Tempted beyond what I’ve ever been before. To know her, to open her up. To break her."In love, sometimes what you fear most is exactly what you need.Laura Drake is an author. She writes bestselling paranormal romances that continue to top the charts. She is sharp. She is confident. She is in control. And she doesn’t exist.Samantha Jansen is the woman behind the wig, the woman most of the world doesn’t know exists. She is shy. She is insecure. She is nothing like her main character or her alter ego. She is scarred—deeply scarred—by a past she can’t let go of and a present she can’t make peace with.Samantha’s dreams are consumed by one man, the broken hero from her books. Mason Strait is both her wildest fantasy and her most terrifying nightmare. When Samantha meets Alec Brand, a corporate consultant, it is as though Mason has come to life. Alec is handsome to a fault, as elegant as he is arrogant, and more intense than any man has a right to be.Samantha is soon sucked into a world that mirrors the fiction she writes. Just like her main character, Daire Kirby, Samantha finds herself unable to resist the forbidden lure of Alec. And just like Daire, she also finds that she is faced with taking a chance on a man who could either set her free or destroy her.The scale tilts toward destruction when Samantha finds out that Alec is as much a work of fiction as Mason. And he has scars of his own, scars that could ruin them both.**This book may be read as a stand-alone, as the story of Alec and Samantha comes to a conclusion in this book**

    Her mother died. Her two sisters loathed her. One aunt hated her. The other was strangely distant, but the worst storm—being dumped by her childhood best friend/high school boyfriend/first love for her younger sister. There went the one person who was hers and with that, the main reason she stuck around. So, she left for ten years. But now she’s back, and nothing’s the same. With help from Jonah Bannon, a reformed—kind of—bad boy she remembers from high school, Dani uncovers family secrets that have spanned generations. And along with those, she’s about to face the biggest sh*t storm of her life. Only this time, she may not survive.

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    In her second book, Sierra DeMulder examines her childhood in a small town, heartache, loss, and the possibility of transcending suffering, aided by the voice of her own genius. His character appears throughout the book, providing charming commentary and biting insight on the young author's creative process and emotional path.

    Book 1 of 2 in the Belonging Duet Enough.That single word is all I’ve ever wanted to be. Enough to make someone stay. Enough for someone to love and cherish, but I’ve been burned every time.Except at my job.I thrive there. In my office, I have the ability to fix things and command situations.Until my new client walks in.It shouldn’t matter that he fills out a suit better than any man I’ve ever seen. His dimples and blue-green eyes shouldn’t call to me on every level. I know men like him and they’re dangerous to trust.But Jackson Cole is irresistible. The pain of the past disappears when he’s around. With him, I’m more than enough, and I break every rule about dating a client. I fall desperately in love with him—only to realize I should’ve trusted my instincts because I’m no one’s beloved …

    It can also be an exchange, a betrayal, an assault, a promise, a hope...or it could be a goodbye. The intimacy of a kiss cannot be denied. Whether shared, stolen or simply dreamed of, its recipient will be affected. Thirty-one stories by authors from around the world will tease your imagination as you anticipate ‘The Kiss’ in each weird or wonderful tale. This cross-genre anthology contains stories by Kate Aaron, Saxon Andrew, Jacques Antoine, Alison Blake, E. B. Boggs, Shirley Bourget, Ben Cassidy, Jason Deas, Sharon Delarose, Meghan Ciana Doidge, Suzy Stewart Dubot, Corrie Fischer, Brandon Hale, Traci Tyne Hilton, Colleen Hoover, Mona Ingram, J. L. Jarvis, Elizabeth Jasper, Anna J. McIntyre, Jess Mountifield, C. A. Newsome, S. Patrick O'Connell, Suzie O'Connell, Jeanette Raleigh, J. R. C. Salter, Molly Snow, Holli Marie Spaulding, Cleve Sylcox, Robert Thomas, Chris Ward and George Wier. 130,000 words

    His many readers will recognize the musical and formal variety, the voice that can be tender and funny, credibly mystical and savagely skeptical. But there are many new notes in this collection as well, including a moving elegy to the poet's father, sharp observations and distillations of modern American life, and rangy poems that merge and juxtapose different modes of speech and thought. The cumulative effect is extraordinary. Reading Survival Is a Style, one has the sense one is encountering work that will become a permanent part of American literature.

