It is three days before Christmas and a bitter wind is blowing across Norfolk.Until her daughter was born, forensic archaeologist Ruth Galloway didn’t do Christmas, but now that Kate is a year old, she wants it to be special.She must get a tree, shop for food, clean the house, buy presents, including one for her new boyfriend—who she isn’t even sure is her boyfriend—and remember to get the turkey out of the freezer.But time is rushing by and the best-laid plans don’t always work out …

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Christmas hasn't changed much in her sixteen years. But instead she returns to find that her best friend is dating her ex-boyfriend, her parents have separated, and her archnemesis got a job working at her grandmother's inn. And she certainly didn't expect to find the boy she may or may not have tricked into believing that Christmas was an idyllic holiday paradise on her grandmother's doorstep. It's up to Finley to make sure he gets the Christmas he was promised. This is Finley's Christmas. It's about home and family and friends and finding her place, and along the way she also finds the best Christmas present of all: love.

    A selection of 8 short stories:The Muse's TragedyA JourneyThe PelicanSouls BelatedA CowardThe Twilight of the GodsA Cup of Cold WaterThe Portrait

    On Christmas Eve, at the clocks strike midnight, Marie watches as the Nutcracker and her entire cabinet of playthings come to life and boldly do battle against the malevolent Mouse King and his armies. But this is only the start: read on for a tale of enchantment and transformation, enter a world by turns fantastical and sinister, a kindom of dolls and spun-sugar palaces, and learn the true history of the brave little Nutcracker. Adapted from a dark fairy-tale by ETA Hoffmann, Alexandre Dumas' romance of childhood imagination inspired Tchaikovsky's world-famous ballet. Brilliantly adapted by translator Sarah Ardrizzone and illuminated by Kitty Arden, this is the perfect Christmas gift for readers of all ages.

    Naturally, a person might expect the older Holmes to have a large collection of these—but tonight it is Russell who astonishes her husband with news of a previously unknown, even unsuspected, relation.Uncle Jake: scoundrel, charmer, eternal youth, black sheep of the wealthy Boston Russell family. Jake is the kind of man who literally drops out of a cloudless summer sky, who makes a good if shady living from his wits, whose holiday specialty is a series of wildly inappropriate and passionately adored Christmas presents. Whose older brother loves him, and doesn’t trust him an inch.What young girl could resist his charms? Even when his plots lead young Mary into some areas of questionable ethics and downright danger, under her parents’ very nose.Note: Mary's Christmas is now also included in King's 2016 short story collection, Mary Russell's War: And Other Stories of Suspense .

    In 1973 it appeared in The Bram Stoker Bedside Companion edited by Charles Osborne, in 1990 it appeared in Midnight Tales edited by Peter Haining and in 1997 it appeared in Best Ghost and Horror Stories edited by Richard Dalby, Stefan Dziemianowicz and S. T. Joshi.

    Taking you inside the nativity of over thirty favorite songs and carols, Ace Collins introduces you to people you’ve never met, stories you’ve never heard, and meanings you’d never have imagined. The next time you and your family sing "God Rest Ye Merry Gentlemen," you’ll have a new understanding of its message and popular roots. You’ll discover how "Angels from the Realms of Glory," with its sublime lyrics and profound theology, helped usher in a quiet revolution in worship. You’ll learn the strange history of the haunting and powerful "O Holy Night," including the song’s surprising place in the history of modern communications. And you’ll step inside the life of Mark Lowry and find out how he came to pen the words to the contemporary classic "Mary, Did You Know?" Still other songs such as "O Come, O Come, Emmanuel" trace back to mysterious origins--to ninth-century monks, nameless clergy, and unknown commoners of ages past. Joining hands with such modern favorites as "White Christmas" and "The Christmas Song," they are part of the legacy of inspiration, faith, tears, love, and spiritual joy that is Christmas. From the rollicking appeal of "Jingle Bells" to the tranquil beauty of "Silent Night," the great songs of Christmas contain messages of peace, hope, and truth. Each in its own way expresses a facet of God’s heart and celebrates the birth of his greatest gift to the world--Jesus, the most wonderful Christmas Song of all.

    Lost in a New England snowstorm, a family is sheltered by a mysterious old man who disappears the next morning, leaving behind a magical "Christmas card".

    When a priceless diamond maang tika and a simple gold bangle disappear from Sunita’s room, a diplomatic incident seems imminent, particularly after the maang tika turns up in Emily’s possession.Emily may have what appears to be the more valuable of the two pieces, but the maang tika cannot be worn without the bangle, upon which is engraved the words necessary to ward off a curse placed on the set five hundred years ago by a princess forced to forsake the man she loved. Sunita must wear the maang tika at her wedding but cannot do so without the bangle. Can Emily convince the maharaja that she is not a thief? And, more important, can she and Colin find the bangle?

    A sheer delight for all kids both big AND small.' Ruth Jones, award-winning writer and comedian 'Enchanting, funny and intriguing in equal measure' Philip Ardagh, bestselling author  'You can always tell when a children’s book has been written by a brilliant father because there’s a particular intimacy, warmth and mischievous humour that bubbles through it ... irresistible' Alexander Armstrong, presenter, comedian and writerJackson knows all about the flying reindeer, he knows about the elves and the secret North Pole workshop, he knows about the magic that allows Father Christmas to deliver presents around the world in just one night, but there's one thing he doesn't know ...  how did Father Christmas become Father Christmas? That all changes when, one Christmas Eve, Jackson meets Father Christmas and hears his incredible story.      So begins an enchanting fairy-tale into a magical snowy landscape, where Torvil, a mean-spirited and miserly elf, is about to discover the true meaning of Christmas. This might not have been the story Jackson was expecting but, as Father Christmas tells him, no good story ever is...  Get ready for a Christmas classic in the making from actor and comedian Ben Miller with beautiful illustrations throughout from emerging talent Daniela Jaglenka Terrazzini, that will remind everyone of the true spirit of Christmas and prove once and for all that Father Christmas really does exist!

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    Rue Morgue" is a short story by Edgar Allan Poe first published in "Graham's Magazine" in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his tales of "ratiocination," his concept of analyzing a fictional crime to find the resolution. Brand new idea in its day.Poe's amateur detective, C. Auguste Dupin, takes an interest in the murder in Paris of two women. It was terribly brutal but difficult to categorize; there appeared to be no robbery or sexual assault, no obvious reason for the crimes. The newspapers carried sensational headlines. Dupin gets involved because the man arrested for the crimes, Monsieur Le Bon, had previously done him a favour. It becomes a challenge to Dupin.Get set for a step back in the history of detective fiction that leaves the impression that it was written just a short while ago.Librarian's note: this entry is for the story "The Murders in the Rue Morgue." It is the first of three in the author's Dupin series. Collections of the series, including those under this title, and other stories by the author, are located elsewhere on Goodreads. Each of the Dupin stories can be found by searching Goodreads for "a C. Auguste Dupin Short Story."

    Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, " The Original Folk and Fairy Tales of the Brothers Grimm" makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, "The Original Folk and Fairy Tales of the Brothers Grimm" presents these peerless stories to a whole new generation of readers."