This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations.ALGERNON BLACKWOOD, "The Empty House"W.F. HARVEY, "August Heat"CHARLES DICKENS, "The Signalman"L.P. HARTLEY, "A Visitor from Down Under"R.H. MALDEN, "The Thirteenth Tree"ROBERT LOUIS STEVENSON, "The Body-Snatcher"E. NESBIT, "Man-Size in Marble"BRAM STOKER, "The Judge's House"TOM HOOD, "The Shadow of a Shade"W.W. JACOBS, "The Monkey's Paw,"WILKIE COLLINS, "The Dream Woman"M.R. JAMES, "Casting the Runes"

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    Rita Hayworth and Shawshank Redemption--the most satisfying tale of unjust imprisonment and offbeat escape since The Count of Monte Cristo.Apt Pupil--a golden California schoolboy and an old man whose hideous past he uncovers enter into a fateful and chilling mutual parasitism.The Body--four rambunctious young boys venture into the Maine woods and in sunlight and thunder find life, death, and intimations of their own mortality.The Breathing Method--a tale told in a strange club about a woman determined to give birth no matter what.source: stephenking.com

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Bawdy, funny, touching, and downright outrageous, there's simply no one else like Roald Dahl.This volume is a diabolical collection of 28 of Dahl's best stories. Shiver to classics like The Man From the South, Taste, Royal Jelly and The Great Switcheroo and hard-to-find gems like Poison, The Wish and Neck. It's the perfect remedy for a sleepless night. From Someone Like YouTasteLamb to the SlaughterMan from the SouthThe SoldierDip in the PoolGalloping FoxleySkinPoisonWishNeckSound MachineNunc DimittisGreat Automatic GrammatizatorClaud's DogRatcatcherRumminsMr HoddyMr FeaseyFrom Kiss KissLandladyWilliam and MaryThe Way Up to HeavenRoyal JellyGeorgy PorgyGenesis and CatastropheEdward the ConquerorPigChampion of the WorldFrom Switch BitchGreat SwitcherooLast ActBitch

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    The publisher has even added a few of Ms. Christie's supernatural stories to entice you.The stories are: (1) Double Sin, (2) Wasp's Nest, (3) The Theft of the Royal Ruby, (4) The Dressmaker's Doll, (5) Greenshaw's Folly, (6) The Double Clue, (7) The Last Séance, and (8) Sanctuary.Of the eight, Hercule Poirot stars in #1, #2, #3, and #6. Miss Marple is the lead in #5 and #8. And there are two Christie standalones, not part of any novel or short story series, #4 and #7."The Theft of the Royal Ruby" is actually an expanded version of 1923's "The Adventure of the Christmas Pudding." A young prince from the Middle East, during a visit to London, has dabbled with the wrong woman and lost a magnificent jewel which only Hercule Poirot may be able to recover. Talking of dabbling, that is what Miss Marple does in "Sanctuary." She offers advice to her goddaughter on a religious matter; a man has died in the woman's church under mysterious circumstances. Readers are also sure to enjoy "The Last Séance" in which a young medium holds one too many.Librarian's note: this entry is for the collection of short stories, "Double Sin and Other Stories." Individual entries for each of the stories, including the title story, can be found elsewhere on Goodreads. The entries for Hercule Poirot short stories can be found by searching: "a Hercule Poirot Short Story." For Miss Marple, "a Miss Marple Short Story," and for Christie short stories without such leading characters, "an Agatha Christie Standalone Short Story."

    S is for science fiction, spine-tingling, supernatural and sublime! S is for stories from a "Star Wilderness that stretched as far as eye and mind could see and imagine".ChrysalisPillar of FireZero HourThe ManTime in Thy FlightThe PedestrianHall and FarewellInvisible BoyCome into My CellarThe Million-Year PicnicThe Screaming WomanThe SmileDark They Were, and Golden-EyedThe TrolleyThe Flying MachineIcarus Montgolfier Wright

    Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

    Father and son were at chess, the former, who possessed ideas about the game involving radical changes, putting his king into such sharp and unnecessary perils that it even provoked comment from the white-haired old lady knitting placidly by the fire. "Hark at the wind," said Mr. White, who, having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it. "I'm listening," said the latter, grimly surveying the board as he stretched out his hand. "Check." "I should hardly think that he'd come to-night," said his father, with his hand poised over the board.