Now a recluse, suffering from a mysterious disease, he lures his family and associates to his lonely estate for an afternoon of magic, madness, and revenge. Bodies appear and disappear without warning, severed heads speak words of hate, and nothing is ever quite what it appears. As grisly tricks lead to ever more surprising twists, not even the Great Delacorte can tell where illusion ends—and murder begins.

    When Monster Magazine reporter Clint Stockbern sets out to interview the legendary '50s horror movie director Landis Woodley, he uncovers a bizarre story of real-life horror.Flashback to Hollywood, 1957. Woodley is shooting his latest zombie movie, Cadaver, in a real morgue when he has a brainstorm that will help him pinch some pennies. But when zombie make-up effects are replaced by real corpses, a deadly curse begins to take its toll on those foolish enough to become involved with the filming of the soon-to-be cult classic, Cadaver.

    After long and tedious days on the assembly line, she returns home to care for her corpse-like husband while enduring her loathsome and hateful mother-in-law, Jo. Jo blames the entire town for her son’s mishap, and when she gives a strange piece of jewelry to the man she believes most responsible, a series of gruesome deaths is set in motion. Sarah believes the amulet has something to do with the rising body count, but no one will believe her. As the inexplicable murders continue, Sarah and her friend Becca Blair have no choice but to track down the amulet themselves, before it’s too late.

     In his most ambitious book to date, Still Holding, Wagner immerses readers in post-September 11 Hollywood, revealing as much rabid ambition, rampant narcissism, and unchecked mental illness as ever. He infiltrates the gilded life of a superstar actor/sex symbol/practicing Buddhist, the compromised world of a young actress whose big break comes when she's hired to play a corpse on Six Feet Under, and the strange parallel universe of look-alikes -- an entire industry in which struggling actors are hired out for parties and conventions to play their famous counterparts. Alternately hilarious and heartfelt, ferocious and empathetic, Still Holding is Bruce Wagner's most expertly calibrated work.

    In an open window, a hideous blind nun perpetually gazing...watching. A body, burned beyond recognition. Then two more murders...strangely connected. And the discoverer, a beautiful young woman, raped. Her innocent child exposed to horror. Her husband, furious, relentlessly set on revenge. A cool, calculating, laughing priest intent on saving more lives from the destruction. And so it begins...powerful, satanic, terrifying...a time you will never forget.

    Filling the air with chilling howls, the dead are rising from their graves, bent on feeding on the flesh and blood of the living. They seek out human life. And these monstrous corpses will let nothing stand in their way as they hunt down the living to satisfy their own evil desires.

    Out of the murky sewers they suddenly attacked —snapping, biting, ripping at his flesh. After the first sensationalism had died down, the newspapers lost interest ... the experts dismissed them as no more dangerous than ferrets ... people started to forget.But Matt knew different. All the time they were growing in size and numbers — and they preyed on living flesh!For when they returned — slithering out of village ponds, swimming pools, even bath pipes — the fate of the British population was sealed.And there was no more horrifying way to die ....

    a supernatural mystery.Edrington, Oregon - a town with a horrifying past. A town with dark secrets. A town where a woman has summoned something terrifying.Three hundred and fifty miles south, Ryan wakes up in a motel room with a bag of stolen money, bullet hole scars on his chest, and no memory of his past - his only clue is a scrap of paper in his wallet with an Edrington address scrawled on it.Plagued by nightmares of a tortured man who seems to be forcing his way from the dream world into our world, Ryan journeys north to the small Oregon town where the answers are waiting for him.

    

    Spidery creatures straight out of a nightmare have infested the city, skittering after their human prey, spinning sticky traps to catch their food…A few desperate survivors have banded together, realizing their only hope for survival is to flee the dying city. Their route will take them through wrecked streets, into an underground train station. Only too late will they discover their deadly mistake: their chosen tunnel is home to the hungry creatures' food cache, filled with cocooned but still living victims. Instead of escape, the group has run straight into the heart of a… Feeding Ground.

    666 takes the reader into the world of evil that lies unsuspected behind the door of an ordinary-looking house: a house that reappears from time to time near any city, waiting invitingly, innocently, for someone to rent it, a house in which a dreadful, bloody, orgiastic crime recurs again and again, bringing its victims screaming to the very brink of hell—and into the hands of the devil himself.

    Scott Fitzgerald described (L.A. Weekly).