Stacey and the children had been staying with her after fleeing his control, and Paula is haunted by the thought that she couldn't protect them when they most needed it. How had she missed the warning signs? How had she failed to keep them safe?Not long after, a patient with suspicious injuries brings her anxious young son into Paula's surgery. The woman admits that her husband hurts her, but she's terrified to leave for fear of escalating the violence, and defeated by the consistent failures of the law to help her.Can Paula go against everything she believes to make sure one woman is saved, one child spared? She isn't motivated by revenge. She's desperately trying to prevent a tragedy . . .A riveting, provocative novel about women's fury, traumatic grief, new love, deep friendship, and the preciousness of life, The Family Doctor asks the questions: Should you cling to faith in a flawed system, or take control the only way you can? Can a good person justify taking a life to save a life?'Mesmerising and heart-breaking. A perfect story for this moment in time.' Sarah Bailey, author of Where the Dead Go'The Family Doctor brings urgent news, taking the reader into suburban battlegrounds kept private by the threat and actuality of violence. In crystal-clear prose, Debra Oswald unveils an all-too-believable world of love and loyalty stretched to the limit, with agonising consequences when the best people are forced to do the worst things. When is it justified to fight fire with fire? The moment you finish this novel you will want to find someone else who has read it and talk all night about the vital questions it raises.' Malcolm Knox, author of Bluebird'The Family Doctor is a compelling thriller - fast-paced, gripping and frightening. But is more than that because it is a story that draws desperately needed attention to domestic abuse in this country, to institutional indifference, to the devaluing of women's lives. The Family Doctor is a cry for change.' Sofie Laguna, Miles Franklin Award-winning author of The Eye of the Sheep and Infinite Splendours'Brilliant. So compelling on so many levels.' Chris Hammer, author of Scrublands'Debra Oswald is always deft at capturing the nuances of female friendship and romantic attraction, but this time she brings them to a pitch of pulse-racing intensity. Delving into the dark world of domestic violence and society's abject failure to protect those most vulnerable, she has produced a gripping thriller, brimming with heart and intellect.' Geraldine Brooks, author of The Secret Chord

    The kind we've all told - to a former acquaintance we can't quite place but still, for some reason, feel the need to impress. The story of our life, embellished for the benefit of the happily married lawyer with the kids and the lovely home.And the next thing you know, you're having dinner at their house, and accepting an invitation to join them on holiday - swept up in their perfect life, the kind you always dreamed of...Which turns out to be less than perfect. But by the time you're trapped and sweating in the relentless Greek sun, burning to escape the tension all around you - by the time you start to realise that, however painful the truth might be, it's the lies that cause the real damage...... well, by then, it could just be too late. Longlisted for the Theakstons Old Peculier Crime Novel of the Year Shortlisted for the British Book Awards Crime Novel of the Year

    Murder treats everyone equally...A woman. A doctor. A beastly science. At the turn of the twentieth century, London's political climate is in turmoil, as women fight for the right to vote. Dody McCleland has her own battles to fight. As England's first female autopsy surgeon, she must prove herself as she also proves that murder treats everyone equally... After a heated women's rights rally turns violent, an innocent suffragette is found murdered. When she examines the body, Dody is shocked to realise that the victim was a friend of her sister - fuelling her determination to uncover the cause of the protester's suspicious death. For Dody, gathering clues from a body is often easier than handling the living - especially Chief Detective Inspector Matthew Pike. Pike is looking to get to the bottom of this case but has a hard time trusting anyone - including Dody. Determined to earn Pike's trust and to find the killer, Dody will have to sort through real and imagined secrets. But if she's not careful, she may end up on her own examination table ...

    Sunnie has spent years running from her past, burying secrets and building a life in which she needs no one and feels nothing. But a girl has gone missing, lost in the chaos of a bomb explosion, and the family needs Sunnie's help. Is the girl dead? Did someone take her? If she is out there, why doesn't she want to be found? It's time for Sunnie to face her own demons because they just might lead her to the truth about what really happened all those years ago.

    Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    This is what it's really like to be an undercover police officer.'Banks has told his story in a raw and honest autobiography. It is the best true crime book published in Australia in a decade.' - John Silvester, Crime Reporter for The Age Undercover was like guerrilla warfare; to understand your enemy, you had to walk amongst them, to become them. The trick was to keep an eye on that important line between who you were and who you were pretending to be.This is the true story of Keith Banks, one of Queensland's most decorated police officers, and his journey into the world of drugs as an undercover operative in the 1980s. In an era of corruption, often alone and with no backup, he and other undercover cops quickly learned to blend into the drug scene, smoking dope and drinking with targets, buying drugs and then having dealers arrested. Very quickly, the lines between his identity as a police officer and the life he pretended to be part of became blurred. This is a raw and confronting story of undercover cops who all became casualties of that era, some more than others, when not everyone with a badge could be trusted.

    Lila isn’t what she seems. A student vanished months ago. Now, Lila’s husband, Aaron, is also missing. At first these cases are treated as horrible coincidences until it’s discovered the student is really the third of three unexplained disappearances over the last few years. The police are desperate to find the connection, if there even is one. Little do they know they might be stumbling over only part of the truth….With the small town in an uproar, everyone is worried about the whereabouts of their beloved high school teacher. Everyone except Lila, his wife. She’s definitely confused about her missing husband but only because she was the last person to see his body, and now it’s gone.