Red Notice by Bill Browder | A 15-minute Summary & Analysis PLEASE NOTE: This is an unofficial summary and analysis of the book and NOT the original book. Inside this Instaread Summary & Analysis of Red Notice Summary of entire book Introduction to the Important People in the book Key Takeaways and Analysis of Key Takeaways Analysis of the Themes and Author’s Style

    from the inside.Before anyone can make sense of it, something not from this world kills a postman stranded on the other side of the door. And when the town's old evacuation sirens begin to blare, Yuri and everyone else in the building realize an impenetrable door could be the least of their worries. In fact, it could be the only thing standing between them and the otherworldly creatures roaming the now deserted streets outside...Someone in the building knows what's going on. Now, it's up to Yuri to figure out who it is, what they know, how these events are linked to their town's past, and how to lead everyone to safety - before the threats lurking outside find their way in.

    The encounter changed Mühling’s life, triggering a number of journeys to Ukraine and deep into the Russian heartland on a quest for stories of ordinary and extraordinary people. Away from the bright lights of Moscow, Mühling met and befriended a Dostoevskian cast of characters, including a hermit from Tayga who had only recently discovered the existence of a world beyond the woods, a Ukrainian Cossack who defaced the statue of Lenin in central Kiev, and a priest who insisted on returning to Chernobyl to preach to the stubborn few determined to remain in the exclusion zone. Unveiling a portion of the world whose contradictions, attractions, and absurdities are still largely unknown to people outside its borders, A Journey into Russia is a much-needed glimpse into one of today’s most significant regions.

    Here too are the less familiar but equally intriguing personalities who occupied Russia's imperial throne: the pious but feeble Feodor I, the warm-hearted and irascible Alexei Mikhailovich, and the Empress Anna, with her taste for cruel practical jokes. Chronicle of the Russian Tsars also introduces the key debates of Russian history. How did a small principality centered on Moscow develop into a vast empire stretching from the Baltic to the Pacific? What part did the Orthodox Church play in the rise of tsarism? Why did Russia develop political and social institutions so different from those of the West? With its comprehensive timelines, data files, quotations, and stunning illustrations, Chronicle of the Russian Tsars is at once an absorbing narrative history and an essential work of reference that brings to life a powerful empire and distinctive civilization whose impact on the history of Europe and the world is immeasurable.

    Intelligent and brutally direct talk to a reader about our times, Russia, the Russians, and much more.

    He has written the history of a utopian illusion and the tragic consequences it had for the people of the Soviet Union and the world." -- David Remnick, The New York Review of Books "In Martin Malia, the Soviet Union had one of its most acute observers. With this book, it may well have found the cornerstone of its history." -- Francois Furet, author of Interpreting the French Revolution "The Soviet Tragedy offers the most thorough scholarly analysis of the Communist phenomenon that we are likely to get for a long while to come...Malia states that his narrative is intended 'to substantiate the basic argument,' and this is certainly an argumentative book, which drives its thesis home with hammer blows. On this breathtaking journey, Malia is a witty and often brilliantly penetrating guide. He has much wisdom to impart." -- The Times Literary Supplement "This is history at the high level, well deployed factually, but particularly worthwhile in the philosophical and political context -- at once a view and an overview." -- The Washington Post

    But Oleg Erdmann, a young Russian filmmaker, seeks to discover and portray Catherine’s essential, emotional truth, her real life, beyond the rumors and facades. His first screenplay just barely makes it past the Soviet film board, and is assigned to a talented director, but the resulting film fails to avoid the usual clichés. After the dissolution of the Soviet Union, as he struggles to find a place for himself in the new order, Oleg agrees to work with an old friend on a TV series that becomes a quick success—as well as increasingly lurid, a far cry from his original vision. He continues to seek the real Catherine elsewhere . . . With A Woman Loved, Andreï Makine delivers a sweeping novel about the uses of art, the absurdity of history, and overriding power of human love, if only it can be uncovered and allowed to flourish.

    The relentless and unstoppable German advances that had seen the panzers sweep hundreds of miles into Russia was finally brought to a halt. The elite German 6th Army was first fought to a standstill, then surrounded and forced to surrender.Over 1.5 million people lost their lives during the six months of fighting, many of them civilians caught up in the campaign. For the first time in the war, the German army had been defeated on the field of battle. Before Stalingrad the Russians never won; after Stalingrad they could not lose.This book looks at the titanic struggle that ended in the total destruction of the second city of the Soviet Union, the greatest battle the world has ever seen.

