He gives often moving, and frequently comic, portraits of his great teachers in England -- such men as Lord David Cecil, Nevill Coghill, and W. H. Auden, who was the most distinguished English-language poet of those years. In London the poet and editor Stephen Spender becomes his first publisher and a generous friend who introduces him to rewarding figures like the essayist Cyril Connolly and George Orwell's encouraging widow, Sonia. He spends rich months traveling in Britain and on the Continent; and above all he undergoes the first loves of his life -- one with an Oxford colleague whom he describes as a "romantic friend" and another with an older man. Back in the States, in his first class at Duke he meets a startlingly gifted student in the sixteen-year-old Anne Tyler; and he soon combines the difficult pleasures of teaching English composition and literature with his own hard delight in learning to write a first novel. At the end of three lonely years, he completes the novel -- A Long and Happy Life -- and returns to England for a fourth year before his novel appears in Britain and America and meets with a success that sets the pace for an ongoing life of fiction, poetry, plays, essays, and translations (Ardent Spirits is his thirty-eighth volume). The droll memories recorded here amount to the unsurpassed -- and, again, often comical -- story of a writer's beginnings; and the young man who emerges has proven his right to stand by his fellows of whatever sex and goal. Ardent Spirits is a book that penetrates deeply into the life of a writer, a teacher, and a steadfast lover.

    It takes into account new finds as well as new ideas and attitudes to the subject, and emphasizes that Greek art should be seen in its proper context, not that of galleries and museums. 302 illustrations, 73 in color

    When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women’s Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Córdova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is "to the revolution”---to change the world and end discrimination against gays and lesbians. Trying to compartmentalize her sexual life, she becomes an investigative reporter for the famous, underground L.A. Free Press and finds herself involved with covering the Weather Underground and Angela Davis, exposing neo-Nazi bomber Captain Joe Tomassi, and befriending Emily Harris of the Symbionese Liberation Army. At the same time she is creating what will be the center of her revolutionary lesbian world: her own newsmagazine, The Lesbian Tide, destined to become the voice of the national lesbian feminist movement.By turns provocative and daringly honest, Cordova renders emblematic scenes of the era---ranging from strike protests to utopian music festivals, to underground meetings with radical fugitives---with period detail and evocative characters. For those who came of age in the 70s, and for those who weren’t around but still ask, "What was it like?", Outlaws takes you back to re-live it. It also offers insights about ethics, decision making and strategy, still relevant today.With an introduction by renowned lesbian historian Lillian Faderman, When We Were Outlaws paints a vivid portrait of activism and the search for self-identity, set against the turbulent landscape of multiple struggles for social change that swept hundreds of thousands of Americans into the streets.

    In "Song of Herself", Kahlo expert and child psychiatrist Salomon Grimberg introduces and contextualizes an intimate, deeply introspective interview that Kahlo gave towards the end of her life to her friend the psychologist Olga Campos for an unpublished book on the creative process. Kahlo comments directly and starkly as never before on her life, her loves and her art, and expresses her attitudes towards sexuality, her body, friendship, politics and death, among other personal concerns.The most revealing autobiographical text known on this singular woman, this startling interview is accompanied here by Campos' reflections on her relationship with Kahlo and a psychological assessment of Kahlo by Dr James Bridger Harris. The book is illustrated with selected photographs and works by Kahlo, including previously unseen and rarely seen drawings.

    With a worldly generosity, LaGuardia knowingly and sensitively explores a famous man haunted by same-sexuality. His writing fearlessly penetrates the dark areas of the human psyche. (Many unpublished photographs).

    Overnight he became one of the most famous men on the planet and changed ice skating from marginal sport to high art.And yet the man was – and would always remain – an absolute mystery to a world that was dazzled by his gift. Surely, men's skating was supposed to be Cossack-muscular, not sensual and ambiguous like this.Curry himself was an often-tortured man of labyrinthine complexity. For the first time, Alone untangles the extraordinary web of his toxic, troubled, brilliant – and short – life. It is a story of childhood nightmares, furious ambition, sporting genius, lifelong rivalries, homophobia, Cold War politics, financial ruin and deep personal tragedy. Alone reveals the restless, impatient, often dark soul of a man whose words could lacerate, whose skating invariably moved audiences to tears, and who – after succumbing to AIDS, as so many of his fellow artists and friends did – died of a heart attack aged just 44.

