In May of 2005, Beth Holloway received the worst phone call a parent can imagine. Her beautiful daughter, Natalee, had disappeared without a trace in Aruba during her high school senior class trip. Two years later, for the first time, Beth Holloway steps forward in this astonishingly candid and inspirational memoir to tell of her harrowing ordeal and her never-ending belief in the power of faith that gave her hope against all odds. Natalee's senior class picture was splashed across the front pages of the country's newspapers and on television. Desperate for a clue as to her daughter's whereabouts, Beth and an army of faithful volunteers searched tirelessly for the missing eighteen-year-old. In their pursuit of Natalee, they encountered many roadblocks. As the horror stretched out, Beth stood on her foundation of faith, which at times was all she had to give her strength against a barrage of unbearable questions with no answers. Natalee's disappearance remains unsolved and her location unknown to this day. Beth's search continues.

    LGBT Studies. Lesbian. Queer. Child sexual abuse. Mothers. Parenting."A true story about Ellen's discovery that her daughters were being sexually abused by their father. There are no arrests, no happy endings and no one gets "healed". Instead, it's a painful account of how the children are harmed and how communities respond to such accusations. At a time when so much focus is on convictions and criminals, I found this a moving reminder that the reality of these situations is much more complex." (Ros Coward Observer)"Ellen Prescott writes with a literary flair that adds to the power of her story. She hits the reader in the gut on page 1: "In 1982, when my daughters were four and one, I decided to kill them . . . I was so in love with them, there at the door of their bedroom, that all I could think of was murder." You'd have to be anesthetized to put the book down at this point." (Toronto Star)"I recommend it to anyone, including most physicians who need a better understanding of human responses to suffering." (Willard Edwin Smith, BSc, MD, FRCP)"Well paced and … excruciatingly well written." (Quill and Quire)"This is a gripping story which I read from start to finish at one sitting." (Geist)"I liked Mondays are Yellow, Sundays are Grey so much that I bought a couple of copies for my office and they are rotating amongst my clients. I’m sure that it will be of tremendous help to both survivors and mothers of survivors." --Caren Durante, M.Ed."I was very impressed with the writer’s account and with her accomplishment of dealing with her own and her daughters’ abuse experiences. I appreciate your bringing this book to my attention." Dr. J. Adler, Registered Psychologist"I’m writing to tell you how much I admired and relished Mondays are Yellow, Sundays are Grey. I stayed in bed for 2 days and read it slowly. The story’s truth had my inner organs hiding behind each other, shifting all around. Having been abused as a kid myself, I was the victims; being a parent, I was the mother; being a man, I was the abuser. The critical me admired the smooth, unblinking text." –a reader"Thank you for writing about your experience. It helped me understand a lot about myself and my relationships to read about all of you. I have never read a personal account that so closely mirrored mine. I wish I had had a mother like you to hold me and comfort me and reassure me that not all life was pain. You’re a heck of a writer." –a reader'You'd tell me if Daddy touched your private parts, wouldn't you, Carolina?''No,' said Carolina firmly.'Why not, honey?''Because it's a secret.'It is only when long-buried memories from her own childhood start to surface that Ellen realises the terrible truth about her two young daughters: Carolina and Amy are being sexually abused by their father.Ellen writes with unflinching honesty about the heartbreak of finding out her daughters were abused, her fears of losing custody and her fight to have her story believed by sceptical doctors and social workers.A harrowing true story of sexual abuse from a mother's point of view, No More Hurt is a deeply affecting chronicle of Ellen's hard-won battle to create a place of safety and love for herself and her daughters.

     She came from a tiny village in Kentucky. The State moved her as a child into a foster home in a town so small it had one stoplight. New to her own beauty and a little awkward, Katie had the biggest smile on her high school cheerleading squad. In September 2002, she matriculated as a freshman at Western Kentucky University in Bowling Green. She majored in the dental program, but as it was for many college students her age, partying was of equal priority. She worked days at the smoothie shop, nights at the local strip club, and fell in love with a football player who wouldn't date her. Five feet two in heels and without a bad word to say about anyone, Katie Autry was sweet, kind, and utterly naïve. She was making the clumsy strides of a newborn colt, discovering what the world was like and learning to be her own person. And on the morning of May 4, 2003, Katie Autry was raped, stabbed, sprayed with hairspray, and set on fire in her own dormitory room. In telling the true story of this shocking crime, Bluegrass describes the devastation of not one but three families. Two young men, whose lives seem preordained to intertwine, are jailed for the crime: DNA evidence places Stephen Soules, an unemployed, mixed-race high school dropout, atthe scene, and Lucas Goodrum, a twenty-one-year-old pot dealer with an ex-wife, a girlfriend still in high school, and an inauspicious history of domestic abuse, is held by an ever-changing confession. The friends of the suspects and the foster and birth families of the victim form complex and warring social nets that are cast across town. And a small southern community, populated by eccentrics of every socioeconomic class, from dirt-poor to millionaire, responds to the horror. Like Midnight in the Garden of Good and Evil, this tale is redolent with atmosphere, dark tension, and lush landscapes. With the keen eye of a talented young journalist returning to his southern roots, Van Meter paints a vivid portrait of the town, the characters who fill it, and the simmering class conflicts that made an injustice like this not only possible, but inevitable.

