They have often been trivialized and, in cinema and popular fiction, stereotyped as vamps or dupes. The reality is very different. As spies, women have played a critical role during wartime, receiving and passing on vital information, frequently at considerable risk. Often able to blend into their background more easily than their male counterparts, women have worked as couriers, transmitters and with resistance fighters, their achievements often unknown. Many have died. Ann Kramer describes the role of women spies during wartime, with particular reference to the two world wars. She looks at why some women chose to become spies, their motives and backgrounds. She looks at the experience of women spies during wartime, what training they received, and what skills they needed. She examines the reality of life for a woman spy, operating behind enemy lines, and explores and explodes the myths about women spies that continue until the present day. The focus is mainly on Britain but will also take an international view as appropriate.

    Featuring beautiful color photographs of the exhibition’s installation, details of the garments, and supplementary historical material, the book demonstrates how the extravagant clothing of the period reiterated the splendor of Rococo and Neoclassical interiors.

    We habitually think of the European past as the history of countries which exist today - France, Germany, Britain, Russia and so on - but often this actually obstructs our view of the past, and blunts our sensitivity to the ever-changing political landscape. Europe's history is littered with kingdoms, duchies, empires and republics which have now disappeared but which were once fixtures on the map of their age - 'the Empire of Aragon' which once dominated the western Mediterranean; the Grand Duchy of Lithuania, for a time the largest country in Europe; the successive kingdoms (and one duchy) of Prussia, much of whose history is now half-remembered at best. This book shows the reader how to peer through the cracks of mainstream history writing and listen to the echoes of lost realms across the centuries.

    Pascal said the shape of her nose changed the history of the world. Shakespeare portrayed her as an icon of tragic love. But who was Cleopatra, really?Cleopatra was the last ruler of the Macedonian dynasty of Ptolemies. Highly intelligent, she spoke many languages and was rumored to be the only Ptolemy to read and speak Egyptian. Her famous liaisons with Julius Caesar and Mark Antony had as much to do with politics as the heart. Ruthless in dealing with her enemies, many within her own family, Cleopatra steered her kingdom through difficult times, and very nearly succeeded in creating an eastern empire to rival the growing might of Rome.Her story was well documented by her near contemporaries, and the tragic tale of contrasts and oppositions—the seductive but failing power of ancient Egypt versus the virile strength of modern Rome—is so familiar we almost feel that we know Cleopatra. But our picture is highly distorted. Cleopatra is often portrayed as a woman ruled by emotion rather than reason; a queen hurtling towards inevitable self-destruction. But these tales of seduction, intrigue, and suicide by asp have obfuscated Cleopatra’s true political genius.Stripping away our preconceptions, many of them as old as Egypt’s Roman conquerors, Egyptologist Joyce Tyldesley offers a magnificent biography of a most extraordinary queen.

    Tempestuous, swashbuckling and volatile, within two years she has run away with her fencing master, fallen in love with a nun and is hiding from the authorities, sentenced to be burnt at the stake. Within another year, she has become Mademoiselle de Maupin, a beloved star at the famed Paris Opéra. Her lovers include some of Europe's most powerful men and France's most beautiful women. Yet Julie is destined to die alone in a convent at the age of 33. Based on an extraordinary true story, this is an original, dazzling and witty novel - a compelling portrait of an unforgettable woman. For all those readers who love Sarah Dunant, Sarah Waters and Hilary Mantel.

    Written across different times and places, Memoirs from Beyond the Tomb tells of exotic adventures to the farthest points of the globe, of heroic battles and political struggles, and of the loneliness of a restless soul. And its startling candor—because it would be published only “from beyond the tomb”—makes it almost ridiculously enjoyable.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    As Napoleon struggles for power on the battlefields of Europe, so Hortense charts her way through the French court -- a chessboard world where the motives are jealousy and greed and the prizes are thrones of conquered countries. Despite attempts to retain her individuality, Hortense finds herself married to Napoleon's brother Louis, but her heart is with Charles de Flahaut, a gallant young officer. Unwilling to cross her stepfather, Hortense must wait and see if time will take her to her lover.

    Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Susan Bordo probes the complexities of one of history's most infamous relationships.Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and reimagined Anne: whore, martyr, cautionary tale, proto-"mean girl," feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.

    Paris is an extraordinary, lyrical love letter to the city, taking the reader on an imaginative journey around its secret stairways, courtyards, alleys and hidden places. Whether evoking the cool of a deserted church on a hot summer's day, remembering Notre Dame in a winter storm in 1940, describing chestnut trees lit up at night like 'Japanese lanterns' or lamenting the passing of street cries and old buildings, his book is filled with unforgettable imagery. It is a meditation on getting lost and wasting time, and on what it truly means to know a city.

