Delicious.”—Maxine Hong Kingston The story of two women whose lives intersect in late-nineteenth-century Japan, The Teahouse Fire is also a portrait of one of the most fascinating places and times in all of history—Japan as it opens its doors to the West. It was a period when wearing a different color kimono could make a political statement, when women stopped blackening their teeth to profess an allegiance to Western ideas, and when Japan’s most mysterious rite—the tea ceremony—became not just a sacramental meal, but a ritual battlefield. We see it all through the eyes of Aurelia, an American orphan adopted by the Shin family, proprietors of a tea ceremony school, after their daughter, Yukako, finds her hiding on their grounds. Aurelia becomes Yukako’s closest companion, and they, the Shin family, and all of Japan face a time of great challenges and uncertainty. Told in an enchanting and unforgettable voice, The Teahouse Fire is a lively, provocative, and lushly detailed historical novel of epic scope and compulsive readability.

    Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    In fact, she designs kimono and kimono accessories herself and shares her love in Okimono Kimono, a fun and lavishly illustrated book full of drawings and illustrations, interviews (including an interview with Ami of the J-pop duo Puffy AmiYumi!), and even short manga stories from the CLAMP artists. Fans of CLAMP will love Okimono Kimono for the personal glimpse of Mokona's kimono obsession, and people who love the traditional Japanese arts will appreciate the love and detail Mokona puts into her work.

    He began following and documenting the life of teenager Komomo as she studied and grew into her role.Naoyuki Oginos photographs follow Komomos entire journey, from her first tentative visits after finding the geisha house on the internet through her commitment to the hard schedule of an apprentice, learning arts that go back centuries, all the way to the ceremony where she officially became a geiko, as Kyotos geisha are known and beyond. From the cobbled streets where she walks in her elaborate dress to the inner sanctums of her dressing room, these pages offer a rare look at a unique, living art.The photographs are accompanied by autobiographical text and captions by Komomo, as she shares her thoughts and emotions, and describes the day-to-day existence of a Kyoto apprentice. It is an illuminating view of seven years in the life of a very special young woman.

    Using as a frame of reference The Tale of Genji and other major literary works from Japan's Heian period, Morris recreates an era when woman set the cultural tone. Focusing on the world of the emperor's court-the world so admired by Virginia Woolf and others-he describes the politics, society, religious life, and superstitions of the times, providing detailed portrayals of the daily life of courtiers, the cult of beauty they espoused, and the intricate relations between the men and women of this milieu.

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    Extensively revised, updated, and expanded since its first publication, this authoritative survey of the arts of Japan from the prehistoric period to the present brings together the results of the most recent research on the subject. Profusely illustrated with examples from all the arts—painting, calligraphy, the decorative arts, and architecture—and with a wide-ranging bibliography, Japanese Art addresses itself equally to those who come to the subject for the first time and to the student. It is a concise overview of a fascinating and perplexing culture in which interest has never been greater than it is today.

    This narrative examines the impact of towering figures such as Leyasu, the architect of the Tokugawa state, and the experiences of everyday Japanese - farmers, soldiers and women - whose struggles built a strong and prosperous nation. The work traces the advances and reversals marking Japan's path from a land ruled by lords and a warrior class to a modern parliamentary democracy, and from a small isolationist nation to a political and economic giant. This history text is also seasoned with Japanese culture throughout - the woodblock prints of Hiroshige and Hokusai, the exquisite haiku of Basho, the beauties of noh drama, the novels of Oe Kenzaburo and the films of Ozo.

    The Way of the Warrior presents a remarkably faithful mirror of many of the characteristics and habits of modern Japanese civilization, as it represents a tradition that enjoyed great power and prestige for centuries. This work was written to provide practical and moral instruction for warriors, and to outline the parameters of personal, social, and professional conduct characteristic of Bushido, or Way of the Warrior, the Japanese chivalric tradition.Personal responsibilities, family relationships, public duties, education, finances and ethics are treated in this text from the perspective of the spirit of Japanese gentlemen. Even the forms of political incompetence and corruption that Japan currently struggles with are accurately described in this more than 400-year-old book; So deep did the feudal and military modes of government that generated them take their roots in Japanese society. This manual is therefore an essential resource for anyone who wishes to understand Japan and the Japanese people in a realistic way.

    Leaving behind a sad, silent childhood—which was spent living in two rooms above the family noodle shop on an isolated peninsula in the far north of Japan—Toshi moves to Tokyo to pursue his career. There he falls under the spell of three Americans: his best friend and confidante, the generous and extroverted Paul, a gay advertising copywriter who has plenty of his romantic mishaps with Japanese men; Jane, his glamorous but emotionally unstable teacher at the Very Romantic English Academy, with whom Toshi has a hazardous sexual affair; and, finally, the lovely and talented composer, Lucy, with whom Toshi falls in love. The novel deftly moves back and forth between present and past, as Toshi explores his unhappy childhood, the reasons behind his mother's unexplained abandonment when he was eight years old, and her move to a seaside inn across the peninsula. As the novel draws to a close, tragic events, both public and personal, bring past and present together, revealing the painful truth of Toshi's parents' lives during World War II, and a secret in Toshi's own past that, in the end, gives him the strength and knowledge to confront the future.

    This widely used undergraduate text is now available in a new edition. Thoroughly updated, the fourth edition includes expanded sections on numerous topics, among which are samurai values, Zen Buddhism, the tea ceremony, Confucianism in the Tokugawa period, the story of the forty-seven ronin, Mito scholarship in the early nineteenth century, and mass culture and comics in contemporary times.

    In this text, Soshitsu Sen XV, the retired grand master of the Urasenke school of tea, tells how he mastered Chado, "The Way of Tea".

    One day after school, he discovers and impulsively steals the gym clothes of Nanako Saeki, the classmate he has a crush on. However, a lonely girl named Sawa Nakamura happens to catch him in the act. Nakamura blackmails Kasuga into a "contract," under the threat of revealing his secret.

    From her unhappy childhood in Japan, weighted by a troubled family and a constricting culture, to the American Midwest, where she found herself free to speak as a strong-minded independent woman, though still an outsider, Mori explores the different codes of silence, deference, and expression that govern Japanese and American women's lives: the ties that bind us to family and the lies that keep us apart; the rituals of mourning that give us the courage to accept death; the images of the body that make sex seem foreign to Japanese women and second nature to Americans. In the sensitive hands of this compelling writer, one woman's life becomes the mirror of two profoundly different societies.

    I suspect I am a dead man. I have meagre proof, no framed- up certification, nothing to toss in a court of law as evidence of a rapid departure from the mortal coil. I recall a gun was involved, pressed up against my skull, and a loud explosion followed." Thus begins our narrator in a purgatorial tour through twentieth-century Japanese history, with a ghostly geisha who has seen it all as a guide and a corrupt millionaire as her reluctant companion. Thrown into the milieu are sake, B-29s, Lewis Carroll, Sir Thomas Malory, Melbourne, 'The Wizard of Oz', and a dirigible - along with the allusion that Red Riding Hood might just be involved.