    In the parking lot, a minivan pulls up next to his car. The driver pulls out a gun—and shoots Rusty four times in the chest.A HEARTBROKEN WIFESneiderman’s devoted wife, Andrea, is devastated by the crime. Who could have done this? She is shocked when police trace the shooting to a man named Hemy Neuman—who happens to be Andrea’s adoring boss. A DEADLY OBSESSIONThe prosecution accuses Andrea and Hemy of having a "forbidden relationship," and of conspiring to collect $2 million in her husband’s life insurance. But Andrea swears she never intended to kill Rusty—and that it is Hemy who’s "delusional" and obsessed. With the charges against her dropped, and the insurance money frozen, Andrea remains a mysterious character. Only one other person—the man who pulled the trigger—knows the truth about what really happened…　With 8 pages of dramatic photos!

    But for every celebrity psychopath who’s gotten ink for spilling blood, there’s a bevy of all-but-forgotten homicidal fiends studding the bloody margins of U.S. history. The law gave them their just desserts, but now the hugely acclaimed author of The Serial Killer Files and The Whole Death Catalog gives them their dark due in this absolutely riveting true-crime treasury. Among America’s most cold-blooded you’ll meet   • Robert Irwin, “The Mad Sculptor”: He longed to use his carving skills on the woman he loved—but had to settle for making short work of her mother and sister instead.   • Peter Robinson, “The Tell-Tale Heart Killer”: It took two days and four tries for him to finish off his victim, but no time at all for keen-eyed cops to spot the fatal flaw in his floor plan.   • Anton Probst, “The Monster in the Shape of a Man”: The ax-murdering immigrant’s systematic slaughter of all eight members of a Pennsylvania farm family matched the savagery of the Manson murders a century later.   • Edward H. Ruloff, “The Man of Two Lives”: A genuine Jekyll and Hyde, his brilliant scholarship disguised his bloodthirsty brutality, and his oversized brain gave new meaning to “mastermind.”   Spurred by profit, passion, paranoia, or perverse pleasure, these killers—the Witch of Staten Island, the Smutty Nose Butcher, the Bluebeard of Quiet Dell, and many others—span three centuries and a host of harrowing murder methods. Dramatized in the pages of penny dreadfuls, sensationalized in tabloid headlines, and immortalized in “murder ballads” and classic fiction by Edgar Allan Poe and Theodore Dreiser, the demonic denizens of Psycho USA may be long gone to the gallows—but this insidiously irresistible slice of gothic Americana will ensure that they’ll no longer be forgotten.

    Every story he wrote had one thing in common―they didn't have an ending. The killer was still out there.But after the sudden death of a friend, crime writer and author of I'll Be Gone in the Dark, Michelle McNamara, Billy became fed up. Following a dark night, he came up with a plan. A plan to investigate past the point when the cops had given up. A plan to solve the murders himself.You'll ride shotgun as Billy identifies the Halloween Mask Murderer, finds a missing girl in the California Redwoods, and investigates the only other murder in New York City on 9/11. You'll hear intimate details of the hunts for two of the most terrifying serial killers in history: his friend Michelle McNamara's pursuit of the Golden State Killer and his own quest to find the murderer of the Allenstown Four. And Billy gives you the tools―and the rules―to help solve murders yourself.Gripping, complex, unforgettable, Chase Darkness with Me is an examination of the evil forces that walk among us, illustrating a novel way to catch those killers, and a true-crime narrative unlike any you've read before.

    Eleven years later, Shane is shocked to find Jason's file on his desk again. Jason has committed some horrendous crimes and is facing a life of incarceration. Can Shane rebuild what had been a delicate friendship, and help Jason to face up to who he is, where he has come from, and what he has done?

    Provocative. Shocking. Call them what you will...but don't call them open and shut. Did Lizzie Borden murder her own father and stepmother? Was Jack the Ripper actually the Duke of Clarence? Who killed JonBenet Ramsey?America's foremost expert on criminal profiling and twenty-five-year FBI veteran John Douglas, along with author and filmmaker Mark Olshaker, explores those tantalizing questions and more in this mesmerizing work of detection. With uniquely gripping analysis, the authors reexamine and reinterpret the accepted facts, evidence, and victimology of the most notorious murder cases in the history of crime, including the Lindbergh baby kidnapping, the Zodiac Killer, and the Whitechapel murders.Utilizing techniques developed by Douglas himself, they give detailed profiles and reveal chief suspects in pursuit of what really happened in each case.The Cases That Haunt Us not only offers convincing and controversial conclusions, it deconstructs the evidence and widely held beliefs surrounding each case and rebuilds them -- with fascinating, surprising, and haunting results.

    The man strikes the piano player as forgettable.He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim.Nor will he be his last.The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten.This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience.