    This book was not written for children. Dumas has minced no words in describing the violent scenes of a violent time. In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader -- for whom the books are intended -- will recognize and allow for this fact. From 1839 to 1841, Dumas, with the assistance of several friends, compiled Celebrated Crimes, an eight-volume collection of essays on famous criminals and crimes from European history. He featured Beatrice Cenci, Martin Guerre, Cesare and Lucrezia Borgia, as well as more recent events and criminals, including the cases of the alleged murderers Karl Ludwig Sand and Antoine FranCois Desrues, who were executed.

    Beginning in the thirteenth century and making its way towards today, this historically accurate story is the eagerly anticipated debut from Vincent Mahé.Vincent Mahé is fast being established as one of the most exciting illustrators to come out of France. As well as his contribution to Nobrow 8: Hysteria he has been widely commissioned across the world to illustrate for publications such as the New York Times and XXI Magazine.

    A peasant girl who hears voices from God. A warrior leading an army to victory, in an age that believes women cannot fight. The Maid of Orleans, and the saviour of France. Burned at the stake as a heretic at the age of just nineteen. Five hundred years later, a saint. Her case was heard in court twice over. One trial, in 1431, condemned her; the other, twenty-five years after her death, cleared her name. In the transcripts, we hear first-hand testimony from Joan, her family and her friends: a rare survival from the medieval world. What could be more revealing?

    Eminent botanist Philibert Commerson had just been appointed to a grand new expedition: the first French circumnavigation of the world. As the ships’ official naturalist, Commerson would seek out resources—medicines, spices, timber, food—that could give the French an edge in the ever-accelerating race for empire. Jeanne Baret, Commerson’s young mistress and collaborator, was desperate not to be left behind. She disguised herself as a teenage boy and signed on as his assistant. The journey made the twenty-six-year-old, known to her shipmates as “Jean” rather than “Jeanne,” the first woman to ever sail around the globe. Yet so little is known about this extraordinary woman, whose accomplishments were considered to be subversive, even impossible for someone of her sex and class.            When the ships made landfall and the secret lovers disembarked to explore, Baret carried heavy wooden field presses and bulky optical instruments over beaches and hills, impressing observers on the ships’ decks with her obvious strength and stamina. Less obvious were the strips of linen wound tight around her upper body and the months she had spent perfecting her masculine disguise in the streets and marketplaces of Paris.            Expedition commander Louis-Antoine de Bougainville recorded in his journal that curious Tahitian natives exposed Baret as a woman, eighteen months into the voyage. But the true story, it turns out, is more complicated. In The Discovery of Jeanne Baret, Glynis Ridley unravels the conflicting accounts recorded by Baret’s crewmates to piece together the real story: how Baret’s identity was in fact widely suspected within just a couple of weeks of embarking, and the painful consequences of those suspicions; the newly discovered notebook, written in Baret’s own hand, that proves her scientific acumen; and the thousands of specimens she collected, most famously the showy vine bougainvillea. Ridley also richly explores Baret’s awkward, sometimes dangerous interactions with the men on the ship, including Baret’s lover, the obsessive and sometimes prickly naturalist; a fashion-plate prince who, with his elaborate wigs and velvet garments, was often mistaken for a woman himself; the sour ship’s surgeon, who despised Baret and Commerson; even a Tahitian islander who joined the expedition and asked Baret to show him how to behave like a Frenchman. But the central character of this true story is Jeanne Baret herself, a working-class woman whose scientific contributions were quietly dismissed and written out of history—until now. Anchored in impeccable original research and bursting with unforgettable characters and exotic settings, The Discovery of Jeanne Baret offers this forgotten heroine a chance to bloom at long last.

    A mixed group of twenty-six men, some of the Marshals came from aristocratic backgrounds, some had originally pursued tradesmen careers as drapers and bakers, and others rose from total poverty to hold the highest positions in the empire below the emperor himself. Delderfield's exciting chronicle of these men and their battles tells of their origins, their elevation under the rule of Napoleon, the kingships achieved by some and the betrayals of others, and the Marshals' changing relationship with their leader as the fortunes of the empire rose and fell.

    Sixty years later, Catherine Bailey became one of the first historians allowed inside. What she discovered when she began reading through the duke's letters was a mystery involving one of the most powerful families in British society in the turbulent days leading up to World War I. The 9th Duke, who had devoted his entire adult life to organizing and cataloging several hundred years' worth of family correspondence, had carefully erased three periods of his life from the record. But why? Filled with fascinating real-life characters, a mysterious death, family secrets, and affairs aplenty. The Secret Rooms is an enthralling, page-turning true story that reads like an Agatha Christie novel.