A mystery, really. A man has been murdered. The mystery is, who he is, who murdered him and what were the circumstances? And to solve it, Wilson looks at the outsides and insides of his tiny, Middle Western town. He looks at a middle-aging woman who falls in love with the young man who comes to work in her cafe. He looks at a coarse, nasty woman mistreating her senile mother, who is obsessed with visions of Eldritch being evil and headed for blood-spilling. He looks at a tender relationship between a young man and a dreamy, crippled girl. But Wilson sees far more than this. He is grasping the very fabric of Bible Belt America, with its catchword morality ("virgin," "God-fearing") and its capability for the vicious. He senses the rhythm of its life and the cruelty it can impose. He understands the speech patterns of its loveless gossips, its sex-hungry boys, its compassionless preachers, its car-conscious blondes." In the end his portrait of Eldritch is full length, and the truth of its revelations will be pondered long after the stage lights have dimmed and the play has ended.

    Family drama and heartfelt moments. This can be read as a standalone, no cliff hangers or cheating and of course a HEA.

    Available in Spanish as No me pidas que te quiera.

    "An inventive and riotously funny comedy." - Mike Kuchwara, Associated Press

    R. Gurney has wittily captured the manners of upper-middle-class WASP America, but never as gracefully or with such dazzling economy as in Love Letters. Tracing the lifelong correspondence of the staid, dutiful lawyer Andrew Makepeace Ladd III and the lively, unstable artist Melissa Gardner, the story of their bittersweet relationship gradually unfolds from what is written--and what is left unsaid--in their letters. A smash hit both off and on Broadway, Love Letters captures Andy and Melissa with a precision of detail and depth of feeling that only Gurney can command. Two other, thematically related plays by Gurney, The Golden Age and What I Did Last Summer, are included, providing a trio of wry and affectionate paeans to love lost, found, and fleetingly glimpsed.

    By one of America's most talented playwrights, this play won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983. 'night, Mother had its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.

    It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy chain. The Blue Room is a meditation on men and women, sex and social class, actors and the theater. With deft insight about the gap between the sexes, The Blue Room takes the treacherous Freudian subject of projection and desire and reinvents it in a bittersweet landscape that is both eternal and completely up-to-date.

    Chapters: Diary of a Wimpy Kid: Dog Days, Diary of a Wimpy Kid: the Last Straw, Diary of a Wimpy Kid: Rodrick Rules. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: Diary of a Wimpy Kid: Dog Days is a realistic fiction novel written by American author and cartoonist Jeff Kinney, the fourth book in the Diary of a Wimpy Kid series. It was released on October 12, 2009 in the USA and Tuesday, October 13, 2009 in Canada. The book opens with Greg Heffley and Rowley Jefferson going to his fathers country club after school closes for the summer, but Greg is kicked out due to his complaining of the smallest of predicaments. The beach trip that he was looking forward to is canceled due to lack of money, so the Heffleys resort to going to the town pool, which Greg hates because of its hairy and rotund visitors. Later, Greg and Rowley have a sleepover together, and watch a horror movie obtained from Greg's older brother, Rodrick. After the movie, Greg and Rowley become scared of a muddy hand that might strangle them, which was in the movie. Unfortunately for Greg, his mother finds out about the movie after Greg's father told her when he found them sleeping in the bathroom, and starts a reading club in which he is the only participant after two days. The reading program, however, is put to a stop when Mr. Jefferson arrives with a huge $83 bill that Greg and Rowley spent on fruit smoothies at the country club, and he forces the boys to pay it off. Gregs birthday soon arrives, but the gifts he receives are all gifts he hates. Greg gets money in every card he receives, but Susan, his mother, confiscates it to pay off Mr. Jefferson. Uncle Joes dog, Killer, eats much of Gregs cake, thus "ruining" his birthday. The following day, he and Rodrick both get fish as a makeup gift. However, when...http://booksllc.net/?l=en

    and he certainly doesn't forgive. Can Nathan and Gemma's marriage survive the mob boss's return? Nathan has tried to be a changed man for Gemma after they escaped gangster Alfie's clutches, but it doesn't take long for him to give into temptation... and now Alfie's back to get what's his. Alfie doesn't like losing. The gangster has been biding his time ever since Nathan and Gemma escaped his clutches, but he's determined to collect his debt now. It helps that he knows about Gemma's big secret... Gemma's been hiding something life-changing from her husband while they've been on the run. But now Alfie's back in town, her lies could cost her Nathan... and her son.

    The Iron Age. The Age of Oil.The Stone Age didn't end for want of stones. What do you do when you know it's going to run out? Oil follows the lives of one woman and her daughter in an epic, hurtling crash of empire, history and family.Ella Hickson's explosive new play drills deep into the world's relationship with this finite resource.Oil premiered at the Almeida Theatre, London, in October 2016.

    Set in a small Mississippi town, the play examines the lives of three quirky sisters who have gathered back home. During the course of the week the sisters unearth grudges, criticize each other, reminisce about their family life, and attempt to understand their mother's suicide years earlier.

    Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

    The party that he and his brother Darren have been planning has been brought forward - to tonight.In a lawless, ravaged city, where memories of the past have been brutally erased, the boys and their team survive by realising their clients' darkest fantasies. But just how far are they prepared to go in trading humanity for information? As the light fades and events spiral out of control it becomes clear that on the success of the evening hangs not just their security, but their existence. The world is at its worst?let the party begin. Mercury Fur is a challenging new work containing some explicit scenes that may cause offence.Published to tie-in with the play's premier at the Drum Theatre, Plymouth and The Chololate Factory, London in February 2005, produced by Paines Plough."Philip Ridley is a singular writer, a prolific polymath, probably a genius, and the creator of some of the most peculiar, grotesque and compelling British plays (and films) of the last several years" Time Out

    Newly wed Rosabelle Maltman loses her husband, and her mother-in-law Effie lost her husband and three sons. For these women and their neighbours in the close-knit community life will never be the same again. Yet as the months pass, the women of Eyemouth must learn to look to the future, to live and to love again.

    A short critical essay which considers the significance of the title.