    On December 6, 1991, the naked, bound-and-gagged bodies of four girls--each one shot in the head--were found in an "I Can't Believe It's Yogurt!" shop in Austin, Texas. Grief, shock, and horror spread out from their families and friends to overtake the city itself. Though all branches of law enforcement were brought to bear, the investigation was often misdirected, and after eight years only two men (then teenagers) were tried; moreover, their subsequent convictions were eventually overturned, and Austin PD detectives are still working on what is now a very cold case. Over the decades, the story has grown to include DNA technology, false confessions, and other developments facing crime and punishment in contemporary life, but this story belongs to the scores of people involved, and from them Lowry has fashioned a riveting saga that reads like a Russian novel, comprehensive and thoroughly engrossing.

    Until now.For years, behind the closed doors of their farmhouse in Raymond, Washington, their sadistic mother, Shelly, subjected her girls to unimaginable abuse, degradation, torture, and psychic terrors. Through it all, Nikki, Sami, and Tori developed a defiant bond that made them far less vulnerable than Shelly imagined. Even as others were drawn into their mother’s dark and perverse web, the sisters found the strength and courage to escape an escalating nightmare that culminated in multiple murders.

    The word “pig” was written in blood on the headboard in the master bedroom. As MacDonald was being loaded into the ambulance, he accused a band of drug-crazed hippies of the crime.So began one of the most notorious and mysterious murder cases of the twentieth century. Jeffrey MacDonald was finally convicted in 1979 and remains in prison today. Since then a number of bestselling books—including Joe McGinniss’s Fatal Vision and Janet Malcolm’s The Journalist and the Murderer—and a blockbuster television miniseries have told their versions of the MacDonald case and what it all means.Errol Morris has been investigating the MacDonald case for over twenty years. A Wilderness of Error is the culmination of his efforts. It is a shocking book, because it shows us that almost everything we have been told about the case is deeply unreliable, and crucial elements of the case against MacDonald simply are not true. It is a masterful reinvention of the true-crime thriller, a book that pierces the haze of myth surrounding these murders with the sort of brilliant light that can only be produced by years of dogged and careful investigation and hard, lucid thinking. By this book’s end, we know several things: that there are two very different narratives we can create about what happened at 544 Castle Drive, and that the one that led to the conviction and imprisonment for life of this man for butchering his wife and two young daughters is almost certainly wrong.  Along the way Morris poses bracing questions about the nature of proof, criminal justice, and the media, showing us how MacDonald has been condemned, not only to prison, but to the stories that have been created around him. In this profoundly original meditation on truth and justice, Errol Morris reopens one of America’s most famous cases and forces us to confront the unimaginable. Morris has spent his career unsettling our complacent assumptions that we know what we’re looking at, that the stories we tell ourselves are true. This book is his finest and most important achievement to date.

    His behaviour, seemingly overnight, changed from indifferent to violently abusive and, for the next seven years, Tracy was sexually and physically abused by her father, his friends and her own brother. All of the men were in the British Armed Forces. Tracy's father compounded the abuse by sending her to baby-sit for his paedophile friends - whilst their own children slept in other rooms, these men would find excuses to leave later or return earlier than their wives in order to abuse her, with her own father's blessing. When she sought help and safety the doors were closed as the authorities closed ranks. In this shocking and compelling book, Tracy Black pieces together the jigsaw of a story that has haunted her for the past forty years. She reveals the horrific betrayal of trust perpetrated by men who were considered upstanding citizens and heroes. Tracy's tale reminds us all of the terrible ways in which paedophiles work and the secrets too many children are forced to carry alone. It is only now that she can tell her full story of recovery.

    Reissue.

    a notorious "murder house" which was once the scene of a brutal and bloody crime. If the walls of number 25 Cromwell Street had ears, what horrifying acts would they have overheard during the occupancy of serial killers Fred and Rose West? Brutal torture sessions and grisly murders were a regular occurrence. Even after the evidence has been removed and the perpetrators imprisoned or executed, an aura of horror, fear and disgust can linger on for decades. Houses of Death provides an incredible insight into ordinary homes and institutional buildings that have played host to extraordinary events. It explores the infamous buildings, the murderers and victims who called them ‘home’, as well as the bizarre and bloody events that took place behind their closed doors.Contents including:Countess Erzsebet Bathory,Castle Csejthe; Eastern State Penitentiary; The Bender family log cabin; Sing Sing;Lizzie Borden, 92 Second Street, Fall River; H H Holmes, The Murder Castle, Chicago; Newgate Prison; Lemp Mansion, St Louis; Bangkwang Prison, Thailand; Collingwood Manor Massacre; Washington State Penitentiary; John Christie, 10 Rillington Place; Ed Gein, Gein’s Farm, Plainfield, Wisconsin; Holloway Prison; Alcatraz; The Manson Family, 10050 Cielo Drive, Los Angeles; Jonestown; Fred and Rose West, 25 Cromwell Street; Jeffrey Dahmer, 213 Oxford Apartments;Gary Heidnik, 3520 North Marshall Street; Ian Huntley, 5 College Close, Soham.