But nothing equals Noah’s incredibly beautiful, odd, and often humorous pieces: they’re made from an astounding variety of materials, from toothpaste to melted candle wax, from tea leaves to plastic straws. One is even carved into a watermelon! (Yes, it was eaten.)Each of the 150 skulls shown is accompanied by a brief description and fun anecdotal stories. As a bonus, there are four skull projects to make. Irresistibly merging pop, Internet, and craft culture, this fantastic collection provides an inspiring example of how to find creative potential in every aspect of daily life.

    There he stumbled into the elaborate world of Mingering Mikea soul superstar of the 1960s and '70s who released an astonishing 50 albums and at least as many singles in just 10 years. But Hadar had never heard of him, and he realized why on closer inspection: every album in the crates was made of cardboard. Each package was intricately crafted, complete with gatefold interiors, extensive liner notes, and grooves drawn onto the "vinyl." Some albums were even covered in shrinkwrap, as if purchased at actual record stores. The crates contained nearly 200 LPs and 45s by Mingering Mike, as well as other artists like Joseph War, the Big "D," and Rambling Ralph, on labels such as Sex Records, Decision, and Ming/War. There were also soundtracks to imaginary films, a benefit album for sickle cell anemia, and a tribute to Bruce Lee. Hadar put his detective skills to work and soon found himself at the door of the elusive man responsible for this alternate universe of funk. Their friendship blossomed and Mike revealed the story of his life and his many albums, hit singles, and movie soundtracks. A solitary boy raised by his brothers, sisters, and cousins, Mike lost himself in a world of his own imaginary superstardom, basing songs and albums on his and his family's experiences. Early teenage songs obsessed with love and heartache soon gave way to social themes surrounding the turbulent era of civil rights protests and political upheavalbrought even closer to home when Mike himself went underground dodging the Vietnam War.In Mingering Mike, Hadar tells the story of a man and his myth: the kid who dreamed of being a star and the fantastical "careers" of the artists he created. All of Mingering Mike's best albums and 45s are presented in full color, finally bringing to the star the adoring audience he always imagined he had.

    Now he turns that eye on perhaps his most fascinating subject: himself and the world that formed him.Things I Didn’t Know is a memoir unlike any other because Hughes is a writer unlike any other. He analyzes his experiences the way he might examine a Van Gogh or a Picasso: he describes the surface so we can picture the end result, then he peels away the layers and scratches underneath that surface so we can understand all the beauty and tragedy and passion and history that lie below. So when Hughes describes his relationship with his stern and distant father, an Australian Air Force hero of the First World War, we’re not simply simply told of typical father/son complications, we see the thrilling exploits of a WWI pilot, learn about the nature of heroism, get the history of modern warfare — from the air and from the trenches — and we become aware how all of this relates to the wars we’re fighting today, and we understand how Hughes’s brilliant anti-war diatribe comes from both the heart and an understanding of the horrors of combat. The same high standards apply throughout as Hughes explores, with razor  sharpness and lyrical intensity, his Catholic upbringing and Catholic school years; his development as an artist and writer and the honing of his critical skills; his growing appreciation of art; his exhilaration at leaving Australia to discover a new life in Italy and then in “swinging 60’s” London. In each and every instance, we are not just taken on a tour of Bob Hughes’s life, we are taken on a tour of his mind — and like the perfect tour, it is educational, funny, expansive and genuinely entertaining, never veering into sentimental memories, always looking back with the right sharpness of objectivity and insight to examine a rebellious period in art, politics and sex.One of the extraordinary aspects of this book is that Hughes allows his observations of the world around him to be its focal point rather than the details of his past. He is able to regale us with anecdotes of unknown talents and eccentrics as well as famous names such as Irwin Shaw, Robert Rauschenberg, Cyril Connolly, Kenneth Tynan, Marcel Duchamp, and many others. He revels in the joys of sensuality and the anguish of broken relationships. He appreciates genius and craft and deplores waste and stupidity. The book can soar with pleasure and vitality as well as drag us into almost unbearable pain.Perhaps the most startling section of Things I Didn’t Know comes in the very opening, when Hughes describes his near fatal car crash of several years ago. He shows not just how he survived and changed — but also how he refused to soften or weaken when facing mortality. He begins by dealing with what was almost the end of life, and then goes on from there to show us the value of life, in particular the value of exploring and celebrating one specific and extraordinary life.

