In these nineteen whip-smart essays, Jon Stewart takes on politics, religion, and celebrity with seething irreverent wit, a brilliant sense of timing, and a palate for the absurd -- and these one-of-a-kind forays into his hilarious world will expose you to all it's wickedly naked truths.

     Barbara Robinette Moss grew up in the red clay hills of Alabama, the fourth of eight children, in a childhood defined by close sibling alliances, staggering poverty, and uncommon abuse at the hands of her wild-eyed, charismatic, alcoholic father. In Fierce, Moss looks at what happens when a child of such a family grows up. At once poetic and plainspoken, Moss, a "powerful writer" (Chicago Tribune), paints a vivid, moving portrait of her persistent quest to reinvent her life and rebel against the rural indigence, addiction, and broken dreams she inherited from her parents. With warmth, insight, and candor, Moss tells the poignant story of finally leaving everything she knew in Alabama to fulfill her ambition to become an artist. It is an odyssey filled with gritty improvisation (bringing her son, Jason, to her night job to sleep on the floor), bittersweet pragmatism (filling her purse on a dinner date with shrimp, rolls, and even a doily, to bring home to a waiting eight-year-old), and staunch conviction and pride (chasing a mail carrier down the street to defend her use of food stamps). As with many other children of alcoholics, the legacy of her father's alcoholism catches up with Moss, and an abusive relationship -- an inheritance and addiction of its own sort -- threatens to destroy all that she has accomplished. But as Moss learns to cope with her anger and pain, parenthood helps her discover true strength. Ultimately, Fierce is a warm, honest, and triumphant story, from a writer celebrated for her Southern lyricism, about a woman determined to make it on her own -- to shrug off the handicaps of her childhood and raise her son responsibly and well.

    Bass and his friend Elizabeth discovered the Yaak valley in northwest Montana. It was remote -- with no electricity or phone service, only erratic radio reception, and reachable by a gravel-and-dirt road that required four-wheel drive. There was one saloon, a general store and a handful of year-round residents. The nearest town, Libby, was 40 miles away. As caretakers of a defunct hunting lodge, the couple settled into their winter idyll. Bass writes exuberantly about their season in the wilderness: blizzards, woodchopping, wildlife, the occasional social gatherings at the Dirty Shame Saloon. He speaks to the wildness and freedom of valley people, the slow-motion quality of life, and the the physical and psychological hardships of wilderness living. This charming celebration will give readers a fresh perception of winter.

    The book also includes some of her best fiction pieces.

    Partly a reflection on the culture of machismo and partly an exploration of the author’s boyhood spent in his sister’s hand-me-down clothes, this book delves into the enduring, complex bond between Martinez and his deeply flawed but fiercely protective older brother, Daniel. It features a cast of memorable characters, including his gun-hoarding former farmhand, Gramma, and “the Mimis”— two of his older sisters who for a short, glorious time manage to transform themselves from poor Latina adolescents into upper-class white girls. Martinez provides a glimpse into a society where children are traded like commerce, physical altercations routinely solve problems, drugs are rampant, sex is often crude, and people depend on the family witch doctor for advice. Charming, painful, and enlightening, this book examines the traumas and pleasures of growing up in South Texas and the often terrible consequences when different cultures collide on the banks of a dying river.

    Each story details an aspect of the hobo's life - from catching a train to cadging a meal. The wealth of experiences and the necessity of having to lie for a living brought depth London's subsequent stories.

    Traveling through the dizzying expanse of geologic time—from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come—Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind.Global in its geography and written with great lyricism, Underland speaks powerfully to our present moment. At once ancient and urgent, this is a book that will change the way you see the world.

    But when her second child is born with albinism, a rare genetic condition whose most striking characteristics are white blonde hair, pale skin and impaired vision, she discovers that the very definition of normal is up for grabs. A moving memoir with flashes of humor, this essay tells one mother’s story of navigating the spectrum of ability and disability, filled with both heartbreak and joy. And how ultimately she and her daughter learn to balance together on the edge of normal. Reviews and Praise THE EDGE OF NORMAL was selected for Amazon's Best Kindle Singles of the Year, and has been featured in the SundayTimes Magazine (UK), Longreads, and OZY. About the Author Hana Schank is an author and a technology consultant. She is a frequent contributor to the New York Times, the Washington Post and the Atlantic.com, and her writing has appeared across the web and in national magazines. Her memoir, A More Perfect Union: How I Survived the Happiest Day of My Life, was a Barnes and Noble Discover Great New Writers selection.

    Echoing the shot heard round the world in 1776, the volleys fired by the Alamo defenders were aimed at the large and well-outfitted army of Santa Anna, self-styled “Napoleon of the West.”As the days of the siege are described, the author cinematically flashes back to pivotal points of destiny—the circumstance that led each person to be inside the walls of the abandoned mission late in the winter of 1836. Susanna Dickinson, captured after the mission fell, recalls the day she headed for a wedding and wound up eloping to Texas with the intended groom, an old flame of her own. Travis left Alabama under a cloud, having privately admitted to committing a murder. Bowie, having lost his wife, children, and wealthy in-laws to a cholera epidemic, now devoted his energies to saving his extensive landholdings in Texas. Crockett, stung by the loss of his seat in Congress, concluded to light out for the territory of Texas, where land prices were one-tenth of those in America but where American frontier traditions again had to be secured through revolution.Thoroughly documented, 13 Days to Glory also includes a chronology of events from June 30, 1835, when William Barret Travis, under a secret pact with Anglo leaders at San Felipe de Austin, drove out the new Mexican garrison opposite Galveston, to February 23, 1836, when the thirteen-day siege of the Alamo began.

