A literature professor marries his prize student, a woman forty years his junior, and at her request he takes her to the sea for their honeymoon. He is embarked on his life’s work, a book about enchantment-narratives in literature, most all of them involving strange girls and women, but soon finds himself distracted by his own enchantment for his new white-haired young wife.They travel to the Orkney Islands, the ancient Mesolithic and Neolithic site north of the Scottish coast, “the Seal Islands,” a barren place of extraordinary beauty. And as the days of their honeymoon pass his desire and his constant, yearning contemplation become his normality. His mysterious bride becomes his entire universe.He is consumed.

    Mor, hoping to enter politics, becomes aware of new desires and a different dream of life. A complex battle develops, involving love, guilt, magic, art and political ambition. Mor's teenage children and their mother fight discreetly and ruthlessly against the invader. The Head, himself enchanted, advises Mor to seize the girl and run. The final decision rests with Rain. Can a 'great love' be purchased at too high a price?

    Caro, Pauly, Sally, and Grandy are safe, so far, from the rising water that threatens to destroy the town and that has, perhaps, already destroyed everything else. But for how long? Caro and her younger half-brother, Pauly, arrive at the High House after her father and stepmother fall victim to a faraway climate disaster—but not before they call and urge Caro to leave London. In their new home, a converted summer house cared for by Grandy and his granddaughter, Sally, the two pairs learn to live together. Yet there are limits to their safety, limits to the supplies, limits to what Grandy—the former village caretaker, a man who knows how to do everything—can teach them as his health fails. A searing novel that takes on parenthood, sacrifice, love, and survival under the threat of extinction, The High House is a stunning, emotionally precise novel about what can be salvaged at the end of the world.

    In this outrageously farcical adventure, hero  George Giles sets out to conquer the terrible Wescac computer system that threatens to destroy his community in this brilliant "fantasy of theology, sociology, and sex" (Time).

    With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in thefamily as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.<

    Though the two are from opposite sides of London and meet under the least desirable circumstances, the women become close friends. In a subtly wrought turn of events, Bridget and Frances discover that they have in common what is important to them most: their parallel memories of Peter, killed in a car accident, and the shared reality of his spirit form, haunting them still. A gracefully tuned feat of the imagination, Salley Vickers's novel is a rare celebration of life's most intriguing geometries, the love triangle.

    Sentenced to a life of misery in the brutal coal mines, twenty-one-year-old Mack McAsh hungers for escape. His only ally: the beautiful, highborn Lizzie Hallim, who is trapped in her own kind of hell. Though separated by politics and position, these two restless young people are bound by their passionate search for a place called freedom.   From the teeming streets of London to the infernal hold of a slave ship to a sprawling Virginia plantation, Ken Follett’s turbulent, unforgettable novel of liberty and revolution brings together a vivid cast of heroes and villains, lovers and rebels, hypocrites and hell-raisers—all propelled by destiny toward an epic struggle that will change their lives forever.

    But how will they respond when love seems to blossom between local man Gavin Hamilton and the beautiful pearl-fisher Effie? The Pearl-fishers is a classic love story and the master storyteller’s last novel.

    Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist. When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own.

    There is no pitter-pattering around the room, no opening and closing the desk drawers, no percussive creasing as you draw the paper from the envelope and unfold it . . . In and out of the files, no trace. It could be the work of a ghost, this electronic eavesdropping.Seventeen-year-old Henry Shaw learns of his mother's passionate affair when he stumbles across her e-mail correspondence with her lover. His image of her is shattered, but he cannot resist his electronic eavesdropping. Henry's younger sister, Elvira, is scornful of technology, stuck as she is in 1862 with her Civil War infantry regiment. For Elvira, much to her mother's sorrow and her historian father's pride, is a hardcore Civil War re-enactor. Displaced from Vermont to Chicago, each member of the Shaw family finds their dreams hard to realize and their expectations of life turned on their head. Disobedience is a compassionate, sharp, wicked and utterly contemporary novel about families, love and loyalty by a major literary talent.

    George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the true textures of life itself."--BOOK JACKET.

    Pairing a reader with that perfect book is her passion… and also her job. Or at least it was. Until yesterday, she was a librarian in the hectic city. But now the job she loved is no more.Determined to make a new life for herself, Nina moves to a sleepy village many miles away. There she buys a van and transforms it into a bookmobile—a mobile bookshop that she drives from neighborhood to neighborhood, changing one life after another with the power of storytelling. From helping her grumpy landlord deliver a lamb, to sharing picnics with a charming train conductor who serenades her with poetry, Nina discovers there’s plenty of adventure, magic, and soul in a place that’s beginning to feel like home… a place where she just might be able to write her own happy ending.

    After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things that she adores, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists’ residency in Dun, a small European town Hermia was known to have lived in during the 30s. The artists’ residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination, but will she be able to break the thrall of her Transfixions?From champagne theft and Black Modernisms, to art sabotage, alchemy and lotus-eating proto-luxury communist cults, Mathilda’s journey through modes of aesthetic expression guides her to truth and the convoluted ways it is made and obscured.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.

    From the retired village doctor and the schoolteacher, to the beachcomber and the owner of the local bar, the priest's wife and the romantic novelist, they take this lost soul into their midst. But what the villagers don't know is that Joe Haak worked as an analyst and has fled the City amid fears of a worldwide banking collapse caused by a computer program he invented. But is the end of the world really nigh? And what of the whale that lurks in the bay? Intimate, funny and deeply moving, NOT FORGETTING THE WHALE is the story of a man on a journey to find a place he can call home.