It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness.This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.

    "The most ordered, ranging and purposeful attempt...toward keeping the study of literature at once intelligent and liberal" (New York Times). Index.

    The Steampunk Bible is the first compendium about the movement, tracing its roots in the works of Jules Verne and H. G. Wells through its most recent expression in movies such as Sherlock Holmes. Its adherents celebrate the inventor as an artist and hero, re-envisioning and crafting retro technologies including antiquated airships and robots. A burgeoning DIY community has brought a distinctive Victorian-fantasy style to their crafts and art. Steampunk evokes a sense of adventure and discovery, and embraces extinct technologies as a way of talking about the future. This ultimate manual will appeal to aficionados and novices alike as author Jeff VanderMeer takes the reader on a wild ride through the clockwork corridors of Steampunk history.Praise for The Steampunk Bible:"The Steampunk Bible is an informed, informative and beautifully illustrated survey of the subject." -The Financial Times"The Steampunk Bible is far and away the most intriguing catalog of all things steam yet written." -The Austin Chronicle “It’s hard to imagine how VanderMeer and Chambers could have put together a stronger collection. Its publication marks a significant, self-conscious moment in the history of the movement.”—PopMatters.com

    From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales.Part biography, part reader’s guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.

    R. R. Tolkien is perhaps best known for The Hobbit and The Lord of the Rings, but it is in The Silmarillion that the true depth of Tolkien's Middle-earth can be understood. The Silmarillion was written before, during, and after Tolkien wrote The Hobbit and The Lord of the Rings. A collection of stories, it provides information alluded to in Tolkien's better known works and, in doing so, turns The Lord of the Rings into much more than a sequel to The Hobbit, making it instead a continuation of the mythology of Middle-earth. Verlyn Flieger's expanded and updated edition of Splintered Light, a classic study of Tolkien's fiction first published in 1983, examines The Silmarillion and The Lord of the Rings in light of Owen Barfield's linguistic theory of the fragmentation of meaning. Flieger demonstrates Tolkien's use of Barfield's concept throughout the fiction, showing how his central image of primary light splintered and refracted acts as a metaphor for the languages, peoples, and history of Middle-earth.

    From the trilogy's darker themes of violence and social control to fashion and weaponry, the collection's exploration of the Hunger Games reveals exactly how rich, and how perilous, protagonist Katniss' world really is.• How does the way the Games affect the brain explain Haymitch's drinking, Annie's distraction, and Wiress' speech problems?• What does the rebellion have in common with the War on Terror?• Why isn't the answer to "Peeta or Gale?" as interesting as the question itself?• What should Panem have learned from the fates of other hedonistic societies throughout history and what can we?The Girl Who Was On Fire covers all three books in the Hunger Games trilogy.

    Subsequent stories have won the Asimov's SF Magazine reader poll, a second Nebula Award, the Theodore Sturgeon Memorial Award, and the Sidewise Award for alternate history. He won the John W. Campbell Award for Best New Writer in 1992. Story for story, he is the most honored young writer in modern SF.Now, collected here for the first time are all seven of this extraordinary writer's stories so far-plus an eighth story written especially for this volume.What if men built a tower from Earth to Heaven-and broke through to Heaven's other side? What if we discovered that the fundamentals of mathematics were arbitrary and inconsistent? What if there were a science of naming things that calls life into being from inanimate matter? What if exposure to an alien language forever changed our perception of time? What if all the beliefs of fundamentalist Christianity were literally true, and the sight of sinners being swallowed into fiery pits were a routine event on city streets? These are the kinds of outrageous questions posed by the stories of Ted Chiang. Stories of your life . . . and others.

    Pater was shocked at the reaction his book inspired: 'I wish they would not call me a hedonist, it gives such a wrong impression to those who do not know Greek.'.The book had begun as a series of idiosyncratic, impressionistic critical essays on those artists that embodied for him the spirit of the Renaissance; by collecting them and adding his infamous Conclusion, Pater gained a reputation as a daring modern philosopher. But The Renaissance survives as one of the most innovative pieces of cultural criticism to emerge from the nineteenth century.

