It was founded by Albert Ellingham, an early twentieth century tycoon, who wanted to make a wonderful place full of riddles, twisting pathways, and gardens. “A place,” he said, “where learning is a game.”Shortly after the school opened, his wife and daughter were kidnapped. The only real clue was a mocking riddle listing methods of murder, signed with the frightening pseudonym “Truly, Devious.” It became one of the great unsolved crimes of American history.True-crime aficionado Stevie Bell is set to begin her first year at Ellingham Academy, and she has an ambitious plan: She will solve this cold case. That is, she will solve the case when she gets a grip on her demanding new school life and her housemates: the inventor, the novelist, the actor, the artist, and the jokester. But something strange is happening. Truly Devious makes a surprise return, and death revisits Ellingham Academy. The past has crawled out of its grave. Someone has gotten away with murder. The two interwoven mysteries of this first book in the Truly Devious series dovetail brilliantly, and Stevie Bell will continue her relentless quest for the murderers in books two and three.New York Times bestselling author Maureen Johnson weaves a delicate tale of murder and mystery in the first book of a striking new series, perfect for fans of Agatha Christie and E. Lockhart.

    After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.Then, one by one, they began to be killed off. One Osage woman, Mollie Burkhart, watched as her family was murdered. Her older sister was shot. Her mother was then slowly poisoned. And it was just the beginning, as more Osage began to die under mysterious circumstances.In this last remnant of the Wild West—where oilmen like J. P. Getty made their fortunes and where desperadoes such as Al Spencer, “the Phantom Terror,” roamed – virtually anyone who dared to investigate the killings were themselves murdered. As the death toll surpassed more than twenty-four Osage, the newly created F.B.I. took up the case, in what became one of the organization’s first major homicide investigations. But the bureau was then notoriously corrupt and initially bungled the case. Eventually the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to try to unravel the mystery. White put together an undercover team, including one of the only Native American agents in the bureau. They infiltrated the region, struggling to adopt the latest modern techniques of detection. Together with the Osage they began to expose one of the most sinister conspiracies in American history.A true-life murder mystery about one of the most monstrous crimes in American history.

    Luka is a veteran of the First World War and the Russian Civil War. All he wants now is a quiet life with his wife, twin sons and young daughter. Their small village has, so far, managed to remain hidden from the advancing Soviet brutality and labour camp deportations. But everything changes the day the stranger arrives, pulling a sled bearing the bodies of two children. In a fervour, the villagers lynch the stranger, despite Luka's protests. But when calm is restored, the mob leader, Dimitri, discovers his daughter has vanished. Luka is the only man with the skills to find who could have stolen a child in these frozen white wastelands - and besides, the missing girl is best friends with Luka's daughter Lara, and he promises her that he will find her friend and bring her home. Together with his sons and Dimitri, Luka sets out in pursuit across lands ravaged by war and gripped by treachery. Soon they realise that the man they are tracking is a no ordinary criminal, but a skilful hunter with the kidnapped child as the bait in his violent game. It will take all of Luka's strength to battle the harshest of conditions, and all of his wit to stay a step ahead of Soviet authorities. And though his toughest enemy is the man he tracks, his strongest bond is a whispered promise to his family back at home.

    On a freezing day in December, another child goes missing: 13-year-old Alison Carter vanishes from the isolated Derbyshire hamlet of Scardale. For the young George Bennett it is the beginning of his most difficult and harrowing case: a murder with no body, an investigation with more dead ends and closed faces than he'd have found in the inner city; an outcome that reverberates down the years.Decades later he tells his story to journalist Catherine Heathcote, but just when her book is poised for publication, Bennett tries to pull the plug. He has new information that he will not divulge, and that threatens the very foundation of his existence. Catherine is forced to reinvestigate the past, with results that turn the world upside down.A taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multilayered narrative that turns expectations on their head and reminds us that what we know is what we do not know...

    This is the fourth in a series of increasingly brutal arson attacks, and at the centre of the conflagration lies a body. An Islamic extremist faction claims responsibility, but Inés and her team cannot trace its whereabouts, or any evidence of its existence. And a partly melted memory card found in the victim's throat is the only clue to his identity.September 1429: Joan of Arc is in the process of turning the tide of The Hundred Years' War. English troops have Orléans under siege, and Tomas Rustbeard, the Duke of Bedford's most accomplished agent, finally has her in his sights. But he knows that killing 'The Maid' – the apparently illiterate peasant girl who nonetheless has an unmatched sense of military strategy and can ride a warhorse in battle – is not enough. He must destroy the legend that has already grown around her. And to do that, he must get close enough to discover who she really is.More fires rage and the death toll mounts while Inés fights to discover what connects an expert in the analysis of war graves, the unquenchable ambitions of the Family which seeks to hold the city in its absolute power, and the discredited historical theories of her own late and much lamented father.When Tomas risks everything to infiltrate the hotly defended inner circle of the Saviour of France, he finally discovers a secret that will prove as explosive nearly six hundred years later as it would do if revealed in his own time.As each thread of Manda Scott's immaculately interwoven narrative unfolds, Inés and Tomas's quests become linked across the centuries. And in their pursuit of the truth, they find that love is as enduring as myth – but can lead to the greatest and most heart-breaking of sacrifices.

