While the teenager is unsure of which direction to take in life, he’s aware the road he’s on is a direct route to desolation. Being outed as bisexual in the bluegrass state is alienating, and the events to follow are worse. Still, Blake is driven—by any means necessary—to make something more of himself. Identifying an opening, Blake paves a path and finds His Own Way Out.Publisher Notes:13 Red Media, Ltd, parent company to Helix Studios, is pleased to announce Rise Up.Rise Up is a series of new adult novels that illuminates pivotal moments in the lives of LGBTQ youth. Each novel features a fresh protagonist and his experience navigating the ups and downs of adulthood. While the characters change and the stories vary, common themes—including the struggle for independence, identifying one’s passions, searching for acceptance and for love—are interwoven through the pages of the novels. These stories will open your eyes to worlds of possibilities, both conventional and off-beat, as these men take you on their journeys to self-discovery. Keith Miller, founder of Helix, says “I’ve heard such amazing stories of love and life over the years from our many models and now to see these stories used as a basis for an LGBTQ novel is truly a dream come true.“The novels are written by Taylor Saracen with story line input provided by exclusive Helix models. These novels will be released in print as well as digital platforms. Participating models will share in revenue from novel sales. According to Mitchell, “Helix has really given me great opportunities to grow my career, and I am excited to continue working with such a solid company. I can’t wait to share this story with the world and trust it will touch others as much as it has me.”

    A dream to become an actress, like her idols Ron Howard and Vicki Lawrence. But it was a long way from the South Side of Chicago to Hollywood, and it didn't help that she'd recently dropped out of the school play, The Ugly Duckling. Or that the Hollywood casting directors she wrote to replied that "professional training was a requirement." But the funny thing is, it all came true. Through a series of Happy Accidents, Jane Lynch created an improbable and hilarious path to success. In those early years, despite her dreams, she was also consumed with anxiety, feeling out of place in both her body and her family. To deal with her worries about her sexuality, she escaped in positive ways such as joining a high school chorus not unlike the one in Glee but also found destructive outlets. She started drinking almost every night her freshman year of high school and developed a mean and judgmental streak that turned her into a real- life Sue Sylvester. Then, at thirty-one, she started to get her life together. She was finally able to embrace her sexuality, come out to her parents, and quit drinking for good. Soon after, a Frosted Flakes commercial and a chance meeting in a coffee shop led to a role in the Christopher Guest movie Best in Show, which helped her get cast in The 40-Year-Old Virgin. Similar coincidences and chance meetings led to roles in movies starring Will Ferrell, Paul Rudd, and even Meryl Streep in 2009's Julie & Julia. Then, of course, came the two lucky accidents that truly changed her life. Getting lost in a hotel led to an introduction to her future wife, Lara. Then, a series she'd signed up for abruptly got canceled, making it possible for her to take the role of Sue Sylvester in Glee, which made her a megastar. Today, Jane Lynch has finally found the contentment she thought she'd never have. Part comic memoir and part inspirational narrative, this is a book equally for the rabid Glee fan and for anyone who needs a new perspective on life, love, and success. WITH A FOREWORD BY CAROL BURNETT Excerpt from Happy Accidents:If I could go back in time and talk to my twenty-year-old self, the first thing I would say is: "Lose the perm." Secondly I would say: "Relax. Really. Just relax. Don't sweat it." I can't remember a time when I wasn't anxious and fearful that the parade would pass me by. And I was sure there was someone or something outside of myself with all the answers. I had a driving, anxiety-filled ambition. I wanted to be a working actor so badly. I wanted to belong and feel like I was valued and seen. Well, now I am a working actor, and I guarantee you it's not because I suffered or worried over it. As I look back, the road to where I am today has been a series of happy accidents I was either smart or stupid enough to take advantage of. I thought I had to have a plan, a strategy. Turns out I just had to be ready and willing to take chances, look at what's right in front of me, and put my heart into everything I do. All that anxiety and fear didn't help, nor did it fuel anything useful. My final piece of advice to twenty-year-old me: Be easy on your sweet self. And don't drink Miller Lite tall boys in the morning.

    And that’s heaven.”—poet, essayist and performer Eileen Myles’ chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.