    for the first time, a post-WWII story of the war brides who crossed the seas by the thousands to face their unknown futures.1946. World War II has ended and all over the world, young women are beginning to fulfill the promises made to the men they wed in wartime. In Sydney, Australia, four women join 650 other war brides on an extraordinary voyage to England—aboard HMS Victoria, which still carries not just arms and aircraft but a thousand naval officers. Rules are strictly enforced, from the aircraft carrier’s captain down to the lowliest young deckhand. But the men and the brides will find their lives intertwined despite the Navy’s ironclad sanctions. And for Frances Mackenzie, the complicated young woman whose past comes back to haunt her far from home, the journey will change her life in ways she never could have predicted—forever.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    Everything she thought she knew—heck, everything she thought she wanted for her own life—feels like a lie. The truth is love is a risk. And the true kind, the kind that lasts, might even be a fairy tale. Reeling from the divorce, Summer derails her own future by breaking up with her parent-approved boyfriend and giving up her lifelong plans for a big-city career. She moves back home, business degree in hand. Dad needs her to fill the gaps her mother left behind; Summer needs to find who she is outside of the cookie-cutter life that failed so miserably for her parents.Ford O’Neal’s future involves one person: himself. He doesn’t have a permanent address and he definitely doesn’t commit. To a place or a person. Raised by hippies, he plans just far enough ahead to secure his next stop, this one landing him at a work-study program at Heritage Plantation where he can grow his own herbal and medicinal creations. Summer is gorgeous and smart and fun to be with, the perfect way to pass five months. It won’t be love—Ford’s got too many things to accomplish, too many places to go, before he settles down. Yet Summer pulls him in, challenging him to rethink his own philosophy. When Ford’s five months are up, each of them must decide if love is really worth the risk.

    Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman.

    All that's about to change in Barefoot Bay, a beloved tropical setting for heartbreak and happiness from New York Times bestselling author Roxanne St. Claire. Willow Ambrose has fought a battle with the scale for much of her life, but she has finally won the war. She hasn’t just cut calories -- she’s cut all ties to her past, too, and successfully carved out a new body and a new life. But when she comes face to face with someone who left an indelible mark on her heart years before, all that threatens to crumble. Navy SEAL Nick Hershey is on medical leave, doing a friend a favor as a stand in “man of honor” at a beach wedding. He might not be that interested in the nuptials, but the wedding planner catches his eye the minute they meet. When he realizes Willow is a girl he knew in college -- and a girl he unintentionally hurt to the core -- he knows he has some making up to do. Willow has learned how to beat every temptation...but Nick’s sweet as candy kisses just might be the one thing she can’t resist. However, the closer they get, the more the past threatens to tear them apart. Nick and Willow learn the hard way that they can’t change history, but does that mean they won’t have a future? “Lively, light, pure entertainment!” Carly Phillips, New York Times bestselling author “Fun and engaging -- a celebration of family and forgiveness!” Publishers Weekly “Plenty of heat, humor, and heart!” USA Today “Barefoot in White was emotional, exciting, engaging, sexy, and sweet all rolled into one!” Literal Addiction “Just when I think Roxanne St. Claire’s books can’t get any better, she proves me wrong. This book has so much going on with every character and is so chock full of emotions, it’s impossible to put it down.” ReaderLaurie BOOKS SET IN BAREFOOT BAY Barefoot Bay Billionaires 1. Secrets on the Sand (FREE!) 2. Seduction on the Sand 3. Scandal on the Sand Barefoot Bay Brides 1. Barefoot in White 2. Barefoot in Lace 3. Barefoot in Pearls Roxanne St. Claire is New York Times and USA Today bestselling author of more than thirty romance, suspense, and young adult novels. A six-time nominee and one-time winner of the Romance Writer’s of America prestigious RITA Award, Roxanne’s novels have also been recognized with dozens of other industry awards, including the three National Reader’s Choice Awards, the Booksellers Best Award, and the Borders “Top Pick” of the Year.

    A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.”In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

    Few know this better than the poets who have risen to the top of their trade by sharing their emotion, opinion and art with millions of fans.Combining the poetic forces of some of today’s most popular and confessional poets, this book presents poems and short stories about connection wrapped up in a most unique exercise in creative writing. Follow along as your favorite poets connect with each other; offering their poetry to the next poet who tells a story based on the concept presented to them. With poetry, stories and art, [Dis]Connected is a mixed media presentation of connection and collaboration.

    Merely brushing up against her or touching her exposed skin is enough to cause painful burns, or worse. And if that wasn't enough, she's just discovered the singular reason for her existence - to act as the king's secret assassin, murdering neighboring princes with nothing more than a simple kiss...