    The humble, pixelated games of the ‘70s and ‘80s have evolved into the vivid, realistic, and immersive form of entertainment that now rivals all other forms of media for dominance in the consumer marketplace. For many, video games have become the cultural icons around which pop culture revolves.PRESS START TO PLAY is an anthology of stories inspired by video games: stories that attempt to recreate the feel of a video game in prose form; stories that play with the concepts common (or exclusive) to video games; and stories about the creation of video games and/or about the video games—or the gamers—themselves.These stories will appeal to anyone who has interacted with games, from hardcore teenaged fanatics, to men and women who game after their children have gone to bed, to your well-meaning aunt who won’t stop inviting you to join her farm-based Facebook games.At the helm of this project are Daniel H. Wilson—bestselling novelist and expert in artificial intelligence—and John Joseph Adams—bestselling, Hugo Award-nominated editor of more than a dozen science fiction/fantasy anthologies and series editor of Best American Science Fiction & Fantasy (volume one forthcoming from Houghton Mifflin in 2015). Together, they have drawn on their wide-ranging contacts to assemble an incredibly talented group of authors who are eager to attack the topic of video games from startling and fascinating angles.Under the direction of an A.I. specialist and a veteran editor, the anthology will expose readers to a strategically chosen mix of stories that explore novel video game concepts in prose narratives, such as save points, kill screens, gold-farming, respawning, first-person shooters, unlocking achievements, and getting “pwned.” Likewise, each of our authors is an accomplished specialist in areas such as science fiction, fantasy, and techno-thrillers, and many have experience writing for video games professionally.Combining unique viewpoints and exacting realism, this anthology promises to thrill generations of readers, from those who grew up with Atari 2600s to the console and PC gamers of today.

    The essay focuses on political language, which, according to Orwell, "is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind." Orwell believed that the language used was necessarily vague or meaningless because it was intended to hide the truth rather than express it.

    She wrote it but she shouldn't have. She wrote it but look what she wrote about. She wrote it but she isn't really an artist, and it isn't really art. She wrote it but she had help. She wrote it but she's an anomaly. She wrote it BUT..." How to Suppress Women's Writing is a meticulously researched and humorously written "guidebook" to the many ways women and other "minorities" have been barred from producing written art. In chapters entitled "Prohibitions," "Bad Faith," "Denial of Agency," Pollution of Agency," "The Double Standard of Content," "False Categorization," "Isolation," "Anomalousness," "Lack of Models," Responses," and "Aesthetics" Joanna Russ names, defines, and illustrates those barriers to art-making we may have felt but which tend to remain unnamed and thus insolvable.

    Mick Short considers how meanings and effects are generated in the three major literary genres, carying out stylistic analysis of poetry, drama and prose fiction in turn. He analyses a wide range of extracts from English literature, adopting an accessible approach to the analysis of literary texts which can be applied easily to other texts in English and in other languages.

    -- Alan Dundes. Propp's work is seminal...[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially to those structural characteristics which are common to many entries coming from even different cultures. -- Choice

    to restore their freedom in a world run mad.Nickie Halflinger, the only person to escape from Tarnover—where they raise hyper-intelligent children to maintain the political dominance of the USA in the 21st century—is on the run, dodging from loophole to crevice to crack in the computerised data-net that binds the continent like chains. After years of flight and constant changes of identity, at the strange small town called Precipice he discovers he is not alone in his quest. But can his new allies save him when he falls again into the sinister grasp of Tarnover...?

