Last week I had an IQ so low that I sometimes forgot how to get home, and could barely stumble through sentences. This week I am the owner of the most advanced space station in the known universe and I wield powers that can alter reality itself. If I have the energy that my power is dependent upon... You see I get more energy every day, it's a set amount. I can stockpile it or burn it all up on one giant "upgrade" as I like to call it. This power comes from one of the wishes I made, yes, on a magical genie's lamp. I know that sounds crazy. So what do a Viking woman from 800AD, a U.S. Army combat veteran, and a fat gaming nerd have in common? Well, they're my team, and if I can save up enough energy I can use my new power to give them superpowers of their own. That's the plan at least. The problem with my plan is that I have some shadow organization looking for me. They'll kill me, my family, my friends, and everyone I have ever loved to get the lamp. What do they want? As far as I can tell they want to rewrite our universe into some kind of communist paradise where freewill comes second to safety and the government. I have to find some way to keep the lamp from the organization going after it that involves more than just hiding up in my space station. I refuse to be a hermit coward. I also have an ingrained need to help people, and now I have the power to do that. I have more resources at my disposal than any law enforcement agency on earth, and a team of people willing to help me. I want to be a hero, but I have no idea what I'm doing. Did I mention I was a barely functioning idiot last week? Content Warning: This book contains foul language, mild gore, and fictional politics.

    Rapid expansion into habitable worlds brings immense prosperity and a new age of exploration unlike any humanity has seen. WAR Conflicts over control of the colonial worlds spawn a massive, generation-long war among humans. Under a shaky armistice, humanity has just begun to crawl out of the shadows of destruction, but suspicion and bitter hostility run deep. INVASION On a rocky, desolate planet, a small band of gold prospectors find themselves making a discovery they never expected—valuable and powerful relics of the galaxy's deep past. The prospectors also discover a hostile alien species, ruthless beings who do not tolerate humans and wipe them out on sight. Humanity's first contact with intelligent aliens becomes a war for survival. The invasion has begun...but the beginning of the invasion is also the beginning of the resistance. "Resistance is a terrific space opera adventure. It combines mystery, heart-pounding action, and a good dose of humor. It's Aliens meets Tremors. I can't wait to read the sequel." -Daniel Arenson, USA Today bestselling author of the Earthrise series

    Childress also uncovers many other mysteries, including: * the technology of ancient flight * how the ancients used electricity * megalithic building techniques * the use of crystal lenses and the fire from the gods * ancient evidence of high-tech weapons, including atomic weapons * the role of modern inventors, such as Nikola Tesla, in bringing ancient technology into modern use * impossible artifacts, and more, much more. Childress has done it again! From beginning to end, Technology of the Gods is filled with facts, keen observations and tales that challenge modern assumptions in a humorous, intelligent and compelling way that is quintessential Childress.

    Tales of lives bright, lives dim. Stories of a universe fallen, where every happiness has its opposite, and every smile will be inevitably darkled... Amazon readers rave: "A fantastic collection" - Heather Escobedo"A Must-Have Book for Michaelbrent Collings fans" - D. Hilton"I was blown away by this collection of stories.""I highly recommend this book to anyone who loves surprise endings and twisted tales." - Jeffrey C."Stories that will haunt your dreams." - Kimberly A"I couldn't put it down." - Shirley"If you enjoy horror, you'll love this book." - Jason"You'll laugh, you'll cry, you'll scream! What more can you want?" - E. Taylor

    "Engines are out. Our course is whatever it was when we were hit, but I can't figure it out because the computer and the instruments are smashed. We have enough power and control to keep a minimal shield up and keep the lights on in here. Most of the lifts are out because there has been too much structural twisting. I will leave weapons to Fire Control." "None worth mentioning," Ruoni put in. "What do you want to do, Command?" It reminded me of the line I would hear on third and thirty-four when the coach asked me what I wanted to call. This is the story of Danny Troy, a has-been pro quarterback in desperate need of a fresh start. So, when he gets a bizarre job offer to be a space pirate, he takes it. A chance brawl on the ship leads him to a damsel in distress. He rescues her only to find she is a lot more than he bargained for. Danny’s idea is to see her safely home and collect a (big) reward. However, the damsel, Jaenna by name, has other ideas. The pair careen across the spiral arm from one adventure to the next, while Danny’s “career” grows to pirate captain and finally to a warlord who holds the fate of galactic civilization in his hands. What decision is Danny going to make? And what is he going to do about the girl? This is an action-packed, space opera, with a dash of American football added to the mix.

