Through a series of chapters in the form of "portraits," Max, a paraplegic, lays bare the psyches of those who would surround him, pamper him, love him either because or in spite of his handicap.

    She was sunk in deep melancholy. Tears gushed from her beautiful eyes. The cause of her grief was known, as well as the fears she entertained lest that grief should displease the king, her father. The old man, Mambres, ancient magician and eunuch of the Pharoahs, was beside her, and seldom left her. He was present at her birth. He had educated her, and taught her all that a fair princess was allowed to know of the sciences of Egypt. The mind of Amasidia equaled her beauty. Her sensibility and tenderness rivaled the charms of her person; and it was this sensibility which cost her so many tears.The princess was twenty-four years old, the magician, Mambres, about thirteen hundred. It was he, as every one knows, who had that famous dispute with Moses, in which the victory was so long doubtful between these two profound philosophers. If Mambres yielded, it was owing to the visible protection of the celestial powers, who favored his rival. It required gods to overcome Mambres!

    This reader is softcover, 6" 9," and 144 pages in length.

    It is sure to capture the hearts of book lovers everywhere. Guylain Vignolles lives on the edge of existence. Working at a job he hates, he has but one pleasure in life ...Sitting on the 6.27 train each day, Guylain reads aloud. And it's this release of words into the world that starts our hero on a journey that will finally bring meaning into his life. For one morning, Guylain discovers the diary of a lonely young woman: Julie. A woman who feels as lost in the world as he does. As he reads from these pages to a rapt audience, Guylain finds himself falling hopelessly in love with their enchanting author ...The Reader on the 6.27 is a tale bursting with larger-than-life characters, each of whom touches Guylain's life for the better. This captivating novel is a warm, funny fable about literature's power to uplift even the most downtrodden of lives. 'The humanity of the characters ...the re-enchantment of everyday life, the power of words and literature, tenderness and humour ...

    In My Parents, Guibert blends autobiography and fiction in the captivating mix that is the hallmark of his writing: the book confirms his position as one of great French writers of the fin de si?cle.

    Known now as Arks, each has developed in distinct ways; each seems to possess its own unique relationship to time, such that nowadays vastly different worlds exist, together but apart. And over all of the Arks the spirit of an omnipotent ancestor abides. Ophelia lives on Anima, an ark where objects have souls. Beneath her worn scarf and thick glasses, the young girl hides the ability to read and communicate with the souls of objects, and the power to travel through mirrors. Her peaceful existence on the Ark of Anima is disrupted when she is promised in marriage to Thorn, from the powerful Dragon clan. Ophelia must leave her family and follow her fiancée to the floating capital on the distant Ark of the Pole. Why has she been chosen? Why must she hide her true identity? Though she doesn’t know it yet, she has become a pawn in a deadly plot.

    But Lou is about to change her life—and that of her parents—all because of a school project about homeless teens. Whilst doing research, Lou meets No, a teenage girl living on the streets. As their friendship grows, Lou bravely asks her parents if No can live with them, and is astonished when they agree. No’s presence forces Lou’s family to come to terms with a secret tragedy. But can this shaky, newfound family continue to live together when No’s own past comes back to haunt her?Winner of the prestigious Booksellers’ Prize in France, No and Me is a timely and thought-provoking novel about homelessness that has far-reaching appeal.

    Hector is very good at treating patients in need of his help. But he can't do much for those who are simply dissatisfied with life, and that is beginning to depress him. When a patient tells him he looks in need of a vacation, Hector takes a trip around the world to learn what makes people happy—and sad. As he travels from Paris to China to Africa to the United States, he lists his observations about the people he meets. Is there a secret to happiness, and will Hector find it? Combining the winsome appeal of The Little Prince with the inspiring philosophy of The Alchemist, Hector's journey ventures around the globe and into the human soul. Lelord's writing inspires us to consider life's great questions. Uplifting, empowering, and optimistic, this is a fable for our times and all time.

    "People? Visible Toka Did you mean ghost," "I was just talking with my friends. Air with my friends!" Friends in the "(useless's guy ...)" Kotaka is but he discuss whether you can have friends What if the night sky, the night sky is useless action force It would make up disappointing part that aims to make. And come to join the club What wrong or one after another disappointing beautiful girl who is -. Awfully fun shame-based youth romantic comedy birth but everyone is either GYARUGE of various and vagus feeling or doing you can play go to the pool or doing they really make friends with? Deviant.Original:学校で浮いている羽瀬川小鷹は、ある時いつも不機嫌そうな美少女の三日月夜空が一人で楽しげに喋っているのを目撃する。「もしかして幽霊とか見える人?」「友達と話していただけだ。エア友達と!」「(駄目だこいつ…)」小鷹は夜空とどうすれば友達が出来るか話し合うのだが、夜空は無駄な行動力で友達作りを目指す残念な部まで作ってしまう。しかも何を間違ったか続々と残念な美少女達が入部してきて―。みんなでギャルゲーをやったりプールに行ったり演劇をやったり色々と迷走気味な彼らは本当に友達を作れるのか?アレげだけどやけに楽しい残念系青春ラブコメディ誕生。