    Then there are the icons – the English girl knows that Kate Moss and The Duchess of Devonshire both have a place in the style pantheon.Luella explains the style tribes vying for the English girl's allegiance, the social rituals she undergoes – from surfing in Cornwall to clubbing in Berlin – and the status symbols she marks herself out with. All this requires a lot of photographs, drawings, and, occasionally, diagrams.But Luella's Guide to English Style isn't simply a book about fashion and style, it's a work of social anthropology – delivered with a wink and a kiss on the cheek. Luella describes the English girl's approach to love and shows how the English girl gets better with age.With her background as London’s hippest designer and as an editor on Vogue and the London Evening Standard, Luella Bartley is brilliantly placed to map out English style and what it means for girls.

    So, too is Rimington's account of her rise in what was very definitely a man's world.' Guardian____________________________ The eye-opening memoir from the first female Director-General of MI5 Stella Rimington worked for MI5 between 1969 and 1996, one of the most turbulent and dramatic periods in global history. Working in all the main fields of the Service's responsibilities - counter-subversion, counter-espionage and counter-terrorism - she became successively Director of all three branches, and finally Director-General of MI5 in 1992.She was the first woman to hold the post and the first Director-General whose name was publicly announced on appointment. In Open Secret, she continues her work of opening up elements of the work of our security services to public scrutiny, revealing the surprising culture of MI5 and shedding light on some of the most fascinating events in 20th century history from the ultimate insider viewpoint.____________________________Stella Rimington is also the author of the novels At Risk and Secret Asset.

    For millennia Europeans believed that the world consisted of three parts: Europe, Africa, and Asia. They drew the three continents in countless shapes and sizes on their maps, but occasionally they hinted at the existence of a "fourth part of the world," a mysterious, inaccessible place, separated from the rest by a vast expanse of ocean. It was a land of myth--until 1507, that is, when Martin Waldseemuller and Matthias Ringmann, two obscure scholars working in the mountains of eastern France, made it real. Columbus had died the year before convinced that he had sailed to Asia, but Waldseemuller and Ringmann, after reading about the Atlantic discoveries of Columbus's contemporary Amerigo Vespucci, came to a startling conclusion: Vespucci had reached the fourth part of the world. To celebrate his achievement, Waldseemuller and Ringmann printed a huge map, for the first time showing the New World surrounded by water and distinct from Asia, and in Vespucci's honor they gave this New World a name: America."The Fourth Part of the World "is the story behind that map, a thrilling saga of geographical and intellectual exploration, full of outsize thinkers and voyages. Taking a kaleidoscopic approach, Toby Lester traces the origins of our modern worldview. His narrative sweeps across continents and centuries, zeroing in on different portions of the map to reveal strands of ancient legend, Biblical prophecy, classical learning, medieval exploration, imperial ambitions, and more. In Lester's telling the map comes alive: Marco Polo and the early Christian missionaries trek across Central Asia and China; Europe's early humanists travel to monastic libraries to recover ancient texts; Portuguese merchants round up the first West African slaves; Christopher Columbus and Amerigo Vespucci make their epic voyages of discovery; and finally, vitally, Nicholas Copernicus makes an appearance, deducing from the new geography shown on the Waldseemuller map that the earth could not lie at the center of the cosmos. The map literally altered humanity's worldview.One thousand copies of the map were printed, yet only one remains. Discovered accidentally in 1901 in the library of a German castle it was bought in 2003 for the unprecedented sum of $10 million by the Library of Congress, where it is now on permanent public display. Lavishly illustrated with rare maps and diagrams, "The Fourth Part of the World "is the story of that map: the dazzling story of the geographical and intellectual journeys that have helped us decipher our world.