    When one of his research projects opened a portal into Earth’s past, he had no idea that he would be using it less than a day later to escape a world doomed by a cataclysmic nuclear war. Now, James has had to assume a new identity on an Earth nearly a hundred years before he was even born. His quest is to somehow try to change history and prevent the devastating future war that only happened yesterday for him.

     Any sincere student of classical music would sensitively seek to capture and interpret the piece so as not to distract from the original sound of the composition. To form an accurate conclusion in the study of our origin would involve a peering over the Creator's shoulder as it were, in order to gaze through his eyes and marvel at his anticipation. His invisible image and likeness is about to be unveiled in human form. The incarnation celebrates the fact that the destiny of the Word was not the page but tangible human life! The word of truth accurately preserve's God's original idea in the resonance of our hearts. 3:2 Instead of an impressive certificate framed on my wall I have you framed in my heart! You are our Epistle written within us, an open letter speaking a global language; one that everyone can 1read and recognize as their mother tongue! (1Anaginosko, to know again; to read with recognition.) 3:3  The fact that you are a Christ-Epistle shines as bright as day! This is what our ministry is all about. The Spirit of God is the living ink. Every trace of the Spirit’s influence on the heart is what gives permanence to this conversation. We are not talking law-language here; this is more dynamic and permanent than letters chiseled in stone. This conversation is embroidered in your inner consciousness. (It is the life of your design that grace echoes within you!) People who have stopped reading the Bible or never even read it before say about The Mirror, "I have never read anything that touched me so deeply, it is a brand new Bible, I cannot wait to give it to all my friends!"  The Mirror Bible is a paraphrase from the original Greek text. While the detailed shades of meaning of every Greek word have been closely studied, this is done taking into account the consistent context of the entire chapter within the wider epistle, and bearing in mind the full context of Jesus as the revealer and redeemer of the image and likeness of the invisible God in human form, which is what the message of the Bible is all about. To assist the reader in their study, the author have numerically superscripted the Greek word and corresponded it with the closest English word in the italicized commentary that follows. This is to create a direct comparison of words between the two languages. Many words used in previous translations have adopted meanings in time that distract from the original thought. Individual words can greatly influence the interpretation of any conversation. For years deliberate as well as oblivious errors in translations were repeated and have empowered the religious institutions of the day to influence, manipulate and even abuse masses of people. Consider the word metanoia, consisting of two components, meta, together with, and nous, mind, suggesting a radical mind shift. This word has always been translated as "repentance," which is an old English word borrowed from the Latin word, penance. Then they added the "re" to get even more mileage out of sin consciousness. Re-penance. This gross deception led to the perverted doctrines of indulgences, where naive, ignorant people were led to believe that they needed to purchase favor from an angry god. Most cathedrals as well as many ministries were funded with guilt money. The Bible is a dangerous book! It has confused and divided more people than any other document. Scriptures have been used to justify some of the greatest atrocities in human history. People were tortured, burned to death and multitudes murdered based on somebody's understanding of the scriptures! Jesus, Paul and believers throughout the ages faced their greatest opposition from those who knew the scr

     Future America is dangerous and bankrupt. The interstate highways are littered with the rusted hulks of ambushed cars and trucks, and only Mad Max would dare travel the back roads. When an arms race with Russia and China to develop time travel for military purposes achieves success, the body count skyrockets as both patriot and enemy try to hijack the new technology. Like the Manhattan Project and Operation Overtime before it, such a project attracts the best and the brightest as well as the worst and the psychotic. But not everyone has given up on the rule of law. In Tennessee, Fayette County D.A. Pete Dance wants to prosecute the murder of a man whose fossilized remains turn up after a series of devastating earthquakes. The problem is that the victim is still alive. When the violence starts, it doesn’t stop until the final whirlwind of teeth and claws and lasers. The first spinoff series from William Alan Webb’s immensely popular series The Last Brigade is described by one critic as “…Spectre agents chasing Fast and Furious through Jurassic World,” while another reviewer added “…with a heavy dose of Harry Bosch for good measure.” “After the heart-pounding finale, you won’t see the shocking ending coming. Guaranteed to keep you awake at night.”

