It goes down into the guts of the world. But a child’s love for a parent is different. It goes up. It’s more ethereal. It’s not quite present on the earth.’In present-day Melbourne, a man attempts to piece together the mystery of his father’s apparent suicide, as his young family slowly implodes. At the ashram of Bhagwan Shree Rajneesh, in 1976, a man searching for salvation must confront his capacity for violence and darkness. And in a not-too-distant future, a woman with a life-altering decision to make travels through a climate-ravaged landscape to visit her estranged father.In Moonland is a portrait of three generations, each grappling with their own mortality. Spanning the wild idealism of the 70s through to the fragile hope of the future, it is a novel about the struggle for transcendence and the reverberating effects of family bonds. This long-awaited second outing from Miles Allinson, the multi-award-winning author of Fever of Animals, will affirm his reputation as one of Australia’s most interesting contemporary fiction writers, and urge us to see our own political and environmental reality in a new light.

    A young African boy, the son of one of her clients, has been murdered in a dingy back alley. Stella, in her forties and running low on empathy, heads into the night to comfort the grieving mother. But when she gets there, she makes a discovery that has the potential to uncover something terrible from her past — something she thought she'd gotten away with.Then Stella's neighbour Tania mysteriously vanishes. When Stella learns that Tania is the heir to a billion-dollar mining empire, Stella realises her glamorous young friend might have had more up her sleeve than just a perfectly toned arm. Who is behind her disappearance?Enlisting the help of her friend, Senior Constable Phuong Nguyen, Stella's investigation draws her further and further into a dark world of drug dealers, sociopaths, and killers, such as the enigmatic Mr Funsail, whose name makes even hardened criminals run for cover.One thing is clear: Stella needs to find answers fast — before the people she's looking for find her instead.Set in the bustling, multicultural innerwest of Melbourne, Good Money reveals a daring and exciting new voice in Australian crime fiction.

    Monty fell hard for her and, despite strong family opposition on both sides, they would marry.Valerie was keen to have a large brood and, though her pregnancies were difficult, she gave birth to four children. But they were not enough and in 1947 she adopted the first of three more children who were designated to be playmates for her own. It was a social experiment that would end in tears, as would the fortunes of the iconic company, destroyed by the glue that once bound it together - family.Rocky Road is the story of this chocaholic clan and the creative and eccentric woman who dominated it. Behind the irresistible sweetness of Darrell Lea lay a family who made bitter sacrifices to succeed in the candy business.

    Their lives are shadowed by the infamous actions of her Granddad Les in his yellow weatherboard house, just over the fence.Although Les died twelve years ago, his notoriety has grown in Cub’s lifetime and the local community have ostracised the whole family. When Cub’s estranged aunt Helena and cousin Tilly move next door into the yellow house, the secrets the family want to keep buried begin to bubble to the surface. And having been kept in the dark about her grandfather’s crimes, Cub is now forced to come to terms with her family’s murky history.The Yellow House is a powerful novel about loyalty and betrayal; about the legacies of violence and the possibilities of redemption."Such energy and precision in the writing, not to mention originality." - Tegan Bennett Daylight

    Murder in colonial Sydney was a surprisingly rare occurrence, so when it did happen it caused a great sensation. People flocked to the scene of the crime, to the coroner's court and to the criminal courts to catch a glimpse of the accused. Most of us today rarely see a dead body. In nineteenth century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney City Coroner from 1866 to 1889. In the course of his unusually long career he delved into the lives, loves, crimes, homes and workplaces of colonial Sydneysiders. He learnt of envies, infidelities, passions, and loyalties, and just how short, sad and violent some lives were. But his court was also, at times, instrumental in calling for new laws and regulations to make life safer. Catie Gilchrist explores the nineteenth century city as a precarious place of bustling streets and rowdy hotels, harbourside wharves and dangerous industries. With few safety regulations, the colourful city was also a place of frequent inquests, silent morgues and solemn graveyards. This is the story of life and death in colonial Sydney. PRAISE 'Catie Gilchrist draws back the veil on death in nineteenth-century Sydney to reveal life - ordinary, tragic and hopeful' David Hunt, author of Girt and True Girt

    He lives a quiet life with his two dogs in the tumbledown wreck his family home has become. It's a peaceful existence - ideal for the rehabilitating man. But his recovery is rudely interrupted by a brutal attack on Charles Bourgoyne, a prominent member of the local community. Suspicion falls on three young men from the local Aboriginal community. But Cashin's not so sure and as the case unfolds amid simmering corruption and prejudice, he finds himself holding on to something that it might be better to let go.

    Rich in characterisation and feeling, Mother of Pearl, and the timely issues it raises, will generate discussion amongst readers everywhere.

    It always has been so, but it's still just a building. It's your family - you and Adam and old Tiger - who animate it, keep the heart beating, so to speak.' In the abandoned railhead town of Tewinga, now almost a ghost town, Lyn and Adam Portman struggle to keep the Heartwood Hotel afloat. Lyn loves her husband and longs to be a mother. But she's kept busy caring for her elderly father, her community, and Max, the young worker who reminds her of the brother she's lost and dearly misses.When he fails to return from a day trip, Lyn's concern deepens as the length of his absence grows, the more so with rumours of criminal activity at a nearby station. Meanwhile, a chance meeting uncovers a family bombshell that leaves Lyn reeling. The community must pull together as never before, proving that sometimes the smallest towns have the biggest hearts - and hide the darkest secrets.From the bestselling author of Secrets of the Springs, this is the new outback mystery from Australia's authentic rural writer and beloved voice of the bush.

    Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too. All over Shorehaven, the Cormac family buys up land to develop into cheap housing for people they openly scorn.After: The summers have grown even fiercer and the Cormac name doesn't mean what it used to. Arthur has taken it abroad, far from a family unable to understand him. Clem is a young artist who turns obsessively to the same dark subject. Pat doesn't even know what legacy means now. Not since the ground started sinking beneath her. Meanwhile, a nameless woman has been released from state care. She sticks to her twelve-step program, recites her affirmations, works one day at a time on a humble life devoid of ambition or redemption. How can she have an after when baby Robbie doesn't?

    For Zara, family comes first.But she needs to work too, and the town's police force is a rural journalist's best source of information. Meeting Detective Dave Burrows and Dave's second-in-charge, Senior Constable Jack Higgins, is a priority. Amid her family's troubles, and reporting on farming accidents and violently clashing activists, Zara is shocked to witness Jack Higgins in a role she'd never have believed. How could he possibly justify this? And what was she going to do about it? Wrapped in the love of family, friendship, crime and mystery, Starting From Now is another compelling novel from the authentic voice of Fleur McDonald.

    A chronicler of sudden turnings, brutal revelations and tender sideswipes, Tim Winton has always been in the business of trouble. In his novels chaos waits in the wings and ordinary people are ambushed by events and emotions beyond their control. But as these extraordinarily powerful memoirs show, the abrupt and the headlong are old familiars to the author himself, for in many ways his has been a life shaped by havoc.In The Boy Behind the Curtain Winton reflects on the accidents, traumatic and serendipitous, that have influenced his view of life and fuelled his distinctive artistic vision. On the unexpected links between car crashes and religious faith, between surfing and writing, and how going to the wrong movie at the age of eight opened him up to a life of the imagination. And in essays on class, fundamentalism, asylum seekers, guns and the natural world he reveals not only the incidents and concerns that have made him the much-loved writer he is, but some of what unites the life and the work.By turns impassioned, funny, joyous, astonishing, this is Winton’s most personal book to date, an insight into the man who’s held us enthralled for three decades and helped us reshape our view of ourselves. Behind it all, from risk-taking youth to surprise-averse middle age, has been the crazy punt of staking everything on becoming a writer.

    She plans to keep to herself - but when she uncovers a hidden box of wartime love letters, she realises she's not thefirst person living in this cottage to hide secrets and pain.FOUNDIvy's quiet life in Rosella Cove is tainted by the events of World War II, with ramifications felt for many years to come. But one night a drifter appears and changes everything. Perhaps his is the soul she's meant to save.FORGOTTENCharlie is too afraid of his past to form any lasting ties in the cove. He knows he must make amends for his tragic deeds long ago, but he can't do it alone. Maybe the new tenant in the cottage will help him fulfil a promise and find the redemption he isn't sure he deserves.Welcome to the cottage at Rosella Cove, where three damaged souls meet and have the chance to rewrite their futures.

    The extended family has gathered. The cars are packed and the convoy sets off. The cottage is a few hours' drive - but not everyone will live to see it ...For Jill, her three sons, their wives and children, a terrifying road crash will tear apart their family.The crash will be an accident but the shattering that follows has been long coming.Because at the heart of this family lies a secret - concealed, wrestled with, festering and harmful - and nothing now can stop it coming out.But will any of them survive it?Praise for Nicola Moriarty:'Will have you turning pages in a blur to find out what happens' The Age on The Ex'Moriarty is a masterful plotter' Better Reading'I devoured it, loved it and totally escaped into it ... Fun and topical' Marian Keyes on Those Other Women

    This is the memoir of a homicide detective.Here I am: tall and broad, shaved head, had my nose broken three times fighting. Black suit, white shirt, the big city homicide detective. I've led investigations into serial killings, child abductions, organised crime hits and domestic murders. But beneath the suit, I've got an Om symbol in the shape of a Buddha tattooed on my right bicep. It balances the tattoo on my left ribs: Better to die on your feet than live on your knees. That's how I choose to live my life.As a cop, I got paid to catch killers and I learned what doing it can cost you. It cost me marriages and friendships. It cost me my reputation. They tell you not to let a case get personal, but I think it has to. Each one has taken a piece out of me and added a piece, until there's only pieces.I catch killers - it's what I do. It's who I am.Gary Jubelin was one of Australia's most celebrated detectives, leading investigations into the disappearance of preschooler William Tyrrell, the serial killing of three Aboriginal children in Bowraville and the brutal gangland murder of Terry Falconer. During his 34-year career, Detective Chief Inspector Jubelin also ran the crime scene following the Lindt Cafe siege, investigated the death of Caroline Byrne and recovered the body of Matthew Leveson. Jubelin retired from the force in 2019. This is his story

    What he lacked in experience and expertise, he made up for in enthusiasm. Or so he hoped.When the family arrived on a lonely hill in northern New South Wales, they had no electricity, no running water, no telephone and no choice but to make that tangle of bush their home. From Angela Wales, eldest of the five kids, comes this extraordinarily vivid and evocative account of the next ten years as they tried to tame six thousand acres and navigate the challenges of country life.Filled with drama and hilarity, joy and back-breaking toil, Barefoot in the Bindis portrays a childhood spent in the bush, and is a sensational picture of Australia past.