Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    Inspector Rudolph Riley is one of the many people enjoying a day out and the spell of good weather, until the two ice-creams, which he’s just purchased from the pop-up kiosk, are sent flying from his hands by a young man who seems hell bent on getting as far away as possible from the crowds. But if losing his much anticipated ices isn’t bad enough, his day off is soon completely ruined by the unexpected arrival of his sergeant and half the Fleetmouth police force, who have descended upon the abbey in response to a report that there is a body in the graveyard. An event, which normally wouldn’t be thought too unusual… but as the police soon discover, this corpse is lying on top of the gravestone, rather than six feet underneath it. As the subsequent investigation begins to unfold, it transpires that the murder victim could be involved in the illegal importation and distribution of anabolic steroids that seemed to be flooding the town through a network of bars and gymnasiums… whilst the spot in the graveyard where the body was found, is a hotspot for the ghostly sighting of a woman, who locals and experts alike call the Spanish Lady… a woman of noble birth who died of the plague some four hundred years earlier around the time of the Spanish Armada. Intrigued by the possibility of a ghostly apparition stalking the corridors of Fleet Abbey, DC Eleanor Jenkins sets about trying to learn more about the woman in question and whether the discovery of her skeleton could have any connection to the present day murder. What she uncovers during the course of the investigation, are rumours of a fabulous jewelled crucifix and a hoard of gold coins, which were taken from a captured Spanish galleon by Sir Richard Drew and buried somewhere on the estate by his father, who was the sixteenth century ancestor of Cedric Drew… who himself was the last surviving member of the Drew dynasty and the unfortunate victim found in the graveyard. Of course Riley doesn’t see the connection and doesn’t believe in coincidences. For him there’s a much more rational explanation that lies in the present day and one that peddles drugs to unsuspecting fools who are hell bent on improving their bodies at any price… and anyway, he has a new chief superintendent to impress and a chief constable to prove wrong… But if all that isn’t sufficient to turn his hair grey and make him a candidate for early retirement, the local businessman he suspects of being involved with the drug smuggling, has his boat stolen right from under the noses of the police… a theft which confounds the investigation, and sends Sergeant Thomas off on a dangerous voyage of discovery into unchartered waters. Away from work, but still helping to move the investigation along in her own inimitable way is Dolly… Riley’s not so silent partner, and a parrot with more attitude than most detective constables and more to say than is usually prudent.

    One act play, Drama. Two wanna-be rock stars await their takeout delivery--or is it their rock-n-roll messiah? An early work by "True West" playwright and actor Sam Shepard. Librarian's Note: No separate publication found at this time. Generally published in collections of Shepard works.

    But their wonderful lifestyle comes to a dramatic end when Mick's business runs into trouble and he suddenly disappears. Faced with poverty and homelessness, Jane discovers she has unexpected strengths and is capable of being more than just a housewife...

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    The pressures of war threaten to tear apart two sisters traumatised by their mother's murder by their father.With her new husband Will, a merchant seaman, deployed on dangerous Atlantic convoy missions, Hannah needs her younger sister Judith more than ever. But when Mussolini declares war on Britain, Judith's Italian sweetheart, Paolo is imprisoned as an enemy alien, and Judith's loyalties are divided.Each sister wants only to be with the man she loves but, as the war progresses, tensions between them boil over, and they face an impossible decision.A heart-wrenching page-turner about the everyday bravery of ordinary people during wartime. From heavily blitzed Liverpool to the terrors of the North Atlantic and the scorched plains of Australia, Sisters at War will bring tears to your eyes and joy to your heart.

    Later, she was committed to Broadmoor "from where she may not be discharged without permission of the Home Secretary." Using a technique of multiple characterization, Find Me seeks to investigate in depth the personality of the young girl - to 'find her' - and at the same time studies the effects of her behavior on those around her.

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    The story is basically one long chase, chiefly after two naughty grocer's assistants who, when their master goes off on a binge with a new mistress, escape to Vienna on a spree. "While preserving the beautiful intricacies of this construction, Stoppard has embellished Razzle with a dazzle of verbal wit an unremitting firework display of puns, crossword puzzle tricks and sly sexual innuendos." London Daily Telegraph . "Apart from Jumpers and The Importance of Being Earnest there may be no script in English funnier than On the Razzle." London Observer.

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    Who is he? And why would anybody kill him? Faukon Abbey CID officers, DI Greene and DC Ford and their friend Carter, a journalist at Abbey Chronicle uncover all hidden tragedies, murder being just one. They uncover what really happens behind the old town elegant facades - where evil crimes go unseen and unreported because they don't happen to people like us - - Or do they? And what happens when we find out? A tale of hidden secrets brought to light - about what happens when Pandora's box is opened, and revenge is unleashed.'

    Using Kiplingesque imagery, Brecht explores personality as something that can be dismantled and reassembled like a machine, in a parable that the critic Walter Kerr credited with a "curious foreshadowing of the art of brainwashing." This edition also includes The Elephant Calf, which was originally part of the main play. This translation by Gerhard Nellhaus (and by Brecht himself, who made his own English version of the first scene) has been equipped by the editors, John Willett and Ralph Manheim, with Brecht's own notes and relevant texts as well as with an extensive editorial commentary on the genesis and variant versions of the play.

    The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.