    It is the genre that stands in opposition to literary modernism." So says David G. Hartwell in his introduction to The Science Fiction Century, an anthology spanning a hundred years of science fiction, from its birth in the 1890s to the future it predicted.David G. Hartwell is a World Fantasy Award-winning editor and anthologist who has twice before redefined a genre--first the horror field with The Dark Descent, then the subgenre of hard science fiction with The Ascent of Wonder, coedited with Kathryn Cramer. Now, Hartwell has compiled the mother of all definitive anthologies, guaranteed to change not only the way the science fiction field views itself but also the way the rest of literature views the field.Contents 17 • Introduction (The Science Fiction Century) • (1997) • essay by David G. Hartwell 21 • Beam Us Home • (1969) • shortstory by James Tiptree, Jr. 31 • Ministering Angels • (1955) • shortstory by C. S. Lewis 39 • The Music Master of Babylon • (1954) • novelette by Edgar Pangborn 57 • A Story of the Days to Come • (1899) • novella by H. G. Wells 112 • Hot Planet • (1963) • shortstory by Hal Clement 127 • A Work of Art • (1956) • novelette by James Blish 139 • The Machine Stops • (1909) • novelette by E. M. Forster 161 • Brightness Falls from the Air • (1951) • shortstory by Margaret St. Clair 166 • 2066: Election Day • (1956) • shortstory by Michael Shaara 177 • The Rose • (1953) • novella by Charles L. Harness [as by Charles Harness ] 232 • The Hounds of Tindalos • (1929) • shortstory by Frank Belknap Long 242 • The Angel of Violence • (1978) • shortstory by Adam Wisniewski-Snerg 252 • Nobody Bothers Gus • [Gus] • (1955) • shortstory by Algis Budrys 261 • The Time Machine • (1954) • shortstory by Dino Buzzati 265 • Mother • (1953) • novelette by Philip José Farmer 285 • As Easy as A.B.C. • (1912) • novelette by Rudyard Kipling 304 • Ginungagap • (1980) • novelette by Michael Swanwick 327 • Minister Without Portfolio • (1952) • shortstory by Mildred Clingerman 333 • Time in Advance • (1956) • novelette by William Tenn 352 • Good Night, Sophie • (1973) • novelette by Lino Aldani (aka Buonanotte Sofia 1963 ) 369 • Veritas • (1987) • novelette by James Morrow 382 • Enchanted Village • (1950) • shortstory by A. E. van Vogt 393 • The King and the Dollmaker • (1970) • novella by Wolfgang Jeschke (aka Der König und der Puppenmacher 1961 ) 435 • Fire Watch • [Time Travel] • (1982) • novelette by Connie Willis 462 • Goat Song • (1972) • novelette by Poul Anderson 486 • The Scarlet Plague • (1912) • novella by Jack London 518 • Drunkboat • [The Instrumentality of Mankind] • (1963) • novelette by Cordwainer Smith 539 • Another World • (1962) • novelette by J. H. Rosny aîné (aka Un Autre Monde 1895 ) 558 • If the Stars Are Gods • [Bradley Reynolds] • (1974) • novelette by Gordon Eklund and Gregory Benford 585 • I Still Call Australia Home • (1990) • shortstory by George Turner 598 • Liquid Sunshine • (1982) • novelette by Alexander Kuprin (aka Zhidkoe solntse 1913 ) 632 • Great Work of Time • (1989) • novella by John Crowley 683 • Sundance • (1969) • shortstory by Robert Silverberg 694 • Greenslaves • (1965) • novelette by Frank Herbert 716 • Rumfuddle • (1973) • novella by Jack Vance 754 • The Dimple in Draco • (1967) • shortstory by R. S. Richardson [as by Philip Latham ] 765 • Consider Her Ways • (1956) • novella by John Wyndham 805 • Something Ending • (1973) • shortstory by Eddy C. Bertin 812 • He Who Shapes • (1965) • novella by Roger Zelazny 869 • Swarm • [Shaper/Mechanist] • (1982) • novelette by Bruce Sterling 886 • Beggars in Spain • [Sleepless] • (1991) • novella by Nancy Kress 939 • Johnny Mnemonic • (1981) • shortstory by William Gibson 952 • "Repent, Harlequin!" Said the Ticktockman • (1965) • shortstory by Harlan Ellison 961 • Blood's a Rover • (1952) • novella by Chad Oliver 993 • Sail the Tide of Mourning • [Bentfin Boomers] • (1975) • shortstory by Richard A. LupoffThe story The Angel of Violence by Adam_Wiśniewski-Snerg was translated from Polish to English by Thomasz Mirkowicz for this anthology.The story Good Night, Sophie by Lino Aldani was translated from Italian to English by L. K. Conrad.The story Liquid Sunshine by Alexander Kuprin was translated from Russian to English by Leland Fetzer.