You’d get to know the villains who caused the tragedy. Was it pirates, Russians, rumrunners? Or something else?Would you dare?Ann Gavrion did and her life was never the same.The history:One cold, foggy morning in January, 1921, a five-masted schooner in full sail plowed into Diamond Shoal in the infamous Graveyard of the Atlantic. Known to history as The Ghost Ship, her officers and crew were not on board and their bodies never washed ashore. The only living thing on board was a six-toed cat. Also, her anchors and lifeboats were missing. Six agencies investigated the mystery, but it was never solved.The novel:Ninety years later, Ann Gavrion travels to Cape Hatteras to get over the loss of her fiancé in an airplane crash. She meets the enigmatic, yet charming, Lawrence Curator on the beach.Behind her she hears the cries of villagers. “Shipwreck!”A surfman runs up and shouts that the missing schooner, her sails set, is aground on the shoal. Ann recognizes the enormous ship from a photograph she’d seen the night before.So begins her journey back to 1921 with the man the Navy sent to investigate the grounding of the great ship.When Lawrence and Ann solve the mystery, Ann must return to her world. On the very beach where she’d begun her voyage with Lawrence, she meets his great-grandson, Rod. Exhausted, wet, she spills an account of her fabulous sea adventure. He calls her a charlatan and accuses her of using his famous ancestor to write a first person account of the tragedy for her magazine. How many times, how many ways, must she prove that her voyage was real to Rod and the unbelievers of the world?

    Attacked and disabled by a broken leg, he rents a room in the humble home of Joanna Chapman, a silk merchant’s widow. Joanna, having learned not to trust handsome, charming devils like Graeham, lets him think her husband is still alive in order to keep him at a distance. Mindful of his mission—and the promised reward—Graeham tries to resist his feelings for Joanna, but the white-hot desire simmering between them cannot be denied.Inspired by Alfred Hitchcock’s Rear Window

    But when the Pharaoh dies without an heir, she is given instead as Great Royal Wife to the new king - a soldier of common birth. For Ahmose is god-chosen, gifted with the ability to read dreams, and it is her connection to the gods which ensures the new Pharaoh his right to rule.Ahmose's elder sister Mutnofret has been raised to expect the privileged station of Great Royal Wife; her rage at being displaced cannot be soothed. As Ahmose fights the currents of Egypt's politics and Mutnofret's vengeful anger, her youth and inexperience carry her beyond her depth and into the realm of sacrilege.To right her wrongs and save Egypt from the gods' wrath, Ahmose must face her most visceral fear: bearing an heir. But the gods of Egypt are exacting, and even her sacrifice may not be enough to restore the Two Lands to safety.

    But just when it seems her search is over, a stranger hands her a parcel containing an antique comb—and an address.That scrap of paper leads Anna to the Seoul apartment of the poor yet elegant Hong Jae-hee. Jae-hee recounts an epic tale that begins with the Japanese occupation of Korea and China during World War II, when more than two hundred thousand Korean women were forced to serve the soldiers as “comfort women.” Jae-hee knows the story well—she was one of them.As Jae-hee’s narrative unfolds, Anna discovers that the precious tortoiseshell comb, with its two-headed ivory dragon, has survived against all odds through generations of her family’s women. And as its origins become clearer, Anna realizes that along with the comb, she inherits a legacy—of resilience and courage, love and redemption—beyond her wildest imagination. Revised edition: This edition of Daughters of the Dragon includes editorial revisions.

    She wants to see the sights of the great city, but her parents hope she will ensnare a rich nobleman for a husband. On an outing to Newgate market with her cousins, she becomes separated from them and is lured into an alley by a gang of ruffians. She is saved by a tall, gallant stranger who escorts her safely home. Handsome, heroic and aristocratic, Henry Kingsman seems the ideal match for her. But then she learns that Henry is in fact the Fourth Earl of Berwick, a notorious rake from a dark and dissolute family. He is rumoured to deal with smugglers, and his ancestry riddled with incest, insanity and murder. Beth’s father forbids her from seeing him again. However, Beth refuses to believe that Henry is as bad as his forebears, and starts seeing him in secret. When her father finds out he gives her such a beating, that she feels her only choice is to elope with Henry to his forbidding castle in Northumberland – the same bleak fortress where his family committed their loathsome deeds… Also available: Curse of the Kingsmans 2: The Devil's Diary - a far darker and more erotic tale about pirates. Curse of the Kingsmans 3: Escape of Absolon - Aidan's own son Absolon is recruited to solve a mystery. Other books by Emma Daniels and Ethan Somerville: Return to Atlantis - a high school student and a rock star travel to the lost city of Atlantis for the adventure of a lifetime Shadow Warrior - a detective thriller with more than a hint of demon romance Empire of Ice - a dark urban fantasy about a secret Nazi superman formula with the power to create vampires. I married an Alien - a time-travel romance in which a dowdy middle-aged woman suddenly finds herself catapulted in the future, into a whole new body and life. I Married a Time-Traveller - the thrilling sequel to I Married an Alien, in which an introverted mad scientist is granted a whole new lease on life when he wakes up in the body of a gorgeous Terron.

