--The Baroque side --What becomes of the signifier --Outcomes of the text --Reading Brillat-Savarin --An idea of research --Longtemps, je me suis couche de bonne heure ... --Preface to Renaud Camus's Tricks --One always fails in speaking of what one loves --Writers, intellectuals, teachers --To the seminar --The indictment periodically lodged ... --Learning the movie theater --The image --Deliberation

    Ancient Egypt was a highly developed civilization that lasted for thousands of years and left behind fascinating clues in the form of impressive structures and monuments. It was a culture balanced between the lush fertility of the Nile Valley and the barrenness of the surrounding vast deserts. The same balance holds true for our knowledge of the history of Egypt. In spite of the evidence we have, so much remains hidden and yet to be fully understood. Inside you will read about... ✓ The Nile ✓ The Gods and Goddesses ✓ The Book and the Dead ✓ The Pyramids ✓ Magic, Plagues and Curses ✓ Famous Pharaohs ✓ Immortality New methods of scientific investigation reveal new ways of interpreting the ancient evidence. As the shifting desert sands overflowed and then disclosed the Great Sphinx, after thousands of years of study ancient Egypt still holds much that has yet to be revealed.

    After the founder of the Institute of Archaeology learns that Chione’s dreams might be connected to events in Egypt, he accepts an offer to examine a mysterious site in Valley of the Queens. After they discover an ancient burial site, spells encoded into the hieroglyphs on the tomb’s walls transport Chione and her former boyfriend, archaeologist Aaron Ashby, 3,500 years into the past: to ancient Egypt. There, they learn of Tutankhamon and Tauret, a priestess in Pharaoh's Court. Meanwhile, the other team members are affected in unfathomable ways by the Ka: the spirit of the entombed. Chione and Aaron learn that Tauret plans to provide Tutankhamon with a living heir... and that they have been chosen to play a crucial part in completing their destiny.

    When she stopped running, she found herself on the other side of the world in a little town called Cable Bay, New Zealand. Now she runs a bar, and tells herself that living up to people’s expectations is overrated. Archaeologist Ryan Sanders has never settled anywhere. Travelling the world, he thinks that settling down is for little people who can’t see beyond their own front door. When he’s sent to investigate a report of fossils discovered in Cable Bay, he thinks it’ll be simple; done in a few days, and then on to the next job. Problem is, the fossils are directly underneath Cat’s bar, and she’s not about to see it demolished without a fight. Sometimes it takes digging up the past to open your eyes to the future.‘The Cat’s Pajamas’ is an 80K romantic comedy with a little bit of steam, a cast of quirky characters, and a guaranteed HEA!

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

    In MILLENNIUM, Hakim Bey both sustains and expands the ideas of his groundbreaking work, THE TEMPORARY AUTONOMOUS ZONE. Here, Bey suggests that mere detachment from (or even outright rejection of) the monolith of global capital is not enough; that either we accept ourselves as the 'last humans,' or else we accept ourselves as the opposition. The book also contains an illuminating interview with Bey, in which he discusses his body of work and assesses our collective position at the turn of the millennium.

    Two of history’s great mysteries—the fate of the Knights Templar and the truth about the Oak Island treasure—reveal themselves in this fascinating saga of hidden history. "The book we've all been waiting for!" says Rick Lagina, star of History Channel's Curse of Oak Island.

    Responding to Tarby's questions, Badiou takes us on a journey that interrogates and explores the four conditions of philosophy: politics, love, art and science. In all these domains, events occur that bring to light possibilities that were invisible or even unthinkable; they propose something to us. Everything then depends on how the possibility opened up by the event is grasped, elaborated and embedded in the world - this is what Badiou calls a 'truth procedure'. The event creates a possibility but there then has to be an effort - a group effort in the case of politics, an individual effort in the case of love or art - for this possibility to become real and inscribed in the world. As he explains his thinking on politics, love, art and science, Badiou takes stock of his major works, reflects on their central themes and arguments and looks forward to the questions he plans to address in his future writings. The book concludes with a short introduction to Badiou's philosophy by Fabien Tarby. For anyone wishing to understand the work of one of the most widely read and influential philosophers writing today, this small book will be an indispensable guide.

