George Oppen's New Collected Poems gathers in one volume all of the poems published in books during his lifetime (1908-84), as well as previously uncollected poems and also a selection of his unpublished work. Oppen, who won a Pulitzer Prize in 1969, has long been acknowledged as one of America's foremost modernists. A member of the Objectivist group that flourished in the 1930s (which also included William Carlos Williams, Charles Reznikoff, Carl Rakosi, and Louis Zukofsky), he was hailed by Ezra Pound as "a serious craftsman, a sensibility which is not every man's sensibility and which has not been got out of any other man's book." Oppen's New Collected Poems (which replaces New Direction's earlier, smaller Collected Poems of 1975) is edited by Michael Davidson of the University of California at San Diego, who also writes an introduction to the poet's life and work and supplies generous notes that will give interested readers an understanding of the background of the individual books as well as references in the poems.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    Some of the movie songs from Amarkalam, Poovellam un vasam are taken from this collection. Good treat for Vairamuthu fans.

    Illuminated Poems contains two never-before-published works, an introduction by Ginsberg and thirty-four poems from 1948 through the present day, including the poem "Howl" in its entirety. "Howl," perhaps the single poem that best captures the anguish and aspirations of the Beat Generation, was originally published forty years ago and is one of the most widely read poems of the century.

    ensnare the senses.Host a Great Hall-inspired feast for your friends or delight in a portion for one. Includes recipes for all kinds of delicious baked goods, as well as nutritional and dietary information. This baking cookbook is great for everyone and includes gluten-free, vegetarian, and vegan recipes as well!

    Form blends with content in Dated Emcees as she examines her love life through the lens of hip-hop's best known orators, characters, archetypes and songs, creating a new and inventive narrative about the music that shaped the craggy heart of a young woman poet, just as it also changed the global landscape of pop.Praise for Dated Emcees:"In the old tellings hip-hop was a woman, a certain kind—one needing, even begging to be saved. In Dated Emcees, Chinaka Hodge gives her a voice and she tells of her loves and desires, her traumas and pains in words as hard, as lit, as loving, cunning, cutting, ecstatic, as tender and devastating as her big world requires. This is poetry that, in its infinite power and intimate grace, will still turn in your mind long after the music is over."—Jeff Chang, author of Who We Be: A Cultural History of Race in Post-Civil Rights America"Hodge writes with an unpredictable, rare honesty. This collection quietly and simply illustrates love in a complicated world."—Donald Glover AKA Childish Gambino“This is an absolute powerhouse of a book, and a new pinnacle for Chinaka Hodge. There’s enough beauty and heartbreak and melancholy and humor and sorrow in here for three collections, or two lifetimes. Hodge’s writing is so incredibly specific but somehow universal, so honest and raw but somehow polished to unimproveability. She deserves a wide audience, an attentive audience, an audience that wants to be astounded.”—Dave Eggers, author of The Circle"Chinaka Hodge is hands down, unequivocally, my favorite writer of words. All day. Every day. She writes with the grace of a dancer, the bars of a rapper, the heart of your best friend, and all of the swag and soul of Oakland. Dated Emcees made me cry. And I don't really do that. It doesn't use Hip Hop as a lens. It is Hip Hop. In the way that we, who have grown up with rap as our brilliant, estranged, mythological, abusive lover/father/son, are all Hip Hop. Aware of his flaws, and his potential. And loving him unconditionally. These are poems to read every day. To make mantras from. They are the best poems you've ever read."—Daveed Diggs, Actor/Rapper, star of Hamilton on Broadway"Every time I hear new work from Chinaka Hodge I wonder if she was always this good. She was, I’m pretty sure. And yet somehow, she’s leveled up again. Dated Emcees is a dropped microphone, and a direct challenge to anyone listening. Step your game up."—George Watsky, author of How to Ruin Everything: Essays“Ms. Hodge’s collection complicates dogmatic notions of feminist principles and hip hop pathologies. She is the steward of a candid and sonorous new form, a lyrical journalism expressed in a meter that climbs from West Oakland’s Bottoms to the peak of a Wonder-laced rocket love. Dated Emcees is outlined in the matter of black life, streamlined through the filter of black womb … a smoke-filled lung in a sweat-filled club of safety and danger, and the bass of black moon.”—Marc Bamuthi Joseph, arts activist, spoken word artist, US Artists Rockefeller Fellow

    Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.". . . And I was grown up, with your face on,heating spice after spice to smoke out the smell of books, to burnthe taste buds off this bitten tongue, avoid ever speaking of you."- Emily Berry, 'Her Inheritance'"If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you."- Anne Carson, 'Candor'"I had a moment thereamong the balustradesand once that moment had expiredit graduatedfrom a moment to a life"- Sophie Collins, 'Dear No. 24601'

    Instead she threw herself into building a culinary empire from her restaurant, Aunty Lee's Delights, where spicy Singaporean home cooking is graciously served to locals and tourists alike. But when a body is found in one of Singapore's beautiful tourist havens, and when one of her wealthy guests fails to show at a dinner party, Aunty Lee knows that the two are likely connected.The murder and disappearance throws together Aunty Lee's henpecked stepson Mark, his social-climbing wife Selina, a gay couple whose love is still illegal in Singapore, and an elderly Australian tourist couple whose visit-billed at first as a pleasure cruise-may mask a deeper purpose. Investigating the murder is rookie Police Commissioner Raja, who quickly discovers that the savvy and well-connected Aunty Lee can track down clues even better than local law enforcement.Wise, witty and unusually charming, Aunty Lee's Delights is a spicy mystery about love, friendship and home cooking in Singapore, where money flows freely and people of many religions and ethnicities co-exist peacefully, but where tensions lurk just below the surface, sometimes with deadly results.