    But beginning in December 1884, Austin was terrorized by someone equally as vicious and, in some ways, far more diabolical than London's infamous Jack the Ripper. For almost exactly one year, the Midnight Assassin crisscrossed the entire city, striking on moonlit nights, using axes, knives, and long steel rods to rip apart women from every race and class. At the time the concept of a serial killer was unthinkable, but the murders continued, the killer became more brazen, and the citizens' panic reached a fever pitch.Before it was all over, at least a dozen men would be arrested in connection with the murders, and the crimes would expose what a newspaper described as "the most extensive and profound scandal ever known in Austin." And yes, when Jack the Ripper began his attacks in 1888, London police investigators did wonder if the killer from Austin had crossed the ocean to terrorize their own city.With vivid historical detail and novelistic flair, Texas Monthly journalist Skip Hollandsworth brings this terrifying saga to life.

    And then one night there came a knock at the door of a quiet lodging house in the Marylebone Road. . . . This novel, based on the Jack the Ripper murders, was made into a film by Alfred Hitchcock.

    An immediate impediment arises when she becomes involved in a murder investigation. Helping solve the crime is crucial, but Bella must work with Constable Jackson Hastings. Once part of her life, Jax turned his back on Bella after her brother, his best friend, died in the trenches. His cold attitude hasn’t softened, but she can’t let that stop her. Both her hometown and family resort, once popular tourist destinations, may not survive if the crime isn’t solved quickly.Jax, a war veteran, faces his own challenges. Wounded in body and spirit, his dreams shattered, he finds himself doing what he said he’d never do—follow in his father’s footsteps as constable. When a wave of crimes hit the town, culminating in murder, his competence is questioned. In a struggle to find the killer and save his job, Jax needs all the help he can get—but he doesn’t want assistance from Bella. Not when he feels responsible for her brother’s death. But more is at stake than his job. He can’t stand by and let Moreley become a ghost town. Nor can he watch while Bella loses Ballantyne.Working together is the only way to solve the crime and offer hope—to their community and for themselves. Will their efforts succeed, or will it be a precarious homecoming?

    In the confusion that followed, the keys to the vault’s safe-deposit boxes were lost.In the years since, Cleveland’s wealthy businessmen kept the truth buried in the abandoned high-rise. The ransacked offices and forgotten safe-deposit boxes remain locked in time, until young engineer Iris Latch stumbles upon them during a renovation survey. What begins as a welcome break from her cubicle becomes an obsession as Iris unravels the bank’s sordid past. With each haunting revelation, Iris follows the looming shadow of the past deeper into the vault—and soon realizes that the key to the mystery comes at an astonishing price.

    Detective William Murdoch quickly finds out that more than one person connected with the girl’s simple life has something to hide.

    She admits to murder, and the unexpected guest offers to help her concoct a cover story.But is it possible that Laura Warwick did not commit the murder after all? If so, who is she shielding? The victim's retarded young half-brother or his dying matriarchal mother? Laura's lover? Perhaps the father of the little boy killed in an accident for which Warwick was responsible? The house seems full of possible suspects ...Charles Osborne has adapted the novel from Agatha Christie's original play of the same title from 1958.

    Aelred Barling, esteemed clerk to the justices of King Henry II, is dispatched from the royal court with his young assistant, Hugo Stanton, to investigate a brutal murder in a village outside York.The case appears straightforward. A suspect is under lock and key in the local prison, and the angry villagers are demanding swift justice. But when more bodies are discovered, certainty turns to doubt—and amid the chaos it becomes clear that nobody is above suspicion.Facing growing unrest in the village and the fury of the lord of the manor, Stanton and Barling find themselves drawn into a mystery that defies logic, pursuing a killer who evades capture at every turn.Can they solve the riddle of who is preying upon the villagers? And can they do it without becoming prey themselves?

    Their father had gone to sea the previous Friday, the boys told their neighbours, and their mother was visiting her family in Liverpool. Over the next ten days Robert and Nattie spent extravagantly, pawning their parents' valuables to fund trips to the theatre and the seaside. But as the sun beat down on the Coombes house, a strange smell began to emanate from the building. When the police were finally called to investigate, the discovery they made sent the press into a frenzy of horror and alarm, and Robert and Nattie were swept up in a criminal trial that echoed the outrageous plots of the 'penny dreadful' novels that Robert loved to read. In The Wicked Boy, Kate Summerscale has uncovered a fascinating true story of murder and morality - it is not just a meticulous examination of a shocking Victorian case, but also a compelling account of its aftermath, and of man's capacity to overcome the past.

    That was all of it. A grace so ordinary there was no reason at all to remember it. Yet I have never across the forty years since it was spoken forgotten a single word.” New Bremen, Minnesota, 1961. The Twins were playing their debut season, ice-cold root beers were selling out at the soda counter of Halderson’s Drugstore, and Hot Stuff comic books were a mainstay on every barbershop magazine rack. It was a time of innocence and hope for a country with a new, young president. But for thirteen-year-old Frank Drum it was a grim summer in which death visited frequently and assumed many forms. Accident. Nature. Suicide. Murder. Frank begins the season preoccupied with the concerns of any teenage boy, but when tragedy unexpectedly strikes his family— which includes his Methodist minister father; his passionate, artistic mother; Juilliard-bound older sister; and wise-beyond-his-years kid brother— he finds himself thrust into an adult world full of secrets, lies, adultery, and betrayal, suddenly called upon to demonstrate a maturity and gumption beyond his years. Told from Frank’s perspective forty years after that fateful summer, Ordinary Grace is a brilliantly moving account of a boy standing at the door of his young manhood, trying to understand a world that seems to be falling apart around him. It is an unforgettable novel about discovering the terrible price of wisdom and the enduring grace of God.

    This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.