    As a teenager she hitchhiked to India and later to Afghanistan and Thailand. In Malaysia, at age nineteen, she fell in love with Eddy Tan Kim Soo, a handsome, wealthy Chinese man. They planned to meet in Europe and later marry. But at the airport on her way home, her spanking new Samsonite suitcase - a gift from Eddy - was ripped apart by customs officials. Beatrice was horrified to see that it contained several kilos of heroin. Clearly she had been set up by Eddy, who, it turned out, was a member of a powerful drug cartel. Arrested, she languished in prison for two years before she was tried. Her sentence: death by hanging. On appeal, her sentence was reduced to life in prison. Efforts on the part of her grandmother and an impassioned attorney managed to stir up public opinion, finally leading to Beatrice's release after ten years. But however terrible, these years were not lost. While in prison, her spirits were never broken: she taught herself Malaysian and Cantonese; she became a model prisoner and a leader as well as a medical supervisor, caring for her fellow inmates. Here is her own odyssey - always gripping, often terrifying, but ultimately a story of courage and inspiration.

    "Savoir," by Hélène Cixous, is a brief but densely layered account of her experience of recovered sight after a lifetime of severe myopia, an experience that ends with the unexpected turn of grieving for what is lost. Her literary inventiveness mines the coincidence in French between the two verbs savoir (to know) and voir (to see). Jacques Derrida's "A Silkworm of One's Own" complexly muses on a host of autobiographical, philosophical, and religious motifs—including his varied responses to "Savoir." The two texts are accompanied by six beautiful and evocative drawings that play on the theme of drapery over portions of the body.Veils suspends sexual difference between two homonyms: la voile (sail) and le voile (veil). A whole history of sexual difference is enveloped, sometimes dissimulated here—in the folds of sails and veils and in the turns, journeys, and returns of their metaphors and metonymies.However foreign to each other they may appear, however autonomous they may be, the two texts participate in a common genre: autobiography, confession, memoirs. The future also enters in: by opening to each other, the two discourses confide what is about to happen, the imminence of an event lacking any common measure with them or with anything else, an operation that restores sight and plunges into mourning the knowledge of the previous night, a "verdict" whose threatening secret remains out of reach by our knowledge.

    What brought him back? Boredom, fatigue, the need for action? His old friend, Mariano, recommends him for a quick-and-dirty freelance job. Except the job, obviously, is worse than it seemed at first. Remove one banker and one international oil broker, sure, no problem. But why is his third and final target a nun, Madre Luisa, so devoted, selfless, and invested in her ministry to the poorest of the poor in all of Latin America? Our Killer suspects something fishy, so he sets out to strike a deal, but instead decides to play a double game. Complicating matters is his affair with a lovely Cuban officer, who convinces him to side with the Cubans, but the Americans are closing in on him fast…

    There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?The Red Notebook has already been sold in twelve different languages. French TV is making a film of The President's Hat and the movie rights of The Red Notebook have been sold to UGC.Antoine Laurain was born in Paris. He is the author of five novels, including The President's Hat.

    Soon his superior reveals that the firm houses the activities of a secret organization, the Consortium for the Falsification of Reality, which rewrites history and falsifies the world as we know it. Who runs the CFR and for what purpose? That’s what Sliv sets out to discover. His only chance: rise all the way to the top in record time.The Falsifiers, a European best-seller, is the first installment of a trilogy. It is followed by The Pathfinders and The Showrunners.

    Yet one important lesson never seemed to sink in: how to communicate comfortably with the French, even when you speak their language. In The Bonjour Effect Jean-Benoît and Julie chronicle the lessons they learned after they returned to France to live, for a year, with their twin daughters. They offer up all the lessons they learned and explain, in a book as fizzy as a bottle of the finest French champagne, the most important aspect of all: the French don't communicate, they converse. To understand and speak French well, one must understand that French conversation runs on a set of rules that go to the heart of French culture. Why do the French like talking about "the decline of France"? Why does broaching a subject like money end all discussion? Why do the French become so aroused debating the merits and qualities of their own language? Through encounters with school principals, city hall civil servants, gas company employees, old friends and business acquaintances, Julie and Jean-Benoît explain why, culturally and historically, conversation with the French is not about communicating or being nice. It's about being interesting. After reading The Bonjour Effect, even readers with a modicum of French language ability will be able to hold their own the next time they step into a bistro on the Left Bank.