The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    Professor David Ullman is among the world’s leading authorities on demonic literature, with special expertise in Milton’s Paradise Lost. Not that David is a believer—he sees what he teaches as a branch of the imagination and nothing more. So when the mysterious Thin Woman arrives at his office and invites him to travel to Venice and witness a “phenomenon,” he turns her down. She leaves plane tickets and an address on his desk, advising David that her employer is not often disappointed.That evening, David’s wife announces she is leaving him. With his life suddenly in shambles, he impulsively whisks his beloved twelve-year-old daughter, Tess, off to Venice after all. The girl has recently been stricken by the same melancholy moods David knows so well, and he hopes to cheer her up and distract them both from the troubles at home.But what happens in Venice will change everything.First, in a tiny attic room at the address provided by the Thin Woman, David sees a man restrained in a chair, muttering, clearly insane . . . but could he truly be possessed? Then the man speaks clearly, in the voice of David’s dead father, repeating the last words he ever spoke to his son. Words that have left scars—and a mystery—behind.When David rushes back to the hotel, he discovers Tess perched on the roof’s edge, high above the waters of the Grand Canal. Before she falls, she manages to utter a final plea: Find me.What follows is an unimaginable journey for David Ullman from skeptic to true believer. In a terrifying quest guided by symbols and riddles from the pages of Paradise Lost, David must track the demon that has captured his daughter and discover its name. If he fails, he will lose Tess forever.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    When his body is found, the police quickly realize he was on his way to deliver one final message, one which proves he has taken another victim who may still be alive.As the lead investigator on the 4MK task force, Detective Sam Porter knows even in death, the killer is far from finished. When he discovers a personal diary in the jacket pocket of the body, Porter finds himself caught up in the mind of a psychopath, unraveling a twisted history in hopes of finding one last girl, all while struggling with personal demons of his own.With only a handful of clues, the elusive killer’s identity remains a mystery. Time is running out and the Four Monkey Killer taunts from beyond the grave in this masterfully written fast-paced thriller.

    Yet, even as he matches wits with his seemingly clairvoyant opponent, Gurney’s tragedy-marred past rises up to haunt him, his marriage approaches a dangerous precipice, and finally, a dark, cold fear builds that he’s met an adversary who can’t be stopped.In the end, fighting to keep his bearings amid a whirlwind of menace and destruction, Gurney sees the truth of what he’s become – what we all become when guilty memories fester – and how his wife Madeleine’s clear-eyed advice may be the only answer that makes sense.A work that defies easy labels -- at once a propulsive masterpiece of suspense and an absorbing immersion in the lives of characters so real we seem to hear their heartbeats – Think of a Number is a novel you’ll not soon forget.

    He protects his family from the dangers lurking in the outside world and makes sure that his children will always have a mother to look after them.One day Lena manages to flee--but the nightmare continues. It seems as if her tormentor wants to get back what belongs to him. And then there is the question whether she really is the woman called "Lena," who disappeared without a trace 14 years ago. The police and Lena's family are all desperately trying to piece together a puzzle which doesn't quite seem to fit.

    Two violent predators walk through the door. Nothing will ever be the same.When the two strangers turn up at Rowena Cooper's isolated Colorado farmhouse, she knows instantly that it's the end of everything. For the two haunted and driven men, on the other hand, it's just another stop on a long and bloody journey. And they still have many miles to go, and victims to sacrifice, before their work is done.For San Francisco homicide detective Valerie Hart, their trail of victims-women abducted, tortured and left with a seemingly random series of objects inside them-has brought her from obsession to the edge of physical and psychological destruction. And she's losing hope of making a breakthrough before that happens.But the murders at the Cooper farmhouse didn't quite go according to plan. There was a survivor, Rowena's ten-year-old daughter Nell, who now holds the key to the killings. Injured, half-frozen, terrified, Nell has only one place to go. And that place could be even more dangerous than what she's running from.In this extraordinary, pulse-pounding debut, Saul Black takes us deep into the mind of a psychopath, and into the troubled heart of the woman determined to stop him.

    You're vulnerable. And you have something that someone else wants. At any cost... Claudia Morgan-Brown finally has it all. Pregnant with a much-wanted first baby of her own, she has a happily established family of two small step-sons and a loving husband with a great career. But she is also committed to her full-time job as a social worker, and her husband travels often. So when Claudia hires Zoe to help her around the house in anticipation of the baby’s arrival, it seems like the answer to her prayers. But despite Zoe's glowing recommendations and instant rapport with the children, there's something about her that Claudia cannot trust. Moreover, there has been a series of violent attacks on pregnant women in the area, and Claudia becomes acutely aware of her vulnerability. With her husband out of town for work and her family far away, who will be there to protect her? And why does she feel unsettled about Zoe? Realizing appearances can be deceiving even in her seemingly perfect world, Claudia digs deeper into Zoe’s blurry past and begins to wonder – how far would someone go to have a child of her own? Riveting from its very first pages, Until You’re Mine is a multilayered masterwork of twisted, psychological suspense. Readers of Before I Go to Sleep and Turn of Mind will be enthralled by this multilayered novel, featuring a twisted plot that ends in a breathtaking and shocking finale.

    A psychological thriller with many more questions than answers. Even though this is one of Poe's shortest stories, it is nevertheless a profound and, at times, ambiguous investigation of a man's paranoia...

    Vail is certain to lose, but Vail uses his unorthodox ways to good advantage when choosing his legal team—a tight group of men and women who must uncover the extraordinary truth behind the archbishop's slaughter. They do, in a heart-stopping climax unparalleled for the surprise it springs on the reader...

    He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?

    For Kirsty and Amber, it's the first time they've seen each other since that dark day when they were just children. But with new lives – and families – to protect, will they really be able to keep their secret hidden?

    It's a world Jeff Converse, a young college student convicted of a crime he didn't commit, never knew existed until he is plunged into it after an "accident" that occurs while he is being transported to prison. He soon realizes that it's no accident, but the opening move in a deadly game being played by some of the city's most powerful men and women, a game in which he is the prey and they are the hunters. Jeff's only chance to make it to the surface and survive lies in allying himself with a homicidal maniac who's appointed himself the young man's protector, but whose designs on Jeff are almost as lethal as those of his enemies in the Manhattan Hunt Club. Saul made his reputation in the horror genre, but he now focuses on psychological terrors rather than things that go bump in the night. His narrative gifts are displayed to great advantage in this heart-stopping thriller; the pacing is flawless and the central characters are very well developed. What keeps this from living up to its fullest potential is the inadequate motivation of the villains, who are largely one-dimensional cardboard cutouts. But that won't keep this otherwise topnotch thriller off the bestseller lists, where Saul (Nightshade, The Right Hand of Evil), like Stephen King, is a perennial contender for the number one spot. --Jane Adams

    But then she takes on her first murder case and meets Joe, a convicted murderer to whom Lily is strangely drawn—and for whom she will soon be willing to risk almost anything.But Lily is not the only one with secrets. Her next-door neighbor Carla may be only nine, but she has already learned that secrets are powerful things. That they can get her whatever she wants.When Lily finds Carla on her doorstep twelve years later, a chain of events is set in motion that can end only one way.