    By that time, she had put her deep disappointment in her marriage behind her and developed an independent life—now threatened by the public role she would be forced to play. A lifeline came to her in the form of a feisty campaign reporter for the Associated Press: Lorena Hickok. Over the next thirty years, until Eleanor’s death, the two women carried on an extraordinary relationship: They were, at different points, lovers, confidantes, professional advisors, and caring friends. They couldn't have been more different. Eleanor had been raised in one of the nation’s most powerful political families and was introduced to society as a debutante before marrying her distant cousin, Franklin. Hick, as she was known, had grown up poor in rural South Dakota and worked as a servant girl after she escaped an abusive home, eventually becoming one of the most respected reporters at the AP. Her admiration drew the buttoned-up Eleanor out of her shell, and the two quickly fell in love. For the next thirteen years, Hick had her own room at the White House, next door to the First Lady. These fiercely compassionate women inspired each other to right the wrongs of the turbulent era in which they lived. During the Depression, Hick reported from the nation’s poorest areas for the WPA, and Eleanor used these reports to lobby her husband for New Deal programs. Hick encouraged Eleanor to turn their frequent letters into her popular and long-lasting syndicated column "My Day," and to befriend the female journalists who became her champions. When Eleanor’s tenure as First Lady ended with FDR's death, Hick pushed her to continue to use her popularity for good—advice Eleanor took by leading the UN’s postwar Human Rights Commission. At every turn, the bond these women shared was grounded in their determination to better their troubled world. Deeply researched and told with great warmth, Eleanor and Hick is a vivid portrait of love and a revealing look at how an unlikely romance influenced some of the most consequential years in American history.

    Diamond argues that for some women love and desire are not rigidly heterosexual or homosexual, but fluid, changing as women move through the stages of life, various social groups and, most importantly, different love relationships.

    What is at stake in male homo/heterosexual definition? Through readings of Melville, Nietzsche, Wilde, James and Proust, the author argues that the vexed imperatives to specify straight and gay identities have become central to every important form of knowledge of the 20th century.

    

    From the moment a doctor in Raleigh, North Carolina, put "male" on Jacob Tobia's birth certificate, everything went wrong. Alongside "male" came many other, far less neutral words: words that carried expectations about who Jacob was and who Jacob should be, words like "masculine" and "aggressive" and "cargo shorts" and "SPORTS!"Naturally sensitive, playful, creative, and glitter-obsessed, as a child Jacob was given the label "sissy." In the two decades that followed, "sissy" joined forces with "gay," "trans," "nonbinary," and "too-queer-to-function" to become a source of pride and, today, a rallying cry for a much-needed gender revolution. Through revisiting their childhood and calling out the stereotypes that each of us have faced, Jacob invites us to rethink what we know about gender and offers a bold blueprint for a healed world--one free from gender-based trauma and bursting with trans-inclusive feminism.From Jacob's Methodist childhood and the hallowed halls of Duke University to the portrait-laden parlors of the White House, Sissy takes you on a gender odyssey you won't soon forget. Writing with the fierce honesty, wildly irreverent humor, and wrenching vulnerability that have made them a media sensation, Jacob shatters the long-held notion that people are easily sortable into "men" and "women." Sissy guarantees that you'll never think about gender--both other people's people's and your own--the same way again.

    She made a compelling argument about the fluidity of partnerships, and how families today come in a myriad of designs. In her first book, Bello broadens her insights as she examines the idea of partnership in every woman’s life, and her own. She examines the myths that so many of us believe about partnership—that the partnership begins when the sex begins, that partnerships are static, that you have to love yourself before you can be loved, and turns them on their heads. Bello explores how many different relationships—romantic, platonic, spiritual, familial, educational—helped define her life. She encourages women to realize that the only labels we have are the ones we put on ourselves, and the best, happiest partnerships are the ones that make your life better, even if they don’t fit the mold of “typical.” Throughout this powerful and engaging read, Bello shares intimate stories and lessons on how she has come to discover her happiest self, accept who she is, and live honestly and freely, and tells the stories of those who came to her after her Times’ columns, grateful that someone gave voice to their life choices.Love is Love is not a memoir about an actress. It is a frank, raw, and honest book about the way every woman questions the roles she plays in love, work, and life, filled with wisdom, questions, and insights relevant to us all.

    Transgender evangelist Jemima Wilkinson, in the early 1800s, changed her name to “Publick Universal Friend,” refused to use pronouns, fought for gender equality, and led her own congregation in upstate New York. In the mid-nineteenth century, internationally famous Shakespearean actor Charlotte Cushman led an openly lesbian life, including a well-publicized “female marriage.” And in the late 1920s, Augustus Granville Dill was fired by W. E. B. Du Bois from the NAACP’s magazine the Crisis after being arrested for a homosexual encounter. These are just a few moments of queer history that Michael Bronski highlights in this groundbreaking book.   Intellectually dynamic and endlessly provocative, A Queer History of the United States is more than a “who’s who” of queer history: it is a book that radically challenges how we understand American history. Drawing upon primary documents, literature, and cultural histories, noted scholar and activist Michael Bronski charts the breadth of lesbian, gay, bisexual, and transgender history, from 1492 to the 1990s, and has written a testament to how the LGBT experience has profoundly shaped our country, culture, and history.  A Queer History of the United States abounds with startling examples of unknown or often ignored aspects of American history—the ineffectiveness of sodomy laws in the colonies, the prevalence of cross-dressing women soldiers in the Civil War, the impact of new technologies on LGBT life in the nineteenth century, and how rock music and popular culture were, in large part, responsible for the devastating backlash against gay rights in the late 1970s. Most striking, Bronski documents how, over centuries, various incarnations of social purity movements have consistently attempted to regulate all sexuality, including fantasies, masturbation, and queer sex. Resisting these efforts, same-sex desire flourished and helped make America what it is today.   At heart, A Queer History of the United States is simply about American history. It is a book that will matter both to LGBT people and heterosexuals. This engrossing and revelatory history will make readers appreciate just how queer America really is.

