Its acknowledged place in Latin American fiction and its appeal to a fresh generation of readers have warranted this new translation by Alfred Mac Adam, translator (with the author) of Fuentes's Christopher Unborn.As in all his fiction, but perhaps most powerfully in this book, Fuentes is a passionate guide to the ironies of Mexican history, the burden of its past, and the anguish of its present.

    First written in 1835 and then significantly revised in 1842, the work explores a central concern in Romantic aesthetics: the role of the artist and his creation. Through a series of ekphrases, i.e. literary representations of visual art, the narrative of "The Portrait" examines the act of representational painting in all of its constituent parts: the psychological condition of the artist, the manner of painting (or its formal qualities), the possible subjects of representation, and, finally, its impact upon the viewer.(by Eliot Stempf)

    A collection of stories by Sandra Cisneros, the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom.

    Latino/Latina Studies. Translated from the Portuguese by Paloma Martinez-Cruz. The story of a young Afro-Brazilian woman's journey from the land of her enslaved ancestors to the emptiness of urban life. However, the generations of creativity, violence and family cannot be so easily left behind as Poncia is heir to a mysterious psychic gift from her grandfather. Does this gift have the power to bring Poncia back from the emotional vacuum and absolute solitude that has overtaken her in the city? Do the elemental forces of earth, air, fire and water mean anything in the barren urban landscape? A mystical story of family, dreams and hope by the most talented chronicler of Afro-Brazilian life writing today.

    Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

    The garden burns with sunlight; the macaws laugh sweetly. Otilia, Ismail's wife, is ashamed of his peeping and suggests that he pay a visit to Father Albornoz. Instead, Ismail wanders the town visiting old friends, plagued by a tangle of secret memories. "Where have I existed these years? I answer myself; up on the wall, peering over." When the armies slowly arrive, the profesor's reveries are gradually taken over by a living hell. His wife disappears and he must find her. We learn that not only gentle, grassy hillsides surround San Joseacute; but landmines and coca fields. The reader is soon engulfed by the violence of Rosero's narrative that is touched not only with a deep sadness, but an extraordinary tenderness.

    These are useful skills in the lawless backcountry of Brazil, where ruthless land barons called "colonels" feud with bands of outlaw cangaceiros, trapping innocent residents in the cross fire.Emília, whose knowledge of the world comes from fashion magazines and romance novels, dreams of falling in love with a gentleman and escaping to a big city.Luzia also longs to escape their little town, where residents view her with suspicion and pity. Scarred by a childhood accident that left her with a deformed arm, the quick-tempered Luzia finds her escape in sewing and in secret prayers to the saints she believes once saved her life.But when Luzia is abducted by a group of cangaceiros led by the infamous Hawk, the sisters' quiet lives diverge in ways they never imagined. Emília stumbles into marriage with Degas Coelho, the son of a doctor whose wealth is rivaled only by his political power.She moves to the sprawling seaside city of Recife, where the glamour of her new life is soon overshadowed by heartache and loneliness. Luzia, forced to trek through scrubland and endure a nomadic existence, proves her determination to survive and begins to see the cangaceiros as comrades, not criminals.In Recife, Emília must hide any connection to her increasingly notorious sister. As she learns to navigate the treacherous waters of Brazilian high society, Emília sees the country split apart after a bitter presidential election. Political feuds extend to the countryside, where Luzia and the Hawk are forced to make unexpected alliances and endure betrayals that threaten to break the cangaceiros apart. But Luzia will overcome time and distance to entrust her sister with a great secret—one Emília vows to keep. And when Luzia's life is threatened, Emília will risk everything to save her.An enthralling novel of love and courage, loyalty and adventure, that brings to life a faraway time and place, The Seamstress is impeccably drawn, rich in depth and vision, and heralds the arrival of a supremely talented new writer.

    Published individually in magazines throughout 1923 and 1924 and collected into a book in 1931, they deal primarily with a group of Jewish thugs that live in the Moldavanka, a ghetto of Odessa.