    Throughout his life, neglectful men were the rule—his own dad struggled with drug addiction and infidelity—a cycle that, inevitably, wrought Vidal with insecurity. At age twenty-six, with only a bare grip on life, what lessons could he possibly offer a kid? Determined to alter the course for his child, Vidal did what he’d always done when confronted with life’s challenges. He turned to the counterculture. “The counterculture took the place of a father I could no longer touch. Since things like school and church couldn’t get through to me, I was being trained up outside of organized institutions. What I gravitated to were these movements that not only felt redeeming, but also freeing. They were almost everything I needed.” In Rap Dad, the musician-turned-journalist takes a thoughtful and inventive approach to exploring identity and examining how we view fatherhood in a modern context. To root out the source of his fears around parenting, Vidal revisits the flash points of his juvenescence, a feat that transports him, a first-generation American born to Colombian parents, back to the drug-fueled streets of 1980s–90s Miami. It’s during those pivotal years that he’s drawn to skateboarding, graffiti, and the music of rebellion: hip-hop. As he looks to the past for answers, he infuses his personal story with rap lyrics and interviews with some of pop culture’s most compelling voices—plenty of whom have proven to be some of society’s best, albeit nontraditional, dads. Along the way, Vidal confronts the unfair stereotypes that taint urban men—especially Black and Latino men—in today’s society. An illuminating journey of discovery, Rap Dad is a striking portrait of modern fatherhood that is as much political as it is entertaining, personal as it is representative, and challenging as it is revealing.

    In this third edition of Cultural Resource Laws and Practice, Thomas F. King presents clear, practical information for those who need to navigate the labyrinth of cultural resource management (CRM). He discusses the various federal, state, and local laws governing the protection of resources, how they have been interpreted, how they operate in practice, and even how they are sometimes in contradiction with each other. He provides helpful advice on how to ensure regulatory compliance in dealing with archaeological sites, historic buildings, urban districts, sacred sites and objects, shipwrecks, and archives. King also offers careful guidance through the confusing array of federal, state, and tribal offices concerned with cultural resource management.

    An accidental tea spill damages the royal papyrus she has been struggling to interpret, the papyrus purported to be Queen Tiye’s last message to her son, Tutankhamun. But the spill also exposes hidden writing below the surface hieroglyphs. Horrified at the damage but aching to read the entire secret text, Rika agrees to let visiting remote-sensing expert David Chamberlain smuggle the priceless document out of the museum and scan it with instruments on his aircraft. The results are stunning. They show Tiye, previously a footnote in history, to have been the power behind the thrones of her husband and sons, as well as the architect of a monotheistic religion unique in ancient Egypt. Riveted by these revelations, Rika and David devise a covert plan to locate Tiye’s tomb. But Major Hassam of the Egyptian Secret Police misreads their activities as a plot to overthrow the government and vows to stop them at all costs. Reared in revolution, Rika feels a spiritual bond with Tiye, an African commoner who revolutionized Egyptian society by introducing a religion that freed Egypt from the tyranny of the Amun priests. Rika’s quest to find Tiye’s tomb parallels the queen’s last journey up the Nile, three thousand years before, to be buried alive in a tomb like no other. In a league with Michael Crichton, Dan Brown, and Wilbur Smith, John Oehler has created a cinematic page-turner of explosive yet poetic brilliance. And readers who liked Lisbeth Salander in Stieg Larsson’s The Girl with the Dragon Tattoo, will love Rika. Papyrus was a semi-finalist in the 2009 Amazon Breakthrough Novel Award competition (top 1% of 10,000 entries) and garnered more than a hundred 5-star reviews.

    A. Rogers the Author of Nature Knows No Colour Line has engaged continuously in research on the Afrikan Race since 1915. Published himself his first book From Superman in 1917 after it was refused by establish Publishers He has since published 7 others good books about Afrikan People and their contribution to world civilization J.A. Rogers has left us a rich legacy Nature Knows No Colour Line is one of the legacies.

     Having helped settlers for hundreds of years, five Native American tribes found it increasingly more difficult to relate to and trust the country that had once acted as their allies. The native peoples had fought alongside the Americans to gain freedom from England, the nation that the colonists deemed oppressive and unfair. The native peoples acted as benefactors and teachers, helping the colonists to gain an advantage against an army that was far superior to the small forces that the colonists could muster. The new country owed a lot of its existence to the native peoples, yet the settlers, who were of European descent, did not see it that way. The following topics will be covered in this book: The Early Relationship The Growth of Manifest Destiny The Discovery of Gold and the Indian Removal Act Peaceful Protests and a Push for Recognition The People Versus the President The Militia Force Removal The Trail of Tears Stories of Pain, Loss, and Love Making a New Home And a Great Deal More You Don't Want to Miss Out On! Scroll to the top and download the book now to learn more about the Trail of Tears

    A raucous eruption of language and a showcase for the best essayists of our time, The Outlaw Bible of American Essays chronicles American history and measures the boundlessness of dissident thought.

    Told through the reminiscences of scientific illustrator Eleanor Peterson, "Pictures from an Expedition" is set in 1876 and tells of a diverse band of adventurers heading west to the desolate badlands of Montana to work on a dinosaur fossil dig. The story recounts the experiences of this field crew as they argue over theories of evolution and contend with rival scientists. Smith's exciting and insightful new novel will cast a spell over lovers of literary historical fiction everywhere.