After graduating with top marks she had landed her dream job at a prestigious Sydney law firm and moved in with a boyfriend she adored. She had the world at her feet and no right to break. But she did. Badly.Within a year Georgie was unemployed, back living with her parents and suffering such crippling anxiety that she ended up in a psychiatric hospital. Breaking Badly is the story of a nervous breakdown in slow motion – a life that fell apart and what it took to put it back together again. Brutally honest and warmly engaging, it’s a must-read for anyone who sometimes feels close to the edge.‘Funny, shocking, beautifully written … a fascinating account of one woman’s hand-to-hand combat with her own mind.’ Annabel Crabb‘A magnificent writer … Read this if you have ever suffered from anxiety, from mental illness, from perfectionism or from feeling inadequate.’ Lana Hirschowitz

    'Something truly amazing is going to happen.' 'To us or to the world?' I say. 'To you.' 'To me?' I laugh. 'Nothing ever happens to me, Stella.' 'But today it will.' 'Will it be good?' She looks thoughtful and then frowns. 'I . . . I don't know.'Peach is 19 and pretty happy with the way things are. She has her college work, two wildly different best friends, her sister, Stella, to look after, and a broken heart to mend. But when she takes a summer job at a café in the old convent, her idea of who she is takes a sharp turn into the past. Where once there were nuns, young girls and women who had fallen on hard times, Peach discovers secrets from three generations of her family. As their stories are revealed, Peach is jolted out of her comfort zone. But does she really want to know who she is? Warm and real, intense and provocative, this novel shows in vivid detail how fate and the choices we make ripple and reverberate through time.

    A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art’s sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities.In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and — murderer.The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays … he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely…made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.The introduction is by Percival Pollard New York, July, 1905.

    A fascinating collection of six essays, written for the William Empson Lectures in Oxford, each exploring an aspect of writerly contemplation.

    With courage and compassion she addresses her own frailties and fears, and asks the big questions about life, about the shadows we inherit and the gifts we pass on.Honest, poignant, utterly captivating, Reckoning announces the arrival of a fearless writer and natural storyteller. It will touch the lives of its readers.Magda Szubanski is one of Australia’s best known and most loved performers. She began her career in university revues, then appeared in a number of sketch comedy shows before creating the iconic character of Sharon Strzelecki in ABC-TV’s Kath and Kim. She has also acted in films (Babe, Babe: Pig in the City, Happy Feet, The Golden Compass) and stage shows. Reckoning is her first book.

    Jones—more than 100 luminaries reflect on the treasures of America’s favorite public library.Marking the centennial of The New York Public Library’s Beaux-Arts landmark at Fifth Avenue and 42nd Street, now called the Stephen A. Schwarzman Building, Know the Past, Find the Future harnesses the thoughts of an eclectic assortment of notable people as they ponder an even more eclectic assortment of objects. From among the Library’s vast collections, these writers, artists, philosophers, scientists, musicians, athletes, architects, choreographers, and journalists—as well as some of the curators who have preserved these riches—each select an item and describe its unique significance. The result, in words and photographs, is a glimpse of what a great library can be.Published by Penguin Classics for The New York Public Library

    NOW A MAJOR MOTION PICTURERobyn Davidson's opens the memoir of her perilous journey across 1,700 miles of hostile Australian desert to the sea with only four camels and a dog for company with the following words: “I experienced that sinking feeling you get when you know you have conned yourself into doing something difficult and there's no going back." Enduring sweltering heat, fending off poisonous snakes and lecherous men, chasing her camels when they get skittish and nursing them when they are injured, Davidson emerges as an extraordinarily courageous heroine driven by a love of Australia's landscape, an empathy for its indigenous people, and a willingness to cast away the trappings of her former identity. Tracks is the compelling, candid story of her odyssey of discovery and transformation. “An unforgettably powerful book.”—Cheryl Strayed, author of WildNow with a new postscript by Robyn Davidson.

    Connor, an Australian expat with a brutal past, spends his time running low-stakes scams on tourists in a sleepy beachside town. Sasha, an American in search of spiritual guidance, heads to an isolated ashram in the hope of mending a broken heart. When one of Connor’s grifts goes horribly wrong, it sets in motion a chain of events that brings the two lost souls together – and as they try to navigate a world of gangsters, gurus and secret agendas, they begin to realise that within the ashram’s utopian community, something is deeply, deeply wrong . . . Racing from the beaches of Goa to the streets of Delhi to the jungles of Tamil Nadu, Sweetness and Light is an intoxicating, unsettling story of the battle between light and dark, love and lust, morality and corruption. This is an explosive and unforgettable novel that confirms Liam Pieper's place as one of Australia's finest, sharpest writers.