    The desert is her blood. In this potent collage of stories, essays, and testimony, Red makes a stirring case for the preservation of America's Redrock Wilderness in the canyon country of southern Utah.As passionate as she is persuasive, Williams writes lyrically about the desert's power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise—an animal that can "teach us the slow art of revolutionary patience" as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land—an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one."Lush elegies to the wilderness.... Earthy, spiritual, evocative." —The Boston Globe"Erotic, scientific, literary.... Her intimacy with this landscape is complex and passionate." —Los Angeles Times Book Review"Her finest writing... Use[s] pure language in the face of laws that need to be changed and lawmakers and citizens who need to understand that there is another way to see." —Portland Oregonian

    Combing through her stories, poems, articles, reviews, correspondence, and even her rare journalism and song lyrics, editor Barry Day has selected and arranged passages that describe her life and its preoccupations-urban living, the theater and cinema, the battle of the sexes, and death by dissipation. Best known for her scathing pieces for the New Yorker and her membership in the Algonquin Round Table ("The greatest collection of unsaleable wit in America."), Parker filled her work with a unique mix of fearlessness, melancholy, savvy, and hope. In Dorothy Parker, the irrepressible writer addresses: her early career writing for magazines; her championing of social causes such as integration; and the obsession with suicide that became another drama ("Scratch an actor...and you'll find an actress."), literature ("This is not a novel to be tossed aside lightly. It should be thrown with great force.") and much more.

    Fortunati, operator of a remote Congo hospital, with whom she gradually builds respect, and again during World War II, when she is ordered not to take sides. Ultimately, Sister Luke is forced to decide whether to remain in the convent or return to the outside world.Gabrielle/Sister Luke is stretched between her desire to be faithful to the rule of her congregation and her desire to be a nurse. As a nun she must remove all vestiges of "Gabrielle Van Der Mal" and sublimate herself into the devoted bride of Christ. As a nun there is no room for her personal desires and aspirations. Ultimately, the conflict between her devotion to the Church and the nursing profession, juxtaposed with her passionate Belgian patriotism and her love of her father (killed by Nazi fighter planes while treating wounded) bring her to an impasse, which serves as the dénouement of the novel.

    Bored by their society luncheons, charity work, and the effete young men who courted them, they learned that two teaching jobs were available in a remote mountaintop schoolhouse and applied;shocking their families and friends. "No young lady in our town," Dorothy later commented, "had ever been hired by anybody." They took the new railroad over the Continental Divide and made their way by spring wagon to the tiny settlement of Elkhead, where they lived with a family of homesteaders. They rode several miles to school each day on horseback, sometimes in blinding blizzards. Their students walked or skied on barrel staves, in tattered clothes and shoes tied together with string. The man who had lured them out west was Ferry Carpenter, a witty, idealistic, and occasionally outrageous young lawyer and cattle rancher. He had promised them the adventure of a lifetime and the most modern schoolhouse in Routt County; he hadn't let on that the teachers would be considered dazzling prospective brides for the locals. That year transformed the children, their families, and the undaunted teachers themselves. Dorothy and Rosamond learned how to handle unruly children who had never heard the Pledge of Allegiance and thought Ferry Carpenter was the president of the United States; they adeptly deflected the amorous advances of hopeful cowboys; and they saw one of their closest friends violently kidnapped by two coal miners. Carpenter's marital scheme turned out to be more successful than even he had hoped and had a surprising twist some forty years later. In their buoyant letters home, the two women captured the voices and stories of the pioneer women, the children, and the other memorable people they got to know. Nearly a hundred years later, New Yorker executive editor Dorothy Wickenden, the granddaughter of Dorothy Woodruff, found the letters and began to reconstruct the women's journey. Enhancing the story with interviews with descendants, research about these vanished communities, and trips to the region, Wickenden creates an exhilarating saga about two intrepid young women and the settling up of the West.

    Down and Out in Paris and London chronicles the adventures of a penniless British writer who finds himself rapidly descending into the seedy heart of two great European cities. This edition brings together two powerful works from one of the finest writers of the twentieth century.

    In the years following the Civil War, sixteen-year-old Andy Adams left his home in the San Antonio Valley and took to the range. Here he charts his first journey as a bona fide cowboy, from south Texas to Montana along the western trail. Guided by his plainspoken, sure-saddled voice and the living, breathing feel of firsthand experience on every page, we relive dusty cattle drives, perilous river crossings, honor-based gunfights, and narrow escapes from buffalo stampedes, not to mention tall tales passed around the campfire and such unforgettable characters as Bull Durham and Bill Blades. THE LOG OF A COWBOY, newly introduced by Thomas McGuane, offers a true depiction of a cowboy's life and work as well as a classic adventure story of the great American frontier.