Sophie's pretty, she's funny, she has lots of friends and she clearly loves her job as a photographer, despite the sometimes tricky clients. There's just one problem: Sophie has very firmly turned her back on love. It's nothing personal, she tells Josh, but she just doesn't do dates. And no one - even Sophie's scatty best friend Tula - will tell him why. Josh is sure Sophie likes him, though, and he's just got to find out what's put her off romance. And then put things right...

    (Everybody in the newsroom knows. It's company policy.) But they can't quite bring themselves to take it seriously. They go on sending each other endless and endlessly hilarious e-mails, discussing every aspect of their personal lives.Meanwhile, Lincoln O'Neill can't believe this is his job now—reading other people's e-mail. When he applied to be "internet security officer," he pictured himself building firewalls and crushing hackers—not writing up a report every time a sports reporter forwards a dirty joke.When Lincoln comes across Beth's and Jennifer's messages, he knows he should turn them in. But he can't help being entertained—and captivated—by their stories.By the time Lincoln realizes he's falling for Beth, it's way too late to introduce himself.What would he say . . . ?

    Back then, she was worshipped...beloved...feared. Present day, not so much. She's been pink-slipped from her high-paying job, dumped by her husband, and kicked out of her condo. Now, at thirty-seven, she's struggling to start a business out of her parents' garage and sleeping under the hair-band posters in her old bedroom.Lissy finally realizes karma is the only bitch bigger than she was. Her present is miserable because of her past. But it's not like she can go back in time and change who she was...or can she?

    But, in the wake of tragedy and betrayal during their teenage years, everything changed. Val went on to fame and fortune. Addie stayed behind in their small Midwestern town. Destiny, however, had more in store for these two. And when, twenty-five years later, Val shows up at Addie’s front door with blood on her coat and terror on her face, it is the beginning of a wild adventure for two women joined by love and history who find strength together that they could not find alone.

    Two boys are in hospital after a tragic accident. One of them is Ben.She thought she could trust Emma, her new friend, to look after her little boy. After all, Emma’s a kindred spirit—someone Sophie was sure she could bare her soul to, despite the village rumours. But Sophie can’t shake the feeling that she’s made an unforgivable mistake and now her whole family is in danger.Because how well does she know Emma, really? Should she have trusted her at all?Time is running out. Powerless to help her child, still hours from home, Sophie is about to discover the truth. And her life will never be the same.

    Based on Stephen Clarke's own experiences and with names changed to "avoid embarrassment, possible legal action, and to prevent the author's legs being broken by someone in a Yves Saint Laurent suit," A Year in the Merde provides perfect entertainment for Francophiles and Francophobes alike.

    She goes to see the house she’s inherited—one she never knew existed, bequeathed to her by a woman she’s never even met. At the heart of this mystery is the hope that maybe—just maybe—this “Winter Cottage” will answer the endless questions about her mother’s past…including the identity of her birth father.Rather than the quaint Virginian bungalow Lucy expected, Winter Cottage is a grand old estate of many shadows—big enough to hold a century of secrets, passions, and betrayals. It also comes with a handsome and enigmatic stranger, a man next in line to claim Lucy’s inheritance.Now, as Lucy sifts through the past, uncovering the legacy of secrets that Winter Cottage holds, she’ll come to discover as much about her family history as she does about herself. In searching, she could finally find the one thing she’s never really had: a home.

    Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen”. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

    Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.