Book 4: Jerusalem InterludeBook 5: Danzig PassageBook 6: Warsaw Requiem

    This new book takes place in Lockdown Three. This time Key can make Government-sanctioned expeditions out onto the streets of London (remember?). And it is there that the inaction takes place. Phone calls to his mother, promenades with his loyal friend, bubble-negotiations, sitting his fat arse down on benches, drinking mocha. Another three months of mind-freezing inertia. This time on the move. Conversations interspersed with poetry.

    . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." —The New YorkerIdentical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters—landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare."Lucky in Kansas"Judy Garland: This is always the worst partTin Man: The coming backJudy Garland: Yes, it fucking sucks, it's depressing as shitThe Lion: Well, we're lucky to still be employed at this farmStraw Man: I wouldn't call it luckyThe Lion: We were lucky to get backStraw Man: That's not really lucky either I don't think you know what lucky meansJudy Garland: It's funny what you missTin Man: The runningJudy Garland: The flyingTin Man: The flying monkeysJudy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green worldMichael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.

    Following the end of the war, the close rebuilds its ties and the strong sense of community and friendly neighbourhood bonds are soon back in place. There is young love for Rhea and Robert; a surprising new start for James; a change of direction for George; and all overseen by the matriarch of the street - Granny Thomson. And of course, all buoyed up by a big helping of Scottish humour and strength of spirit. Yet it is all not perfect in their world: the families have to deal with poverty, religious bigotry, racism, heartbreak, lies, violence and death.But the powerful friendships cannot ultimately be broken. In Robert Douglas's first novel, he recreates a time and place particular to Glasgow but to which everyone will relate.

    Her ten-year journey will include a new relationship, a trek to the highest summit in the contiguous United States, and a poignant hospice experience that will challenge her to rise from the ashes of despair. Catherine decides to leave Boston when a company from the Silicon Valley presents an offer for her very successful website design company. After accepting the buyout, she signs a contract with a Los Angeles based health care corporation to work as a consultant and thus begins her decade-long stay on the west coast. As time passes in her sunny new environment, Catherine grows increasingly homesick despite the thrill of falling in love and her passion for hiking the Southern California trails. Conflicts arise when the desire to return to her native New England dominates her thoughts and she meets Kenny, a young man who is facing his final days. As Catherine sits at Kenny's bedside, she helps him work through his struggles to understand love and devotion while facing the fear of a completed life's journey. Their conversations inspire her to reflect deeply upon her own life, the decisions she has made, and the path she must follow.

    . . " In words drawn from urban and Navajo perspectives, Sherwin Bitsui articulates the challenge a Native American person faces in reconciling his or her inherited history of lore and spirit with the coldness of postmodern civilization.Shapeshift is a collection of startling new poetry that explores the tensions between the worlds of nature and man. Through brief, imagistic poems interspersed with evocative longer narratives, it offers powerful perceptions of American culture and politics and their lack of spiritual grounding. Linking story, history, and voice, Shapeshift is laced with interweaving images—the gravitational pull of a fishbowl, the scent of burning hair, the trickle of motor oil from a harpooned log—that speak to the rich diversity of contemporary Diné writing."Tonight, I draw a raven's wing inside a circle measured a half second before it expands into a hand. I wrap its worn grip over our feet As we thrash against pine needles inside the earthen pot." With complexities of tone that shift between disconnectedness and wholeness, irony and sincerity, Bitsui demonstrates a balance of excitement and intellect rarely found in a debut volume. As deft as it is daring, Shapeshift teases the mind and stirs the imagination.

    Rogue & Kat Savage.

    A collection of three dramatic stories of love and difficult choices set in the Alaskan frontier from bestselling author Tracie Peterson.

    With her marriage shattered, Erin Belieu sifts the wreckage for the black box, the record of disaster. Propelled by a blistering and clarifying rage, she composed at fever pitch and produced riveting, unforgettable poems, such as the ten-part sequence “In the Red Dress I Wear to Your Funeral”:I root through your remains,looking for the black box. Nothing leftbut glossy chunks, a pimp’s platinumtooth clanking inside the urn. I play youover and over, my beloved conspiracy,my personal Zapruder film—look. . .When Belieu was invited by the Poetry Foundation to keep a public journal on their new website, readers responded to the Black Box poems, calling them “dark, twisted, disturbed, and disturbing” and Belieu a “frightening genius.” All true.

    Ron Hubbard—begins in Brooklyn's working-class Bensonhurst neighborhood, where she was introduced to the religion by her mom. More than three decades later, Leah summoned the courage to leave the church—something few celebrities at her level of fame have ever done before and almost none have ever talked about. This People Spotlight Story explores Leah Remini and her escape from Scientology.

    Mocked and ridiculed all her life for her appearance, she’s resigned herself to a loveless marriage.Still mourning his father’s death, marriage is the last thing on Cornelius Kingman, the Duke of Nightwell’s mind. Until the day he meets the one woman the ton can’t stop whispering about: Lady Arabella.And while society’s scorn is a thorn in their side, the real monster hides in plain sight.When Arabella’s betrothed is murdered, Cornelius is the prime suspect. Broken glass and the glint of a knife are all Arabella sees before she is taken. With Cornelius’ fate hanging by a thread, she is offered one choice: to drink from the same glass that killed her fiancé...

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    were written within earshot of David Kirby's Old World masters, Shakespeare and Dante. From the former, Kirby takes the compositional method of organizing not only the whole book but also each separate section as a dream; from the latter, a three-part scheme that gives the book rough symmetry. Long-lined and often laugh-out-loud funny, Kirby's poems are ample steamer trunks into which the poet seems to be able to put just about anything--the heated restlessness of youth, the mixed blessings of self-imposed exile, the settled pleasures of home. As the poet Philip Levine says, "The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror. He has evolved a poetic vision that seems able to include anything, and when he lets it sweep him across the face of Europe and America, the results are astonishing."

    Nearly 300 years later, a young lass hopes to re-write history... Soncerae is a Muir Witch whose destiny is to save these Highland warriors who refuse to leave Culloden's hallowed, forever-bloody ground. She can win back their lives, but only for a time. And in that time, she hopes to prove that a heart's true desire can mean so much more than revenge. This anthology contains the stories of Fraser, Rabby, and Macbeth. "These rough, braw men of mine... 'Tis more than just pride and injustice that keeps them tethered to the moor. But pride is what I'll use to get them to go on. Ye see, I've known for a long while I'll know no peace until they've found theirs." ~Soncerae Muir

    Just one simple thing; the freedom to be herself. But for a young woman living in the seventeenth century, freedom is not such an easy thing to achieve. When her family’s future wealth and happiness are threatened she wrestles with the realisation that duty will have to be put before her precious dreams. She finds herself forced to make a decision which leads to consequences she could never have imagined, even in her worst nightmares. Now she has to fight the whole of society, not just for happiness but for her very survival, and must take up arms in her own eccentric way, with startling results. The Eccentric’s Tale is an intriguing look at the remarkable private life and emotions of a truly unique woman.