After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them.

    To prove himself worthy to Roberta, Richard Kendrick undertakes the greatest challenge of his life—one that makes this novel almost impossible to put down.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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    Graham, who wants to enlist, struggles to overcome his mother's selfish love and his own weak nature. While Clayton starts to fall in love with Audrey, a "real" woman who shares his views on war and enlistment, German workers in his factories seek to sabotage Clayton's munitions plant.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. It took Sabatini roughly a quarter of century of hard work before he attained success with Scaramouche in 1921. This brilliant novel of the French Revolution became an international bestseller. It was followed by the equally successful Captain Blood in 1922. A prolific writer, he produced about a book a year. Mistress Wilding begins: Then drink it thus, cried the rash young fool, and splashed the contents of his cup full into the face of Mr. Wilding even as that gentleman, on his feet, was proposing to drink to the eyes of the young fool's sister. See other titles by this author available from Kessinger Publishing.

    It was Saturday and a half-holiday; it was that one day of all the year when the seasons change places when winter is visibly worsted and summer with warmth and relaxation bathing and tennis and motor trips in the moonlight becomes again a reality.

    This is a morality play whose lessons are as suitable to an artistic society today as they were nearly a century ago. The characters include a portrait painter, a famous novelist, a young violinist, a respected media critic, and several irresponsible art patrons. The story laments the success given to the art that is corrupted by it. The novelist, Conrad LaGrange, professes that his own wealth and popular approval have been bought by calling attention to the indecent, thereby surrendering the dignity of his profession. Wright presents a sordid bunch who captivate us with their pomposity and gossiping harangue. The selfish art patrons are all-too-willing to watch how the artists prostitute their work and to allow their own reproach as long as they can control the power of the artistic transaction. Such is the power one of the patrons, Mrs. Taine, wields when she says to the artist, Aaron King, the following: My influence would insure you a favorable reception from those who make the reputations of men like you. I could have made you the rage. I could have made you famous.

    Dr. MacDonald is bound even less than usual by the commonplace of conventional life, and in it are to be found some of the most strikingly imaginative and mystical of his nature pictures, and symbolisms, as where he describes the horizon looking like a 'void between a cataclysm and the moving afresh of the Spirit of God upon the face of the waters.'"Later... the sight of a rider on a white horse, dimly seen in a storm, awakes the thought of 'Death returning home on the eve of the great dawn, worn with his age-long work, pleased that it was over, and no more need of him.'"It is with a kind of chastened pity that the flower-like heroine of this book speaks of those who 'are afraid of loneliness, and hate God's lovely dark.'"These are the same souls who shrink from the idea of death; yet, says Dr. MacDonald, 'no one can be living a true life to whom dying is a terror' [from 'What's Mine's Mine']." (Katherine Weller, 'A Modern Mystic: George MacDonald')

    What then? A harsh word can not be hung up by the neck. He gives you impertinence, give him the same; if he give you a slap, return the blow; he a second, you a third; in the end we will compel you to make peace. Whilst if you fight--well, if _you_ should kill _him_, God be with him for I do not like him much; but if he should perforate you, what a nice piece of business Then who will pay for the broken pots?

    The novel follows the lives of Rose and her widowed Aunt, Madame Francesca Bernard, along with young visitor and cousin Isabel, whose lives are changed by the return of an old friend and neighbour Colonel Kent, and his grown son, Allison.

    The People of the Mist is the tale of a British adventurer seeking wealth in the wilds of Africa, finding romance, and discovering a lost race and its monstrous god.

    Alida marries a man only to find out he's already married. She's so undone when she finds out that she just wants to go somewhere where no one will judge her for her misfortune, where she can work and keep herself fed and clothed. James and Alida meet and arrange for a strictly business marriage, leaving loving and honoring out of the vows. The title of the book tells the rest of the story, but the way it gets there is worth the journey.

    Against a tender love story, Dumas continues the suspense which began with The Vicomte de Bragelonne and will end with The Man in the Iron Mask. Set during the reign of Louis XIV and filled with behind-the-scenes intrigue, the novel brings the aging Musketeers and d'Artagnan out of retirement to face an impending crisis within the royal court of France. This new edition of the classic English translation is richly annotated and places Dumas's invigorating tale in its historical and cultural context.