    In the seventy years from 1432 to 1502, some 17,000 men--in a city of only 40,000--were investigated for sodomy; 3,000 were convicted and thousands more confessed to gain amnesty. Michael Rocke vividly depicts this vibrant sexual culture in a world where these same-sex acts were not the deviant transgressions of a small minority, but an integral part of a normal masculine identity.In 1432 The Office of the Night was created specifically to police sodomy in Florence. Seventy years of denunciations, interrogations, and sentencings left an extraordinarily detailed record, which Rocke uses to its fullest in this richly documented portrait. He describes a wide range of sexual experiences between males, ranging from boys such as fourteen-year-old Morello di Taddeo, who prostituted himself to fifty-seven men, to the notorious Jacopo di Andrea, a young bachelor implicated with forty adolescents over a seventeen-year period and convicted thirteen times; same-sex "marriages" like that of Michele di Bruno and Carlo di Berardo, who were involved for several years and swore a binding oath to each other over an altar; and Bernardo Lorini, a former Night Officer himself with a wife and seven children, accused of sodomy at the age of sixty-five. (Mortified, he sent his son Taddeo to confess for him and plead for a discreet resolution of his case.) Indeed, nearly all Florentine males probably had some kind of same-sex experience as a part of their "normal" sexual life.Rocke uncovers a culture in which sexual roles were strictly defined by age, with boys under eighteen the "passive" participants in sodomy, youths in their twenties and older men the "active" participants, and most men at the age of thirty marrying women, their days of sexual frivolity with boys largely over. Such same sex activities were a normal phase in the transition to adulthood, and only a few pursued them much further. Rather than precluding heterosexual experiences, they were considered an extension of youthful and masculine lust and desire. As Niccolo Machiavelli quipped about a handsome man, "When young he lured husbands away from their wives, and now he lures wives away from their husbands." Florentines generally accepted sodomy as a common misdemeanor, to be punished with a fine, rather than as a deadly sin and a transgression against nature. There was no word, in the otherwise rich Florentine sexual lexicon, for "homosexual," nor was there a distinctive and well-developed homosexual "subculture." Rather, sexual acts between men and boys were an integral feature of the dominant culture.Rocke roots this sexual activity in the broader context of Renaissance Florence, with its social networks of families, juvenile gangs, neighbors, patronage, workshops, and confraternities, and its busy political life from the early years of the Republic through the period of Lorenzo de' Medici, Savonarola, and the beginning of Medici princely rule. His richly detailed book paints a fascinating picture of a vibrant time and place and calls into question our modern conceptions of gender and sexual identity.

    Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity.   Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called “the Homintern” (an echo of Lenin’s “Comintern”) by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture.   Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.

    In new afterwords, the co-editors reveal how the book came to be and what happened to their lives when, for the first time in history, a lesbian book from a small publisher went mainstream. Each nun in these stories describes her individual and searing path in, or out of, the convent to discover and face the truth of herself. Still myth-shattering, the stories remind us of the courage required to live—and love—in congruence with our authentic selves. "Oblivious to the controversies that surrounded the initial publication of Lesbian Nuns: Breaking Silence, whether they originated within the Catholic Church or the lesbian feminist movement, thousands of readers across the decades have embraced the book and found their lives changed by its message of empowerment." - Joanne E. Passet, Ph.D., Professor of History, Indiana University East

    A memoir...

    A beautifully written memoir, candid and definitive, that tells the story of Bast's five year relationship with the charismatic actor and American legend--James Dean.

    McBride argues, lies in "the banality of evil," or the quiet way discriminatory hiring practices and racist ad campaigns seep into and reflect malevolent undertones in American culture.McBride maintains that issues of race and sexuality are often subtle and always messy, and his compelling new book does not offer simple answers. Instead, in a collection of essays about such diverse topics as biased marketing strategies, black gay media representations, the role of African American studies in higher education, gay personal ads, and pornography, he offers the evolving insights of one black gay male scholar. As adept at analyzing affirmative action as dissecting Queer Eye for the Straight Guy, McBride employs a range of academic, journalistic, and autobiographical writing styles. Each chapter speaks a version of the truth about black gay male life, African American studies, and the black community. Original and astute, Why I Hate Abercrombie & Fitch is a powerful vision of a rapidly changing social landscape.

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar

    Such is the wonderful writing debut of acclaimed actor B.D. Wong.With a remarkable mixture of upbeat optimism, unexpected hilarity, and heart-wrenching sadness, Wong takes the reader deep inside both his psyche and the neonatal intensive care unit where he spent the better part of three months following the harrowing medical twists and turns that took place after the premature birth of his twins."Once upon a time," as Wong explains in his true story, Following Foo: (the electronic adventures of the Chestnut Man), "my partner and I found ourselves expecting, with the help of a surrogate mother, modern medical science, and lots of good luck and prayers. To add to our blessing, she was carrying twins! Things were pretty swell ... until the twins arrived almost three months early. For those of you who don't know, babies that come almost three months early are pretty little, and boy are they scary-looking. Especially when you're their dad ... "Originally based on a series of real-time E-mails sent to keep his friends and family abreast of the daily madness and miracles of "early" parenthood, this book is a gem, a joy, and an inspiration to anyone who has ever taken a ride on the roller coaster of life and tried to keep both sense of humor and sanity intact.

    policy on gays serving in the military, was repealed in September 2011, soldier Stephen Snyder-Hill (then Captain Hill) was serving in Iraq. Having endured years of this policy, which passively encouraged a culture of fear and secrecy for gay soldiers, Snyder-Hill submitted a video to a Republican primary debate (held two days after the repeal). In the video he asked for the Republicans’ thoughts regarding the repeal and their plans, if any, to extend spousal benefits to legally married gay and lesbian soldiers. His video was booed by the audience on national television. Soldier of Change captures not only the media frenzy that followed that moment, placing Snyder-Hill at the forefront of this modern civil rights movement, but also his twenty-year journey as a gay man in the army: from self-loathing to self-acceptance, to the most important battle of his life–protecting the disenfranchised. Since that time, Snyder-Hill has traveled the country with his husband, giving interviews on major news networks and speaking at universities, community centers, and pride parades, a champion of LGBT equality.