It is an extraordinary look into the mind of an artist whose boundless creative output touches a myriad of media, from photography to painting to poetry to acting. Recent Forgeries includes a CD with music and spoken-word poetry. Introduction by Dennis Hopper.Softcover, 7 3/4 x 7 3/4 inches, 110 pages, 83 reproductionsISBN: 1-889195-32-4 7th Edition$25

    This title includes stories such as: The White Bind-Weed Fairy, The Jack-Go-To-Bed-at-Noon Fairy and The Red Clover Fairy.

    A title guaranteed to generate "No, wait, read this one!" responses, "The Armpit of Doom" is more mayhem from one of the masters. (J. Patrick Lewis, US Children's Poet Laureate, author of "Please Bury Me in the Library")Kenn Nesbitt wrote a book of poems A funny one I think. And though it's colored black and white Watch it tickle you PINK! (Douglas Florian, author and illustrator of "Comets, Stars, the Moon, and Mars: Space Poems and Paintings")Kenn Nesbitt's brain is the clown car of children's poetry. I don't know how they all fit in there, but they keep tumbling out, one after another, each one funnier than the one before it. (Eric Ode, poet and songwriter. Author of "When You're a Pirate Dog and Other Pirate Poems")I liked "Armpit" (the book) a lot. Armpits aren't my favorite body part. (Bruce Lansky, author of "If Pigs Could Fly... And Other Deep Thoughts" and "My Dog Ate My Homework")Despite the many warnings ("Please Don't Read This Poem!") kids cannot escape the odorous allure of Nesbitt's THE ARMPIT OF DOOM! No problem. They won't want to! Instead they will find "There's only one solution. Here's what you'll have to do: Tell all your friends and family they shouldn't read it too!" (Charles Ghigna, AKA "Father Goose," author of "Score! 50 Poems to Motivate and Inspire")What makes this collection most special are the contemporary details sprinkled throughout (the iPod, XBox, and Kindle, Red Bull, J.K. Rowling, scrunchies, computer woes). Kids will really love the clever nonsense in poems like "On the Thirty-Third of Januaugust" and "It's Fun to Leave the Spaces Out." Teachers, beware: theirsentencesmightlooklikethisforafewdaysafterreadingthisbook!" (Janet Wong, author of "You Have to Write")Fans of Kenn Nesbitt will gobble up this new offering, which combines his infallible command of rhyme scheme with the hilarious--yet oddly contemplative--wisdom of a child pondering the world. (Joyce Sidman, author of "Swirl by Swirl: Spirals in Nature")

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The heartbreaking story of a marriage between a mortal man and an elf princess is a masterful tapestry of the fairy tale following the "happily ever after."

    From an early age he witnessed violence, hatred and horror as Northern Ireland tore itself apart in civil strife. Kneecapping, brutal murders, and even public tarring-and-feathering were simply a fact of life for the children on the estate. He thought he knew which side he was on, but although raised as a Loyalist, he was hiding a troubling secret: that his disappeared mother - whom he'd always been told was dead - was a Roman Catholic, 'the enemy'.In a memoir of rare power, John explores the dark heart of Northern Irish sectarianism in the 70s and 80s. With searing honesty and native Belfast wit, he describes the light and darkness of his unique childhood, and his teenage journey through mod culture and ultra-Loyalism, before an escape from Belfast to London - where, still haunted by the shadow of his fractured family history - he began a turbulent and hedonistic adulthood.'A BELFAST CHILD' is a tale of divided loyalties, dark secrets and the scars left by hatred and violence on a proud city - but also a story of hope, healing and ultimate redemption for a family caught in the rising tide of the Troubles.©2020 John Chambers (P)2020 Bonnier Publishing

    MacNeice's work matches the world he famously described as 'incorrigibly plural.'Michael Longley, himself a distinguished Ulster poet, has written an introductory essay of meticulous advocacy. His wife, the critic Edna Longley, has supplied the apparatus for students and the general reader.

    He's hoping that three months researching an old cable station in a remote village on the south-west coast of Ireland will help him and his traumatised son finally move on from the accident that killed his wife.Meanwhile local hotel owner's daughter Annie Sullivan has communication problems of her own to deal with. Home on sabbatical from her life in London, she's keeping a secret from her dysfunctional family and trying to save them and the hotel from their latest drama.As summer draws to a close in Ballyanna, both Dan and Annie are forced to confront the pasts they've been escaping. But will they be able to grasp the future that lies ahead? The Summer Visitors is a heart-warming story about love, second chances and moving on.

    Art teacher Angie Newcastle’s life is all monotone.She wasn’t always this dull. She’d been an up-and-coming artist with the world at her feet. But after contracting the Wrong Man Syndrome and spending years doubting herself, she no longer recognizes herself.When she loses her job, she can’t afford to keep ignoring the obvious: her life needs a serious overhaul. And she knows exactly where to start: in Ireland, teaching art classes to her ex-pat cousin’s village community.Angie expected the golden fields beside her ancient Irish cottage to inspire her. She didn’t expect them to be populated by sheep sprayed with uplifting words. And she certainly didn’t expect anyone like their owner, reclusive sheep baron Carrick Fitzgerald, or the matchmaking ghost determined to bring them together.Neither want to find love—especially Angie, who’s on a self-imposed man-fast because she doesn’t want her life to take another nosedive. Only she slowly realizes that Carrick is the most unexpected of Prince Charmings and that he might help her make all her dreams come true.

    This books tells their story.

    With a new Introduction by Ralph Metzner, Leary's Harvard colleague, this book of poetry and meditations is being published in its first new edition in 25 years. Illustrations/photos.

    Looking out from her window towards the dramatic rise of the Skelligs across the water, she reflects on the loss of Brendan, her husband and charming curator, his death stirring unresolved heartache from years gone by. Alone on the windswept headland, surrounded by miles of cold sea, the past closes in.As the days unfold, Martha searches for a way forward beyond grief, but finds herself drawn into a standoff between the entrepreneur Eugene Riordan and local hill farmer Paddy O'Connell. While the tension between them builds to a crisis that leaves Paddy in hospital, Martha encounters Colm, a talented but much younger musician and poet. Caught between its history and its future, the Celtic Tiger reels with change, and Martha faces redemptive choices that will change her life forever.

    'Asphodel' celebrates unforgettably Williams' love for his wife Floss, (going) so far as to say, 'Death is not the end of it'...'Asphodel' strands impressively as the poet's personal credo, a late, long poem central to his entire work.' -- World Literature Today