    In a heightened state of emotion, people speak at the rate of 160 words per minute. Inspired by the intersection of these two seemingly unrelated concepts, Pulitzer Prize-winning author Robert Olen Butler wrote sixty-two stories, each exactly 240 words in length, capturing the flow of thoughts and feelings that go through a person's mind after their head has been severed. The characters are both real and imaginedMedusa (beheaded by Perseus, 2000 BC), Anne Boleyn (beheaded at the behest of Henry VIII, 1536), a chicken (beheaded for Sunday dinner, Alabama, 1958), and the author (decapitated, on the job, 2008). Told with the intensity of a poet and the wit of a great storyteller, these final thoughts illuminate and crystallize more about the characters' own lives and the worlds they inhabit than many writers manage to convey in full-length biographies or novels. The stories, which have appeared in literary magazines across the country, are a delightful and intriguing creative feat from one of today's most inventive writers.

    “The literary ‘Oscars’ features twenty outstanding examples of the best of the best in American short stories.” — Shelf Awareness for ReadersThe Best American Short Stories 2014 will be selected by national best-selling author Jennifer Egan, who won the 2011 Pulitzer Prize and the National Book Critics Circle Award for fiction for A Visit from the Goon Squad, heralded by Time magazine as “a new classic of American fiction.” Egan “possesses a satirist’s eye and a romance novelist’s heart” (New York Times Book Review).

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.

    S. Naipaul, The African Shore marks a major new installment in the genre of dystopic travel fiction. Rodrigo Rey Rosa, prominent in today’s Guatemalan literary world and an author of growing international reputation, presents a tale of alienation, misrecognition, and intrigue set in and around Tangier. He weaves a double narrative involving a Colombian tourist pleasurably stranded in Morocco and a young shepherd who dreams of migrating to Spain and of �riches to come.” At the center of their tale is an owl both treasured and coveted.   The author addresses the anxiety, distrust, and potential for violence that characterize the border of all borders: the strait that divides Africa and Europe, where the waters of the Mediterranean and the Atlantic meet. His often-remarked prose style, at once rich and spare, endows his work with remarkable elegance. Rey Rosa generates a powerful reality within his imagined world, and he maintains a narrative tension to the haunting conclusion, raising small and large questions that linger in the reader’s mind long after the final page. With an Afterword by Jeffrey Gray

    These stories about love and death, truth and lies, myth and reality range across many epochs and settings. Brilliantly combining fact and fiction, epic and miniature, horror and comedy, this was Danilo Kiš final work, published in Serbo-Croatian in 1983.Kiš is one of the great European writers of the post-war period - GuardianCompulsively readable - Daily Telegraph Fantasy chases reality and reality chases fantasy. Pirandello and Borges are not far away. But these names are intended as approximate references. Kiš is a new, original writer - Times Literary Supplement Intense and exotic, his mysteries hint at unspeakable secrets that remain forever beyond the story-teller's grasp - Boyd TonkinDanilo Kiš was born in the then Kingdom of Yugoslavia in 1935. After an unsettled childhood during the Second World War, in which several of his family members were killed, Kiš studied literature at the University of Belgrade where he lived for most of his adult life. He wrote novels, short stories and poetry and went on to receive the prestigious NIN Award for his novel Pešcanik. He died in Paris in 1989.

    

    Perhaps now that the date and time of my death had been revealed to me, I was ready to write. But how would I begin?”Clara Griffin, the beautiful wife of a successful Chilean architect, courageously confronts a life-threatening illness while recording her thoughts and experiences in her journal under the guise of a novel. What develops is a thinly veiled version of Clara’s own life, her disappoint with her marriage, her reminiscences of childhood, and the death that seems to surround her. When her husband discovers the notebook, he is stunned: How does she know that he had a mistress all these years? Is he really such a fatuous bore? Could it be true that his sick wife had a passionate love affair with one of his colleagues, right under his nose? Is this just a fictional story—he asks himself, turning the pages—or his wife’s very personal diary as she awaits death?A Week in October is the first of Elizabeth Subercaseaux’s novels to be translated into English. This tale of erotic tension, deception, and resilience walks the line of suspense from page one to the unexpected, haunting ending that ponders the mysteries of a woman’s heart, where truth is a lie and a lie is truth.