    In this book, she has written a few poems, where she has described herself in some complex and in simple words. Most of the poems are about her black and white memories and few are on generic topics. In this book, the reader will see her describing a relationship between mother nature and human nature in a poetic way.

    Either way, the primal materials of which this book is comprised -- love, sex, adolescence, space-time, depression, post-colonialism, and sugar -- are movingly and mysteriously transmuted: not into gold, but into a poet's philosopher's stone, in which language marries life.Structurally virtuosic, elaborate without being ornate, Loose Sugar is spun into series within series: each of the five sections has a dual heading (such as "space / time" or "time / work") in which the terms are neither in collision nor collusion, but in conversation. It's elemental sweet talk, and is Brenda Hillman's most experimental work to date, culminating in a meditation on the possibility of a native -- and feminine -- language.

    Rozan, Lawrence Osborne, Suchen Christine Lim, Ovidia Yu, Damon Chua, Johann S. Lee, Dave Chua, and Nury Vittachi.From the introduction by Cheryl Lu-Lien Tan:"Say Singapore to anyone and you'll likely hear one of a few words: Caning. Fines. Chewing gum.For much of the West, the narrative of Singapore--a modern Southeast Asian city-state perched on an island on the tip of the Malay Peninsula--has been marked largely by its government's strict laws and unwavering enforcement of them...As much as I understand these outside viewpoints, I have always lamented that the quirky and dark complexities of my native country's culture rarely seem to make it past its borders...Beneath its sparkling veneer is a country teeming with shadows...And its stories remain. The rich stories that attracted literary lions W. Somerset Maugham and Rudyard Kipling to hold court at the Raffles Hotel (where the Singapore Sling was created) are still sprinkled throughout its neighborhoods. And in the following pages, you'll get the chance to discover some of them...You'll find stories from some of the best contemporary writers in Singapore--three of them winners of the Singapore Literature Prize, essentially the country's Pulitzer: Simon Tay, writing as Donald Tee Quee Ho, tells the story of a hard-boiled detective who inadvertently wends his way into the underbelly of organized crime, Colin Cheong shows us a surprising side to the country's ubiquitous cheerful 'taxi uncle,' while Suchen Christine Lim spins a wistful tale of a Chinese temple medium whose past resurges to haunt her...As for mine, I chose a setting close to my heart--the kelongs, or old fisheries on stilts, that once dotted the waters of Singapore but are gradually disappearing. I have a deep sense of romance about these kelongs, along with the many other settings, characters, nuances, and quirks that you'll see in these stories. They're intense, inky, nebulous. There is evil, sadness, a foreboding. And liars, cheaters, the valiant abound.This is a Singapore rarely explored in Western literature--until now. No Disneyland here; but there is a death penalty."

    Don't miss the Spike Lee film of the Broadway hit American Utopia--on HBO.A Beat Most Anticipated Graphic Novel of Fall 2020A joyful collaboration between old friends David Byrne and Maira Kalman, American Utopia offers readers an antidote to cynicism, bursting with pathos, humanism, and hope--featuring his words and lyrics brought to life with more than 150 of her colorful paintings.The text is drawn from David Byrne's American Utopia, which has become a hit Broadway show and is now a film from Spike Lee on HBO. The four-color artwork, by Maira Kalman, which she created for the Broadway show's curtain, is composed of small moments, expressions, gestures, and interactions that together offer a portrait of daily life and coexistence.With their creative talents combined, American Utopia is a salvo for kindness and a call for jubilation, a reminder to sing, dance, and waste not a moment. Beautifully designed and edited by Alex Kalman, American Utopia is a balm for the soul from two of the world's most extraordinary artists.

    From her training for the Olympic trials as a teenager to enjoying pools and beaches around the world as an adult, Leanne Shapton offers a fascinating glimpse into the private, often solitary, realm of swimming. Her spare and elegant writing reveals an intimate narrative of suburban adolescence, spent underwater in a discipline that continues to inspire Shapton's work as an artist and author. Her illustrations throughout the book offer an intuitive perspective on the landscapes and imagery of the sport. Shapton's emphasis is on the smaller moments of athletic pursuit rather than its triumphs. For the accomplished athlete, aspiring amateur, or habitual practicer, this remarkable work of written and visual sketches propels the reader through a beautifully personal and universally appealing exercise in reflection.

    An anthology of some the best poems written by Harivansh Rai Bachchan,which have been selected specially for this anthology by himself.

    As Canadian poet Christian Bök has realized, it all comes down to the durability of your materials."—The GuardianInternationally best-selling poet Christian Bök has spent more than ten years writing what promises to be the first example of "living poetry." After successfully demonstrating his concept in a colony of E. coli, Bök is on the verge of enciphering a beautiful, anomalous poem into the genome of an unkillable bacterium (Deinococcus radiodurans), which can, in turn, "read" his text, responding to it by manufacturing a viable, benign protein, whose sequence of amino acids enciphers yet another poem. The engineered organism might conceivably serve as a post-apocalyptic archive, capable of outlasting our civilization.Book I of The Xenotext constitutes a kind of "demonic grimoire," providing a scientific framework for the project with a series of poems, texts, and illustrations. A Virgilian welcome to the Inferno, Book I is the "orphic" volume in a diptych, addressing the pastoral heritage of poets, who have sought to supplant nature in both beauty and terror. The book sets the conceptual groundwork for the second volume, which will document the experiment itself. The Xenotext is experimental poetry in the truest sense of the term.Christian Bök is the author of Crystallography (1994) and Eunoia (2001), which won the Griffin Poetry Prize. He teaches at the University of Calgary in Alberta, Canada.