    Heartbroken, Ash suddenly finds herself living a double life - one week with her children, the next cohabiting with her happily single sister-in-law. Her friends think the modern custody solution is an exciting opportunity for her to spread her wings, but all Ash wants is her family back together.An offer to renovate a seaside cottage seems like the perfect distraction for Ash while waiting for Adrian to come to his senses. She's determined to fix her marriage as well as the cottage, but life gets even more complicated when she meets local fisherman Dan Emerson.Soon, each home-stay becomes more dysfunctional, while for the other week Ash enjoys the peaceful life of the beachside community. The more time Ash spends in Ragged Point, the more she questions what she really wants. Is a sea-change the fresh start she needs to move on?When tragedy calls Ash back to the city, she's torn between the needs of her family and her future. Can her family life fit in with a permanent move to the beach or could Ash's new-found independence attract Adrian back to the nest?

    What is it about J. D. Salinger and his body of work that has left such a lasting mark on American fiction? And who better to answer that question than the current generation of writers?Here are fourteen of the most vital voices in the contemporary American fiction scene pulling no punches in response to a writer who continues to beguile, charm, fascinate, and frustrate generations of readers. Contributors Walter Kirn, Ren? Steinke, Charles D’Ambrosio, Emma Forrest, Aleksander Hemon, Lucinda Rosenfeld, Amy Sohn, John McNally, Karen E. Bender, Thomas Beller, Benjamin Anastas, Aimee Bender, Joel Stein, and Jane Mendelsohn turn themselves inside out as they discuss their personal reactions to reading Salinger classics–not only The Catcher in the Rye but also Franny and Zooey, Raise High the Roofbeams, Carpenters, and the short stories–and explore, with begrudging gratitude, how Salinger helped to form the deepest reaches of their literary imaginations.

    She knows what's expected of her. She knows what to do to please her elders, and how to make sure life in the community remains happy and calm. That is, until a new young girl joins the group. She isn't fitting in; she doesn't want to stay. What happens next will turn life as Amy knows it on its head. Freya has gone to great lengths to feel like a 'normal person'. In fact, if you saw her go about her day with her young son, you'd think she was an everyday mum. That is, until a young girl goes missing and someone from her past, someone she hasn't seen for a very long time, arrives in town. As Amy and Freya's story intertwines the secrets of the past bubble up to the surface. This rural Aussie town's dark underbelly is about to be exposed and lives will be destroyed.

    If a single punch kills someone because of their thin skull, that victim's weakness cannot mitigate the seriousness of the crime. But what if it also works the other way? What if a defendant on trial for sexual crimes has to accept his 'victim' as she comes: a strong, determined accuser who knows the legal system, who will not back down until justice is done?Bri Lee began her first day of work at the Queensland District Court as a bright-eyed judge's associate. Two years later she was back as the complainant in her own case. This is the story of Bri's journey through the Australian legal system; first as the daughter of a policeman, then as a law student, and finally as a judge's associate in both metropolitan and regional Queensland-where justice can look very different, especially for women. The injustice Bri witnessed, mourned and raged over every day finally forced her to confront her own personal history, one she'd vowed never to tell. And this is how, after years of struggle, she found herself on the other side of the courtroom, telling her story.Bri Lee has written a fierce and eloquent memoir that addresses both her own reckoning with the past as well as with the stories around her, to speak the truth with wit, empathy and unflinching courage. Eggshell Skull is a haunting appraisal of modern Australia from a new and essential voice.

    With shades of wit, insomnia, and terror, The Midnight becomes a kind of dialogue in which the prose and poetry sections seem to be dreaming fitfully of each other.

    This hook-nosed, greasy-haired, grumpy character is one of J.K. Rowling’s enduring gifts to English literature. He’s the archetypal ill-tempered teacher: acerbic, yet horribly, deliciously funny. Every time he opens his mouth, he delivers. When he’s in a scene, you can’t take your eyes off him. Snape is always the story."In this examination of J.K. Rowling's most enigmatic character, Lorrie Kim shows us how to sort through the illusions and lies to the man who dared to spy on Voldemort, and without whom Harry's story would have turned out very differently. In his final moments, he asks Harry (and the reader) to "look at me." This book does just that.

    Taking his title from the wounded cry of the once great Max Bialystock in The Producers -- “Look at me now! Look at me now! I’m wearing a cardboard belt!” -- Epstein gives us his largest and most comprehensive collection to date.Writing as a memoirist, polemicist, literary critic, and amused observer of contemporary culture, he uses to deft and devastating effect his signature gifts: wide-ranging erudition, sparkling humor, and a penetrating intelligence. In personally revealing essays about his father and about his years as a teacher, in deeply considered examinations of writers from Paul Valery to Truman Capote, and in incisive take-downs of such cultural pooh-bahs as Harold Bloom and George Steiner, this remarkable collection presents us with the best work of our country’s most singular talent, engaged with the richness and variety of life, witty in his response to the world, and always entertaining.