    WILLIAMSON. Featuring all-new stories by Larry Correia, Michael Z. Williamson, Brad R. Torgersen, Mike Massa, Kacey Ezell, and more! When the UN invaded the Freehold of Grainne, the intent was simple: Force a noncompliant star nation back into the collective. What the politicians hadn't accounted for was that the Freehold had spent 200 years as the haven for every independent, rebellious, self-reliant adventurer in human space. Its military are scattered remnants, its bases smoking ruins, its cities occupied. But Grainne and its space habitats have resources beyond measure. Retired intelligence agents, disabled veterans, animal handlers, petty smugglers, half-lame computer specialists, research scientists, planetary engineers, all have one goal in mind: Make the invaders suffer for their presumption. This isn't just resistance. It's vengeance. Stories by: Larry Correia Michael Z. Williamson Brad R. Torgersen Mike Massa Kacey Ezell Robert E. Hampson Aaron Haskins John F. Holmes Marisa Wolf Justin Watson Jason Cordova Jamie Ibson Jessica Schlenker Christopher Dinote Rob Reed Chris Smith Jaime DiNote Philip Wohlrab At the publisher's request, this title is sold without DRM (Digital Rights Management). Praise for Forged in Blood: “The anthology celebrates soldiers and their tools. . . . Most of all, it celebrates warriors and the stuff that makes them so—the mettle more than the metal.”—Tangent "Fans of combat science fiction will find this collection irresistible…an entertaining and engaging book."—The Daily News of Galveston County About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews Novels of Michael Z. Williamson's Freehold Universe: Freehold series Freehold The Weapon The Rogue Contact with Chaos Angeleyes Freehold: Forged in Blood Ripple Creek series Better to Beg Forgiveness . . . Do Unto Others . . . When Diplomacy Fails . . . Standalone A Long Time Until Now Michael Z. Williamson is retired military, having served twenty-five years in the U.S. Army and the U.S. Air Force. He was deployed for Operation Iraqi Freedom and Operation Desert Fox. Williamson is a state-ranked competitive shooter in combat rifle and combat pistol. He has consulted on military matters, weapons and disaster preparedness for Discovery Channel and Outdoor Channel productions and is Editor-at-Large for Survivalblog, with 300,000 weekly readers. In addition, Williamson tests and reviews firearms and gear for manufacturers. Williamson’s books set in his Freehold Universe include Freehold, The Weapon, The Rogue, Better to Beg Forgiveness . . ., Do Unto Others . . ., and When Diplomacy Fails . . .. He is also the author of time travel novel A Long Time Until Now, as well as The Hero—the latter written in collaboration with New York Times best-selling author John Ringo. Williamson was born in England, raised in Liverpool and Toronto, Canada, and now resides in Indianapolis with his children.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    He was an orphan who rose from poverty to become the first ruler of all of Arabia. He created a new religion, new methods of war and a new political system including a legal code, the Sharia. Mohammed was the world's greatest warrior. Today no one wages war in the name of Caesar, Alexander the Great, Napoleon or any other military leader. However, every year many people die because of Mohammed. After 1400 years, Islam is more powerful than it has ever been. Mohammed said that one day all of the world would live under his rule of law.To understand Islam, you must know the life of Mohammed. Every Muslim's desire is to live a life identical to his. His every word and deed are the perfect model for being a Muslim. Every Muslim is a Mohammedan. The religion of Islam is not about worshiping Allah; it about worshiping Allah exactly as Mohammed did. This book is unique. It is concise, but it is completely authoritative. The reference system allows you to verify all information.

    This book consists of all the available ecclesiastical writings of early Christian authorities that are known to exist & yet were omitted from the authorized New Testament. Whether they are canonical or not, at the least these writings are of very great importance. Translated J.B. Lightfoot & R.H. Charles; published by, The Clarendon Press, 1913 & edited & published by Rutherford H. Platt, 1926; edited & republished by E.C. Marsh www.ecmarsh.com, 2010. The Forgotten Books of Eden: These books translate Old Testament pseudepigraphal writings which didn't achieve canonical status, giving mankind's early pictures of the past & hopes for the future that have survived the devastation of the centuries. Translated J.B. Lightfoot & R.H. Charles; published by, The Clarendon Press, 1913 & edited & published by Rutherford H. Platt, 1926; edited & republished by E.C. Marsh www.ecmarsh.com, 2010.

    As this is accomplished, the necessary resources and supportive events, circumstances, and relationships for your highest good will be spontaneously provided and your spiritual growth will be rapid and satisfying. Creative imagination and skillful living will enable you to live as you deserve to live.

    Joe McAllister is a reluctant mercenary who's looking for a way out and family-friendly place to start a business and raise an orphaned boy. Will the choices they make in the next few months shape the rest of their lives, or is free will just an illusion in a galaxy managed by ancient artificial intelligence? Destiny: Union Station takes place two years before the start of the nineteen book EarthCent Ambassador series.