When the town-folk send for St. George to slay the dragon, the boy needs to come up with a clever plan to save his friend and convince the townsfolk to accept him. This story first appeared as a chapter in Grahame's Dream Days and was first published as a separate book by Holiday House in 1938 with illustrations by Ernest H. Shepard.

    She has never quite fit in at Triton Junior High, but who would've guessed that Athena is actually a goddess? Principal Zeus's daughter, to be exact.When she's summoned to Mount Olympus Academy, Athena thinks she might actually fit in for the first time in her life. But in some ways, school on Mount Olympus is not that different from down on Earth, and Athena is going to have to deal with the baddest mean girl in history: Medusa!

    They traveled far each day in their covered wagon, driving through tall grass until they found just the right spot for their new home. With the help of their kind neighbor, Mr. Edwards, Pa built a snug little house for the family in the middle of the wide-open prairie. Laura Ingalls Wilder's Little House books have been cherished by generations of readers. Now for the first time, the youngest readers can share her adventure in these very special picture books adapted from Laura Ingalls Wilder's beloved story-books. Renee Graef's warm paintings, inspired by Garth Williams' classic Little House illustrations, bring Laura and her family lovingly to life.Renée Graef recieved her bachelor's degree in art from the University of Wisconsin at Madison. She is the illustrator of teh paper dolls and the Kirsten books in the American Girls Collection. She is also an avid hat collector, with over 150 hats at last count. She lives in Milwaukee, Wisconsin, with her huisband, Tim, and thier children, Maggie and Maxfeild.Join the Ingalls family as they pick a special spot on the prairie and build their snug log cabin home. Their new neighbor, Mr. Edwards, comes by to help, and after the hard work is through, everyone sings and dances to the joyful music of Pa's fiddle. Renee Graef's enchanting full-color illustrations, inspired by Garth William's classic artwork, bring Laura and her family lovingly to life in this eleventh title in the My First Little House Books series, adapted from Laura Ingalls Wilder's beloved storybooks.

      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

    In 1707, young Sarah Noble and her father traveled through the wilderness to build a new home for their family. “Keep up your courage, Sarah Noble,” her mother had said, but Sarah found that it was not always easy to feel brave inside. The dark woods were full of animals and Indians, too, and Sarah was only eight! The true story of Sarah’s journey is inspiring. And as she cares for her father and befriends her Indian neighbors, she learns that to be afraid and to be brave is the greatest courage of all. The New York Times Book Review described this book as one “to be long remembered for its beautifully written simplicity and dignity.”

    Homer's epic poem, The Iliad is brought to life by Rosemary Sutcliff with the skill of a good storyteller, and with the dramatic and haunting illustrations of Alan Lee (Art Direction, The Lord of the Rings).The book was the winner of the Kate Greenaway Medal in 1993.

    There, in a cave hidden high above the ocean, they discover a fabulous creature: a glittering three-headed golden dragon with a kind heart, an unpredictable temper, and a memory that spans 20,000 years. Transported by the magic of the dragon's stories, the children meet Mei-lan, a young girl in ancient China; nineteenth-century cabin boy Jamie Pritchett; and, in more recent times, Hitty and her brother, Will, who survive a frightening plane crash on a desert island. In this fluidly written novel, Rebecca Rupp explores what three children from the present learn from the past - and from an unlikely but wise and generous friend.

    Retelling each in its own individual style, she presents funny tales, moving tales and enchanting fairy tales. Soar with the goshawk, dive with selkies and battle with the stoorworm, as each story is brought to life with exquisite illustrations by Scottish fine artist Kate Leiper, which brim with otherworldly beauty.A wonderful gift, this is a truly stunning book to be treasured for a lifetime and will be enjoyed by parents and grandparents as well as children.Longlisted for the Kate Greenaway Medal 2013.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Princes and princesses, kings and queens, giants and dwarfs, monsters and magicians, fairies and ogres—these are the companions who thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy books of many colors have entertained thousands of boys and girls, as they have also brought pleasure to the many parents who have read these unforgettable classics to their children.The Crimson Fairy Book contains a fascinating collection of tales from many countries: Hungary, Russia, Rumania, Finland, Iceland, Japan, and Sicily are only some of them. Filled with imagination, excitement, and adventure, these tales will delight children with their illogical yet strangely reasonable events, and will offer parents a pleasant change from the well-worn favorites. One story (The Cottager and His Cat) tells of how cats were introduced into Iceland; another Japanese tale (The Crab and the Monkey) tells how a crab gets the best of a roguish monkey; and a remarkable tale (Little Wildrose) from Rumania tells how a beautiful child was reared in an eagle's nest. All in all, the collection contains 36 stories, all narrated in the clear, lively prose for which Lang was famous. Not only are Lang's generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His position as one of England's foremost folklorists as well as his first-rate literary abilities make his collections unmatchable in the English language.