    Charley Harper (1922 2007), with his masterly use of simple geometric shapes, patterns, and vivid colors, distilled the essence of each bird, bug, otter, raccoon, or elephant he painted to its most important details. He called his style of painting "minimal realism. . . . Instead of trying to put everything in when I paint, I try to leave everything out. . . . I reduce the subject to the simplest possible visual terms without losing identity, thereby enhancing identity." Harper's approach to depicting the natural world is both sophisticated and fun. This edition of Beguiled by the Wild comprises all of Harper's serigraphs produced from 1968 to 2007. The original text by Roger Caras and Charley Harper is joined by a new commentary from the artist's son, Brett Harper.

    There, it's said " Maps not only show the world, they help it turn. On an average day, we will consult some form of map approximately a dozen times, often without even noticing: checking the A-Z, the road atlas, or the Sat Nav, scanning the tube or bus map, a quick Google online, or hours wasted flying over a virtual Earth, navigating a way around a shopping center, watching the weather forecast, planning a walk or a trip, catching up on the news, booking a holiday or hotel. Maps pepper logos, advertisements, illustrations, books, web pages, and newspaper and magazine articles: they are a cipher for every area of human existence. At a stroke, they convey precise information about topography, layout, history, politics, and power. They are the unsung heroes of life, and this guide sings their song. There are some fine, dry tomes out there about the history and development of cartography: this is not one of them. This exploration mixes wry observation with hard fact and considerable research, unearthing the offbeat, the unusual, and the downright pedantic in a celebration of all things maps. In "Map Addict," we learn the location of what has officially been named by the OS as the most boring square kilometer in the land; we visit the town fractured into dozens of little parcels of land split between two different countries and trek around many other weird borders of Britain and Europe; we test the theories that the new city of Milton Keynes was built to a pagan alignment and that women can't read maps. Combining history, travel, politics, memoir, and oblique observation in a highly readable, and often very funny, style, Mike Parker confesses how his own impressive map collection was founded on a virulent teenage shoplifting habit, ponders how a good leftie can be so gung-ho about British cartographic imperialism, and wages a one-man war against the moronic blandishments of the Sat Nav age.

    These crippling fears are laid to rest through insightful discussions of personal experiences, the struggles of famous artists, and the rewards of producing art that comes from an authentic creative core. Providing sensitive reassurances that these struggles are normal, these essays encourage artists to focus on the development of their crafts and find inspiration to work through self-doubt.

    Read a succinct history of the Gunpowder Plot in just one hour.‘Remember, remember, the fifth of November’. The gunpowder plot is a famed tale of treachery that continues to fascinate and capture the imagination four hundred years on.The Gunpowder Plot in an Hour reveals the elaborate background to the infamous plot to blow up the Houses of Parliament and James I, the ultimate act of treason. This compelling and engaging account of one of the most famous historical events in English history follows the Catholic protagonists hatching their plan through to their inevitable, gruesome deaths.Learn who the Catholic traitors were, what drove them to such desperate measures, and how the plot was discovered. The Gunpowder Plot in an Hour gives a concise overview of this enduring event and is a must for all history lovers.Love your history? Find out about the world with History in an Hour…

    From deserted cities and strange settlements, to remote islands and underground labyrinths, this atlas features more than 50 unusual locations around the world—from San Juan in Parangaricutiro, a town entirely submerged by lava, to Leap Castle in Ireland, allegedly the most haunted house in the world. Inviting text by British cultural commentator Travis Elborough is paired with photos, artfully drawn maps, and illustrations. Over the course of five chapters, readers will explore floating worlds, utopian cities, deserted places, man-made oddities, obscure locations, mysterious underground realms, and more. Lyrically written and beautifully illustrated, this book will inform, enlighten, and intrigue you as it takes you on a journey to far-off, peculiar, and often unreachable parts of our world.

