Culture and Imperialism, by Edward Said, is a collection of thematically related essays that trace the connection between imperialism and culture throughout the 18th, 19th, and 20th centuries.

    The book is an extraordinarily account of how a young Dubliner became a multi-millionaire criminal. It uses first-hand interviews with Gilligan, his thugs, friends, family, enemies, anti-drugs activists, members of the IRA and the police. It tells of violence, kidnapping, shootings, criminal espionage, drug dealing and how criminal gangs vied for power to control the Irish trade in drugs. Shocking, fascinating and frightening, 'Gangster' also tells the story behind the murder of Veronica Guerin, the crime reporter. Fully updated and revised with new photographs.

    He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power.The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power.The Field of Cultural Production will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

    Beginning with approaches that students are already familiar with and then moving to less common schools of criticism, Theory into Practice provides extensive guidance for writing literary analyses from each of the critical perspectives.

    . . Frankie Cochran knew her boyfriend, David Gerard, was possessive, controlling, and prone to violent rages. When she tried to break up with him, Gerard threatened her with a hammer. One week later, he used it to club her in the head. Again. And again. Then he stabbed her in the throat--and left her for dead. . .And A Sharp Knife. . . Miraculously, Frankie survived--but cops began to suspect Gerard of other vicious crimes. One of his previous girlfriends had died in a house fire, along with her children and her mother. A local prostitute's brutalized body was found in a pool of blood. But it was the unsolved murder of another woman--repeatedly run over on a country road--that finally exposed Gerard as a rage-driven monster out of control. . .To Unleash His Rage Justice finally caught up with Gerard. Hounded by the tireless efforts of detectives and incriminated by DNA evidence as well as up-to-date forensics that matched the tire marks at a crime scene to Gerard's car, one of the Pacific Northwest's most dangerous killers was finally locked behind bars. With 16 pages of shocking photos!

    William Gay is well known for his fiction but he is also widely published with his essays, mostly dealing with music, and his memoirs. This is the first collection that includes his nonfiction prose. The elegant use of language that his readers have come to expect is as evident in his collected prose as it is in his novels.

    As a brilliant survey of English literature in terms of changing attitudes towards country and city, Williams' highly-acclaimed study reveals the shifting images and associations between these two traditional poles of life throughout the major developmental periods of English culture.

    Their genre of writing has been variously defined as 'magic', 'magical' or 'marvellous' realism and is quickly becoming a core area of literary studies. This guide offers a first step for those wishing to consider this area in greater depth, by:exploring the many definitions and terms used in relation to the genre tracing the origins of the movement in painting and fiction offering an historical overview of the contexts for magic(al) realism providing analysis of key works of magic(al) realist fiction, film and art. This is an essential guide for those interested in or studying one of today's most popular genres.

    Arnold seeks to find out what culture really is, what good it can do, and if it is really necessary. He contrasts culture, which he calls the study of perfection, with anarchy, the mood of unrest and uncertainty that pervaded mid-Victorian England. This edition reproduces the original book version, revealing the immediate historical context and controversy of the piece. The introduction and notes broaden out the interpretative approach to Arnold's text, elaborating on the complexities of the religious context. The book also reinforces the continued importance of Arnold's ideas its influences in the face of the challenges of multi-culturalism and post-modernism.

    How did he become Glasgow's most feared gangster, deemed a risk to national security?Arthur Thompson, Godfather of the crime world and senior partner of the Krays, recruited young Ferris as a bagman, debt collector and equaliser. Feared for his capacity for extreme violence, respected for his intelligence, Ferris was the Godfather's heir apparent. But when gang warfare broke, underworld leaders traded in flesh, colluding with their partners - the police. Disgusted, Ferris left the Godfather and stood alone. They gave him weeks to live.While Ferris was caged in Barlinnie Prison's segregation unit accused of murdering Thompson's son, Fatboy, his two friends were shot dead the night before the funeral and grotesquely displayed in a car on the cortége's route. Acquitted against all the odds, Ferris moved on, determined to make an honest living.They would not let him.The National Crime Squad, MI5, the police and two of the country's most powerful gangsters saw to that. A maximum-security prisoner, Ferris is known as 'Lucky' because he is still alive.This is one man's unique insight into Britain's crime world and the inextricable web of corruption - a revealing story of official corruption and unholy alliances.

