Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic."

    Likewise Swensen’s lyrics, which, with elliptical phrasing and play between visual and aural, change the act of seeing—and reading—offering glimpses of the spirit (or ghost) that enters a poem where the rational process breaks down.From “The Invention of Streetlights”Certain cells, it’s said, can generate light on their own.There are organisms that could fit on the head of a pin.and light entire rooms. .Throughout the Middle Ages, you could hire a man.on any corner with a torch to light you home. were lamps made of horn.and from above a loom of moving flares, we watched.Notre Dame seem small. .Now the streets stand still. .By 1890, it took a pound of powdered magnesium.to photograph a midnight ball.“Goest, sonorous with a hovering ‘ghost’ which shimmers at the root of all things, is a stunning meditation—even initiation—on the act of seeing, proprioception, and the alchemical properties of light as it exists naturally and inside the human realm of history, lore, invention and the ‘whites’ of painting. Light becomes the true mistress and possibly the underlying language of all invention. Swensen’s poetry documents a penetrating ‘intellectus’—light of the mind—by turns fragile, incandescent, transcendent.”—Anne Waldman

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    Frost scholar Lathem, who was also a close friend of the four-time Pulitzer Prize-winner, scrupulously annotated the 350-plus poems in this collection, which has been the standard edition of Frost's work since it first appeared in 1969.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    In addition to the title poem, this selecion includes "The Love Song of J. Alfred Prufrock", "Gerontion", "Ash Wednesday", and other poems from Mr. Eliot's early and middle work. "In ten years' time," wrote Edmund Wilson in Axel0s Castle (1931), "Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948 Mr. Eliot was awarded the Nobel Prize "for his work as trail-blazing pioneer of modern poetry".

    . . It’s honest to god the basic human playbook”These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment. At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.  I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty.

    Suffused with hope yet unafraid to mock his own credulity, Simic's searing metaphors unite the solemn with the absurd. His raindrops listen to each other fall and collect memories; his wildflowers are drunk with kissing the red-hot breezes; and his God is a Mr. Know-it-all, a wheeler-dealer, a wire-puller. In this latest lyrical gathering, Simic continues to startle his fans with the powerful and surprising images that are his trademark-slangy images of the ethereal, fantastic visions of the everyday, foreign scenes of the all-American-and moments full of humor and full of heartache.

    Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

    here’s a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.”—Publishers Weekly“One is simply content to be in the presence of a writer this vital, this large-spirited.”—The New York Times Book ReviewAlthough best known for his acclaimed fiction, Jim Harrison’s poetry has earned him recognition as an “untrammeled renegade genius.” Saving Daylight, his tenth collection of poetry–and first in a decade–is grounded in thickets and rivers, birds and bears, and the solace of dogs in a crazed political world. Whether contemplating the ephemerality of 90,000,000,000 galaxies or the immediate grace of a waitress, Harrison relishes the art and mysteries of being alive. “I’m enrolled in a school without visible teachers,” he writes in the title poem, “the divine mumbling just out of ear shot.”From “The Little Appearances of God”When god visits us he sleeps without a clock in empty bird nests. He likes the view. Not too high. Not too low. He winks a friendly wink at a nearby possum who sniffs the air unable to detect the scent of this not quite visible stranger...Jim Harrison is the author of two dozen books, including Legends of the Fall and Dalva. His work has been translated into 20 languages and produced as four feature-length films. Mr. Harrison divides his time between Montana and southern Arizona.

    It is meant to be curled up with at night, accompanied by a cup of tea. It's a hug in book-form. It is there to comfort you when fuzzy socks and ice cream just aren't enough. It will inspire you to pick up a pen and write down thoughts of your own. It will help you to say the words that feel stuck in your chest. Take it on the train. Take it to the beach. Keep it on your nightstand. Keep it in your backpack. Read it at the park on benches beneath hundred-year-old trees. Read it while it's raining. Read it when you're happy. Read it when your heart aches. Eighteen Years is meant to be bent and worn, written in, tear-stained, and loved. This book is for you.

    In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind.

    Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman.

    She delves into matters of the home, the comfort of family, the beauty of Alaska, and the dislocation of divorce.Frank and honest, serious and suddenly playful, A Night Without Armor is a talented artist's intimate portrait of what makes us uniquely human.

    it contains black & white photographs paired with poetry pieces; giving it a photo diary feels.