    In part it is a memoir of the three "Factories" that influenced his development as a human being and as a writer, yet the events depicted within the book are fictionalized and conveyed with the poetic verve and playfulness of form that have made Shklovsky a major figure in twentieth-century world literature. In addition to its fictional and biographical elements, Third Factory includes anecdotes, rants, social satire, literary theory, and anything else that Shklovsky, with an artist's unerring confidence, chooses to include.

    The panorama that Lincoln presents is broad but static. Chapters are devoted to descriptions of the miseries of the peasantry who endured famine in 1891 & deprivation thereafter--until Stolypin threw them some crumbs to ensure their support in suppressing the '05 revolutionary movement; to the archaic Russian nobility; to the misery & degradation of the urban masses; to the Romanovs; to the ill-fated war with Japan in '05 etc. The thing that seems to tie these topics together, in Lincoln's telling, is syphilis--which, we're told pointedly, infected a broader strata of the population in Russia than elsewhere. Prostitution statistics also get considerable play. Similarly, a chapter on the sexually liberated artistic fringe--which included Diaghilev, Blok & Belyi--makes much of the poet mystic Soloviev as a prophet of sexual pleasure & also ludicrously pronounces him "the 1st--& only--philosopher that 19th-century Russia produced." Little historical explanation is attempted, but he tends toward the view that what was lacking in prerevolutionary Russia was strong leadership: the assassination of Stolypin, the one strong leader produced by the old order, should have advised him otherwise. (Russian institutions collapsed as much from their dead weight as from anything else.) Altogether, he's provided many undigested facts & much garish color--but little else. For the serious general reader, this bears no comparison with Harrison Salisbury's Black Night, White Snow ('78).--Kirkus (edited)

    To find each work in the anthology, you must go to the "Go To" section of your Nook, and then select "Chapter." It might get a blank screen--if it does, then hit the page forward button and the work will appear. Nikolai Gogol is considered the fathern of modern Russian realism; collected here are his best known works.Works include:Dead SoulsThe Inspector-GeneralTaras Bulba, et. al

    This text - an album of pictures gathered by the author over many years - shows the extended Romanov family.

    Set far from Moscow in the remote Kazakhstan capital of Alma-Ata, The Keeper of Antiquities begins with a leisurely, almost scholarly air - like a devious story by Borges. But very soon we find ourselves watching with horror as professional rivalry between the keeper of the town's museum and the chief librarian turns into a deadly struggle for control over the meaning of the past - and therefore over the present.While Dombrovsky does not have the wit, the suave cynicism of Bulgakov, he is-or was-immensely drawn to the tragi-comic potential of the bureaucratic flap, endemically Russian. Water boils drearily for tea in noisily peopled conferences; lank-jawed, heavily smoking females whine and bark in outrage; minor officials threaten and soothe; mass grievances are unburdened. The narrator is an open-hearted, straightforward young man with the title of Keeper of Antiquities in the archaeological section of a museum in rural Soviet Central Asia. The Keeper is moderately happy in his eyrie of catalogues and modest displays, sharing varieties of pickling alcohol with an earthy old carpenter and enjoying a secret hoard of carnival views of ""Beauties of the World"" in their natural state. His aim is to go quietly on his way ""without interfering with anybody."" But ""Your business is history"" to prove and demonstrate, and there is no escape. An attempt to improve the local library by a critical comment; the friendship with a collective brigade leader whose brother was shot (unjustly?) as a traitor; the defense of a young archaeologist fired by the library-all forbode disaster. The keeper of pristine truths unsullied by expedient exploitation thinks of flight, but in the end simply waits for the closing in of ""history,"" party style. A spirited, often anguished, indictment of mindless officialdom wherever it appears.

     In the depth of winter, Helen Lloyd spent three months cycling solo across one of the most remote, coldest inhabited regions of the planet - Siberia. In temperatures down to -50°C, she battled against the cold, overcoming her fear of wolves and falling through the ice of a frozen lake. Alone in a hibernating land with little to stimulate the senses, the biggest challenges were with her mind as she struggled with the solitude. With flashes of humour and riveting, graphic descriptions that will have you living each moment with her, Helen Lloyd describes the fear, uncertainty and joy of riding through a frozen, icy world. Yet, A Siberian Winter’s Tale is a touching story full of warm-hearted moments that are gifted to Helen by strangers along the Road of Bones.

    This collection contains five of his most highly regarded stories, all from his maturity, and set in a variety of Tsarist Russian milieux.Included are "The Black Monk" (1894), "The House with the Mezzanine" (1896), "The Peasants" (1897), "Gooseberries" (1898), and "The Lady with the Toy Dog" (1899). In these incisive tales, readers will discover a master of character, nuance, and setting developing the basic themes of his oeuvre: the sociological and psychological obstacles in the way of human affection and satisfactory development of the personality.