find something useful to help you survive the approaching Apocalypse. TABLE OF CONTENTS Introduction: The Year That Was "Worth the Having" by Michael Paul Gonzalez "Awakening" by Jeff Strand "Readings Off The Charts" by Adam Cesare "Reborn" by The Behrg "What's Worst" by David James Keaton "Dead End" by Kristopher Triana "What You Wish For" by Lilith Morgan "King Shits" by Charles Austin Muir "Cleanup On Aisle 3" by Adam Howe "Bath Salt Fetus" by George Palacious "Bored With Brutality" by MP Johnson "Exposed" by Monica J. O'Rourke "Eleanor" by Jason Parent "The Scavengers" by Tony Knighton "The Most Important Miracle" by Scott Emerson "Hungry For Control" by Clare de Lune "Clarissa" by Robert Essig & Jack Bantry "Where The Sun Don't Shine" by Pete Kahle "Blackbird Lullaby" by George Cotronis

    In ‘Cora Lee is Stupid’ a young girl takes vengeance on an abusive older sister. In ‘Dead Weight’ three bank robbers get more than they bargained for during their getaway. In ‘Rosetta Stone’ a bitter young man comes face to face with the end of the world.