    And then the dizzy spells start. Soon gravely ill with leukemia, the "atom bomb disease," Sadako faces her future with spirit and bravery. Recalling a Japanese legend, Sadako sets to work folding paper cranes. For the legend holds that if a sick person folds one thousand cranes, the gods will grant her wish and make her healthy again. Based on a true story, Sadako and the Thousand Paper Cranes celebrates the extraordinary courage that made one young woman a heroine in Japan.

    To impress them forever he orders a great wall to be built, driving his people to exhaustion and despair so that they cry to the Sun God for help. In answer, another kind of man, Enkidu, is sent to earth to live among the animals and learn kindness from them. He falls in love with Shamhat, a singer from the temple, and he follows her back to Uruk. There, Enkidu, the “uncivilized” beast from the forest, shows the evil Gilgamesh through friendship what it means to be human.

    Though also a bestseller at the time, Just David has rarely been reprinted since its release in 1916. We felt a story this good shouldn’t be so hard to find, so we decided to put it back in print last year. Now it’s in a longer-lasting hardcover.It is the story of David, a charming little boy of 10 who is suddenly transplanted from a world of music (he plays the violin) in the mountains with his father, to the provincialism of a workaday small town. But even more, it is the story of how David transplants his own character, courage and happiness into the lives of the people he meets, and wins their love and respect. Here’s what we say in the preface to the new edition:Just David is a quiet, unassuming children’s novel about an orphaned young boy with a mysterious past. David, not the typical boy found in most stories of his day, is a mixture of simplicity and complexity whose disarming innocence has a profound effect on the people he encounters. Unlike the “good bad boy” often encountered in children’s literature, David is a “good good” boy. He is not in any way “goody-goody” in the moralistic sense, but simply and purely good. David’s goodness is not a mysterious quality that defies logic and imagination, but rather a quality cultivated in him by the intentional efforts of a wise and loving father. During David’s formative years, his father secluded him from the influences of the outside world, creating a private world in the mountains filled with simple pleasures, purposeful study, and beautiful music. David’s touching story is well within the scope of the imagination, and David’s endearing innocence, engaging personality, and natural character are unforgettable.Just David struck a resonant chord in our family for several reasons. First, David’s life affirms the biblical principle expressed in the proverb, “He who walks with the wise grows wise, but a companion of fools suffers harm”. David walked with his father and became wise. Also, his story reminds us of the importance of creating the right “appetite” early in our children’s lives. David’s love of music, nature and beauty were intentionally cultivated in him by his father. Finally, there is a refreshing balance in David’s life and character that provides a literary model to emulate, especially for the more artistically-inclined boy often overlooked in literature. David is artistic, yet he knows when to be realistic. He is slight of stature, yet able to handily defend himself when necessary. He is trained and mannerly, yet he is also manly. He is sensitive, yet sensible. Whatever limitations he discovers, he meets them with strength of character.This is truly one of those books that everyone in your family will like, and will likely want to hear or read more than once. We’re on our fourth reading! It has even inspired us to have Just David days for our children when we focus on the beautiful and lovely things God has given us to enjoy. Just David is just great. Includes family discussion questions at the end of the book.--Whole Heart Ministries

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

    Rowling and the brilliant curators of the British Library. It promises to take readers on a fascinating journey through the subjects studied at Hogwarts School of Witchcraft and Wizardry – from Alchemy and Potions classes through to Herbology and Care of Magical Creatures.Each chapter showcases a treasure trove of artefacts from the British Library and other collections around the world, beside exclusive manuscripts, sketches and illustrations from the Harry Potter archive. There's also a specially commissioned essay for each subject area by an expert, writer or cultural commentator, inspired by the contents of the exhibition – absorbing, insightful and unexpected contributions from Steve Backshall, the Reverend Richard Coles, Owen Davies, Julia Eccleshare, Roger Highfield, Steve Kloves, Lucy Mangan, Anna Pavord and Tim Peake, who offer a personal perspective on their magical theme.Readers will be able to pore over ancient spell books, amazing illuminated scrolls that reveal the secret of the Elixir of Life, vials of dragon's blood, mandrake roots, painted centaurs and a genuine witch's broomstick, in a book that shows J.K. Rowling's magical inventions alongside their cultural and historical forebears.This is the ultimate gift for Harry Potter fans, curious minds, big imaginations, bibliophiles and readers around the world who missed out on the chance to see the exhibition in person.