Unlike Japan with its long tradition of women writers, poetry by women did not become fashionable in China until the Ch'ing dynasty (1644-1911), although poems from earlier centuries that do in fact survive will quickly dispel any stereotyped views. Included here are samplings from the legendary earliest poetry of courtesans, palace women, and Tao priestesses to works by contemporary Chinese women living in both the East and West. Appendixes include notes on the poems, an introductory essay on Chinese women and literature, a table of historical periods, and a bibliography.

    Including Sleeping Beauty, Bluebeard, Cinderella, Thumbelina, and Hansel and Gretel, as well as many others, this collection provides a historical introduction for each tale and a general Introduction which traces the history of fairy tales collected in Asia and Europe long before they appeared in English.

    Did you ever wonder how the dwarves felt after Snow White ditched them for the prince? Do you sometimes wish Cinderella hadn't been so helpless and petite? Prepare to see fairy tales from a completely new angle!

    But after he awakens one day to find a werefox sitting on his chest, Ethan learns he's ripe for a "fantastic destiny" in the Summerlands -- part of a connected, hidden world, where small American Indian-like ferishers play ball, and evil Coyote is thirsty to destroy the universe. Ethan agrees to the job, but when his father is kidnapped, his mission becomes more personal than he bargained for. With a team of ragtag players called Big Chief Cinquefoil's Traveling Shadowtails All-Star Baseball Club -- including the feisty pitcher Jennifer T., Thor Wignutt (a boy who's not quite a boy), a she-Sasquatch named Taffy, and the Anaheim Angels' Rodrigo Buendía -- Ethan treks through the Summerlands playing against incredible creatures and an impending time limit, hoping to reach his dad. Little does he know, however, that his abilities will be tested in the biggest baseball showdown of all time.Chabon successfully weaves an American-made fantasy, incorporating Native American lore, tall tales, and our nation's greatest pastime to make a modern-day tale of good versus evil.

    New York Times bestselling author Robin McKinley's vivid retelling of the classic story of Robin Hood breathes contemporary life into these beloved adventures, with Marian taking a pivotal role as one of Robin's best archers.

    Taro becomes a servant in the household of the noble Lord Akiyama, where he meets Togan, a cook, who teaches Taro and makes his new life bearable. But when Togan is murdered, Taro’s life takes a new direction: He will become a samurai, and redeem the family legacy that has been stolen from him.

    The writing is lyrical and understated, a perfect tone for stories that introduce young readers to themes of love and loss, pride and forgiveness. Carson Ellis's elegant black-and-white illustrations lend an aura of beauty and mystery.

    Ruth Sanderson retells and illustrates the classic Brother Grimm tale with lavish full-color oil paintings.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    Dating from at least a millennium ago, these are the earliest-known Arabic short stories, which survived in a single, ragged manuscript in a library in Istanbul. Some found their way into The Arabian Nights, but most have never been read in English before. Composed to fascinate their original audiences, these charming, surreal, baffling, and beautiful stories are indeed both marvelous and strange.

    Should anyone insult you, tell yourself this: I am a child of destiny who will unite East and West and change the world.After enduring abuse at the hands of her cruel stepmother, Chinese Cinderella (CC) seeks refuge at a martial-arts school and joins a secret dragon society.Under the guidance of Grandma Wu, CC is introduced to the exciting world of espionage as a part of the Chinese Resistance movement. And when CC and her new comrades take on a daring mission to rescue a crew of WWII American airmen, they prove that true bravery knows no age barrier.

    The stars say she is destined for greatness, that she is meant to be Empress of Feng Lu. But only if she embraces the darkness within her. Growing up as a peasant in a forgotten village on the edge of the map, Xifeng longs to fulfill the destiny promised to her by her cruel aunt, the witch Guma, who has read the cards and seen glimmers of Xifeng's majestic future. But is the price of the throne too high?Because in order to achieve greatness, she must spurn the young man who loves her and exploit the callous magic that runs through her veins—sorcery fueled by eating the hearts of the recently killed. For the god who has sent her on this journey will not be satisfied until his power is absolute.

    He now shares them in this jewel of a book.

    386-534) tells about Mulan disguising herself as a man and taking her father's place in battle.

    In 1558, while exiled by Queen Mary Tudor to a remote castle known as Perilous Gard, young Kate Sutton becomes involved in a series of mysterious events that lead her to an underground world peopled by Fairy Folk—whose customs are even older than the Druids’ and include human sacrifice.