    A stunning overview of all human history, side by side with 140 custom maps.Learn how something like the printing press can define a time, or how the Allies in Europe could defeat the Nazis. There is so much to read about in this remarkable history book, and just as much to look at.Maps are more than the topography of the Earth or the borders of countries. Maps can represent the movement of people and ideas, and they provide a unique way to explain historical themes and explore sweeping periods of time.This stunning visual reference book starts with the evolution and migration of our oldest ancestors out of Africa. You can then look up maps about the Greece and Persian War, the Mongol Conquests, Medieval Europe's trade routes, and the rise of the Ottomans. There are maps about the colonization of North America, the scientific revolution, Napoleon's advances, and Britain's control of India. There's more in later centuries, like the Age of Imperialism, the American Civil War, industrialized Europe, and the transformation of Japan.This history book reaching across millennia gives you a broad view of the pivotal events in our past. With 140 maps, complimented with pictures, info boxes, and timelines, there's so much to enjoy and learn about. You will gain a strong understanding of some of the forces and movements across continents that have shaped our world.A Map Guided Tour of World HistoryInside this beautiful cover are concise and fascinating historical information, 140 custom maps, and many ways to engage in history that will interest many readers, from students wanting additional resources for school to history buffs that love a good book and cartography.Go on a guided tour through time:- Prehistory 7 MYA-3000 BCE - The Ancient World 3000 BCE-500 CE - Middle Ages 500-1450 CE - The Early Modern World 1450-1700 - Revolution and Industry 1700-1850 - Progress and Empire 1850-1914 - The Modern World 1914-Present

    His evenings were spent 'doing the miles' on the roads out of south London and into the hills of the North Downs and Kent Weald. Weekends were taken up with track meets, time trials and road races – rides that took him from cold village halls at dawn and onto the empty bypasses of southern England.With its rituals, its code of honour and its comradeship, cycling became a passion that bordered on possession. It was at once a world apart, private to its initiates and, through the races he rode in Belgium, Mallorca and Ireland, a passport to an international fraternity. But then marriage, children and his wife's illness forced a reckoning with real life and, ultimately, a reappraisal of why cycling had become so compelling in the first place. Today, those bikes are scattered, sold, or gathering dust in an attic.Wry, frank and elegiac, ‘The Escape Artist’ is a celebration of an amateur sport and the simple beauty of cycling. It is also a story about the passage from youth to adulthood, about what it means to give up something fiercely loved in return for a kind of wisdom.

    Mingle with the most extravagant handlebar moustaches in Britain, pay your respects at the dog cemetery in Hyde Park, visit a Masonic temple, take trapeze lessons in a former power station, pray in a floating church, sail on a disused reservoir, discover the stone from which Arthur drew Excalibur, admire the sacred penis of a pharaoh, take aim on the City’s last bowling green, go stargazing at Greenwich Observatory, examine a rare cucumber straightener, a stuffed mermaid or a cow’s heart... Far from the crowds and the usual clichés, London still holds hidden treasures for those who know how to wander off the beaten track. An indispensable guide for those who thought they knew London well, or who would like to discover the hidden face of the city.

    The stadium is finished, the new Olympic Park is being landscaped, and shopping centers and apartment buildings stand at the ready, eager to be occupied by transient tourists and permanent residents alike.But the story of London’s Olympic renaissance is far from triumphant. Indeed, though the shiny façades are seductive, whole blocks are being ripped apart. The razing of East London is not a simple story of demolition and displacement—it’s a story of loss, of a neighborhood’s history being stolen from it.Ghost Milk is a chronicle of a city turned upside down: corner diners have given way to grandiose shopping centers; gated pleasure domes have replaced public parks; and the casual diversity of a neighborhood with centuries of history is being eradicated.In this majestic book, Iain Sinclair explores the roots of this new London and a worldwide obsession with “grand projects” that stretches from Athens to Beijing. Elegiac, intimate, and audacious, Ghost Milk is a tribute to a great city by its greatest chronicler.