    Inside the Forbidden City, she witnessed seductions, plots, murders, and brazen acts of treason. Propelled by a shrewd intelligence, an extraordinary persistence, and a friendship with the imperial heir, she rose through the ranks to become the first Empress of China. On the one hand, she was a political mastermind who quelled insurrections, eased famine, and opened wide the routes of international trade. On the other, she was a passionate patron of the arts who brought Chinese civilization to unsurpassed heights of knowledge, beauty, and sophistication.And yet, from the moment of her death to the present day, her name has been sullied, her story distorted, and her memoirs obliterated by men taking vengeance on a women who dared become Emperor. For the first time in thirteen centuries, Empress Wu flings open the gates of her Forbidden City and tells her own astonishing tale–revealing a fascinating, complex figure who in many ways remains modern to this day.

    This thought-provoking trilogy of stories explores the very essence of loneliness and stands as a stirring introduction to modern Japanese literature.

    After studying law at Cambrige and time spent helping to prosecute Japanese war criminals, Yun Ling Teoh seeks solace among the jungle fringed plantations of Northern Malaya where she grew up as a child.

    A diary is Nao’s only solace—and will touch lives in a ways she can scarcely imagine.Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

    As told by Junichiro Tanizaki, the story of the Makioka sisters forms what is arguably the greatest Japanese novel of the twentieth century, a poignant yet unsparing portrait of a family–and an entire society–sliding into the abyss of modernity.Tsuruko, the eldest sister, clings obstinately to the prestige of her family name even as her husband prepares to move their household to Tokyo, where that name means nothing. Sachiko compromises valiantly to secure the future of her younger sisters. The unmarried Yukiko is a hostage to her family’s exacting standards, while the spirited Taeko rebels by flinging herself into scandalous romantic alliances. Filled with vignettes of upper-class Japanese life and capturing both the decorum and the heartache of its protagonist, The Makioka Sisters is a classic of international literature.

    But something ancient follows the Leongs to Hawaii, haunting them. The parable of the red string of fate, the cord which binds one intended beloved to her perfect match, also punishes for mistakes in love, passing a destructive knot down the family line. When Frank is murdered, his family is thrown into a perilous downward spiral. Left to rebuild in their patriarch’s shadow, the surviving members of the Leong family try their hand at a new, ordinary life, vowing to bury their gilded past. Still, the island continues to whisper—fragmented pieces of truth and chatter, until a letter arrives two decades later, carrying a confession that shatters the family even further.Now the Leong’s survival rests with young Theresa, Frank Leong’s only grandchild, eighteen and pregnant, the heir apparent to her ancestors’ punishing knots. Told through the eyes of the Leong’s secret-keeping daughters and wives and spanning The Boxer Rebellion to Pearl Harbor to 1960s Hawaii, Diamond Head is a breathtakingly powerful tale of tragic love, shocking lies, poignant compromise, aching loss, heroic acts of sacrifice and, miraculous hope.

    Musashi is a novel in the best tradition of Japanese story telling. It is a living story, subtle and imaginative, teeming with memorable characters, many of them historical. Interweaving themes of unrequited love, misguided revenge, filial piety and absolute dedication to the Way of the Samurai, it depicts vividly a world Westerners know only vaguely.

    But this coffee shop offers its customers a unique experience: the chance to travel back in time.In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . .Toshikazu Kawaguchi’s beautiful, moving story – translated from Japanese by Geoffrey Trousselot – explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

    Kate Moore is looking for a way out of the poverty and violence of her childhood. When a chance encounter on a transatlantic ocean liner brings her face-to-face with the handsome heir to a Chicago fortune, she thinks she may have found her escape—as long as she can keep her past concealed.After exchanging wedding vows, Kate quickly discovers that something isn’t quite right with her husband—or her new family. As Mrs. Matthew Lemont, she must contend with her husband’s disturbing past, his domineering mother, and his overly close sister. Isolated at Lakecrest, the sprawling, secluded Lemont estate, she searches desperately for clues to Matthew’s terrors, which she suspects stem from the mysterious disappearance of his aunt years before. As Kate stumbles deeper into a maze of family secrets, she begins to question everyone’s sanity—especially her own. But just how far will she go to break free of this family’s twisted past?

    The novel follows Peony, a Chinese bondmaid of the prominent Jewish family of Ezra ben Israel's, and shows through her eyes how the Jewish community was regarded in Kaifeng at a time when most of the Jews had come to think of themselves as Chinese.