    Bringing to life the striking personalities and vibrant milieu that fueled this era, Nan Alamilla Boyd examines the culture that developed around the bar scene and homophile activism. She argues that the communities forged inside bars and taverns functioned politically and, ultimately, offered practical and ideological responses to the policing of San Francisco's queer and transgender communities. Using police and court records, oral histories, tourist literature, and manuscript collections from local and state archives, Nan Alamilla Boyd explains the phenomenal growth of San Francisco as a "wide-open town"—a town where anything goes. She also relates the early history of the gay and lesbian civil rights movement that took place in San Francisco prior to 1965.Wide-Open Town argues that police persecution forged debates about rights and justice that transformed San Francisco's queer communities into the identity-based groups we see today. In its vivid re-creation of bar and drag life, its absorbing portrait of central figures in the communities, and its provocative chronicling of this period in the country's most transgressive city, Wide-Open Town offers a fascinating and lively new chapter of American queer history.

    . . Here's the story of Rich Merritt--the good son, teacher's pet, Southern gentleman, model Christian student at Bob Jones University, Marine officer, and the not-so-anonymous poster boy for a New York Times Magazine article on gays in the military--whose complicated sexual past caused an international scandal when The Advocate "outed" him as "The Marine Who Did Gay Porn," putting his life in a tailspin. It's the compelling, poignant story of how a boy who never listened to pop music, never cursed, and didn't have his first drink until he was eighteen exploded into a life of drugs, alcohol, promiscuity, prostitution, and pornography. And above all, it's a triumphant story of self-forgiveness and identity, of a man who refused to allow himself to be defined by the standards of anyone else--gay or straight. Along the way, Rich Merritt writes with humor, compassion, insight and naked truth about: What it's really like growing up behind the "Fortress of Fundamentalism" and how he ultimately came to despise their viewsThe harsh realities of military life under the "Don't ask, don't tell" Clinton policyA real insider's experience of working in the male porn industry--the good, the bad, and the extremely hotWhy he chose not to reveal his porn past to the New York Times journalistWhat it felt like to be the most notorious marine in the world and what it took to come through the fireBy turns harrowing and heartbreaking, angry and affirming, Secrets of a Gay Marine Porn Star is that rarest of memoirs--a fascinating slice of life that reads like the most absorbing fiction, but is all true. Rich Merritt has written an Op-Ed column for the Navy Times. He has been profiled for The New York Times Magazine, The Los Angeles Times, and The Advocate. Stories about him have appeared in the London Times, The Washington Post and many other publications. He is now an attorney living in Atlanta."

    This third edition includes a new preface and a new chapter with an eye-opening critique of present-day America and its attitude toward gays and lesbians.

    She never knew her biological father, and while her mother and stepfather were loving parents, the situation was sometimes chaotic. While still a teenager, she met the love of her life. They were wed at 20, and the first of three children followed shortly. Jetté Knox finally had the stability she craved--or so it seemed. Their middle child struggled with depression and avoided school. The author was unprepared when the child she knew as her son came out as transgender at the age of eleven. Jetté Knox became an ardent advocate for trans rights.For many years, the author had coped with her spouse's moodiness, but that chronic unhappiness was taking a toll on their marriage. A little over a year after their child came out, her partner also came out as transgender. Knowing better than most what would lie ahead, Jetté Knox searched for positive examples of marriages surviving transition. When she found no role models, she determined that her family would become one.The shift was challenging, but slowly the family members noticed that they were becoming happier and more united. Love Lives Here is a story of transition, frustration, support, acceptance, and, of course, love.

    Maggie is a funeral director from Indiana who lives a double life. Bug is a ten-year-old boy in the Pennsylvania foster care system who is sent to live with an aunt he doesn't know. Jimmy is a former paramedic and prescription drug addict on his way to meet a woman he met online who thinks he's a successful doctor. Helen is a Chicago insurance investigator who is leaving her marriage in search of the woman she wants to be. Four strangers, all traveling to Boston in search of better lives, are tied together in ways they don't even realize. Each are trying to fill the void of what's missing in their lives. Sometimes it takes a tragedy to overcome all that we lack.