     The author who created her was Lucy Maud Montgomery, a writer who revealed very little of herself and her method of crafting a story.  On the centenary of its publication, Irene Gammel tells the braided story of both Anne and Maud and, in so doing, shows how a literary classic was born.  Montgomery’s own life began in the rural Cavendish family farmhouse on Prince Edward Island, the place that became the inspiration for Green Gables.  Mailmen brought the world to the farmhouse’s kitchen door in the form of American mass market periodicals sparking the young Maud’s imagination.  From the vantage point of her small world, Montgomery pored over these magazines, gleaning bits of information about how to dress, how to behave and how a proper young lady should grow.  She began to write, learning how to craft marketable stories from the magazines’ popular fiction; at the same time the fashion photos inspired her visual imagination.  One photo that especially intrigued her was that of a young woman named Evelyn Nesbit, the  model for painters and photographers and lover of Stanford White.  That photo was the spark for what became Anne Shirley.  Blending biography with cultural history, Looking for Anne of Green Gables is a gold mine for fans of the novels and answers a trunk load of questions: Where did Anne get the “e” at the end of her name?  How did Montgomery decide to give her red hair?  How did Montgomery’s courtship and marriage to Reverend Ewan Macdonald affect the story?  Irene Gammel's dual biography of Anne Shirley and the woman who created her will delight the millions who have loved the red haired orphan ever since she took her first step inside the gate of Green Gables farm in Avonlea.

    

    Selina Hastings, who was granted unrestricted access to his personal papers by Waugh's family, has uncovered a wealth of new material in her eight years of research for this volume. Letters, diaries, and family photographs shed new light on Waugh's childhood, his affairs at Oxford, his ill-fated first marriage and subsequent romantic adventures, his World War II military service, and his enduring but thorny friendships with such notable figures as Diana Cooper, Ann Fleming, and Nancy Mitford. Perceptive, fascinating, by turns hilarious and tragic, Hastings's portrait gives us Waugh's glittering social life at Oxford, where he was a friend of Harold Acton, Cyril Connolly, Anthony Powell, and Alastair Graham, the inspiration for Sebastian Flyte in Brideshead Revisited. Waugh then followed a diverse career as schoolmaster, world traveler, war co

    Fortunately, one unabashed fan wants passionately to give Melville's masterpiece the broad contemporary audience it deserves. In his National Book Award-winning bestseller, In the Heart of the Sea, Nathaniel Philbrick captivatingly unpacked the story of the wreck of the whaleship Essex, the real-life incident that inspired Melville to write Moby-Dick. Now, he sets his sights on the fiction itself, offering a cabin master's tour of a spellbinding novel rich with adventure and history. Philbrick skillfully navigates Melville's world and illuminates the book's humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. A perfect match between author and subject, Why Read Moby-Dick? gives us a renewed appreciation of both Melville and the proud seaman's town of Nantucket that Philbrick himself calls home. Like Alain de Botton's How Proust Can Change Your Life, this remarkable little book will start conversations, inspire arguments, and, best of all, bring a new wave of readers to a classic tale waiting to be discovered anew.

    As he analyzes the opening sections of novels and short stories by such writers as Agnon, Gogol, Kafka, Chekhov, García Márquez, and Raymond Carver, Oz instructs, challenges, and guides. He writes about the notion of "beginnings," what the beginning of a novel or short story might "mean" to the author and how important it is. And best of all-he entertains. He highlights opening paragraphs in which authors make promises they may or may not deliver later in the work, or deliver in unexpected ways, or they may deliver more than they have promised. It is a game that miraculously and playfully engages both writer and reader. The Story Begins is a resourceful, accessible, and friendly companion for all students of literature and writing and for all book lovers.