This book is about what went right in the Iraq War: The untold acts of valor by some of America’s most highly decorated combat veterans, the brotherhood they shared, and the fighting spirit that kept them alive through the war’s darkest hours. Every word is true, composed from striking and detailed firsthand accounts by elite paratroopers from the 82nd and 101st airborne divisions, a Green Beret, an Army Ranger, infantrymen, combat medics, and Marines. You’ll discover their remarkable heroism as the war’s most significant operations are vividly described, including the invasion, the Battle of Nasiriyah, the taking of Baghdad, the hunt for the infamous Deck of Cards, the fight against al-Sadr’s Mahdi Militia in Najaf, the Second Battle of Fallujah, the Battle of Ramadi, the al-Qaeda insurgency throughout the al-Anbar Province, the surge, and the long withdrawal. Gripping and intimate, American Warfighter is guaranteed to take readers on an unforgettable journey of brotherhood, survival, and courage.

    To make this point, these essays focus on the "woman question" in the Middle East (most particularly in Egypt and Iran), especially at the turn of the century, when gender became a highly charged nationalist issue tied up in complex ways with the West. The last two decades have witnessed an extraordinary burst of energy and richness in Middle East women's studies, and the contributors to this volume exemplify the vitality of this new thinking. They take up issues of concern to historians and social thinkers working on the postcolonial world. The essays challenge the assumptions of other major works on women and feminism in the Middle East by questioning, among other things, the familiar dichotomy in which women's domesticity is associated with tradition and modernity with their entry into the public sphere. Indeed, Remaking Women is a radical challenge to any easy equation of modernity with progress, emancipation, and the empowerment of women.The contributors are Lila Abu-Lughod, Marilyn Booth, Deniz Kandiyoti, Khaled Fahmy, Mervat Hatem, Afsaneh Najmabadi, Omnia Shakry, and Zohreh T. Sullivan.The book is introduced by the editor with a piece called "Feminist Longings and Postcolonial Conditions," which masterfully interfaces the critical studies of feminism and modernism with scholarship on South Asia and the Middle East.

    Despite war, repression and censorship, a renaissance has taken place in Iran over the last 25 years - a renaissance hidden from Westerners since the Iranian revolution of 1979. "Strange Times, My Dear" brings the first ever translated selection of work from three generations worth of the best in Iranian writing - featuring short stories, novel extracts and poems from over 40 contributors - to the English speaking world. For thousands of years, multiple ethnicities, languages and religions have co-existed in Iran - and continue to do so despite traumatic events and the oppression of recent decades. Their literature has flourished in adversity, producing works of diverse beauty and incalculable importance. "Strange Times, My Dear" reveals a major and largely undiscovered branch of world literature for the first time.

    In 2006, she had just signed her first record deal and, after placing as first runner-up for Miss World, was a sought-after fashion model and icon within the Iranian dissident community. But one afternoon, she received an email that would change the course of her life. The subject of that email—a Kurdish girl named Nazanin Fatehi—was facing execution in Iran, as punishment for stabbing a man who had tried to rape her. Afshin-Jam quickly came to Fatehi's defence, striding into the world of international diplomacy and confronting the dark side of the country of her birth, with its honour killings, violence against women and state-sanctioned executions of children. While Fatehi languished in prison, experiencing conditions so deplorable she attempted to end her own life, Afshin-Jam worked desperately on the campaign to save her. The Tale of Two Nazanins weaves together the lives of two women—one leading a life of opportunity, the other living in abject poverty—and a fight for justice that, if only for a moment, brought the Iranian regime to its knees. An inspiring story about the bonds of sisterhood, this extraordinary book speaks to the power of every individual to foster positive change in the world.

    After an absence of thirty years and much turmoil in Iran, Ward embarks on a quixotic pilgrimage with his family in search of their lost friend. However, as they set out on this improbable quest with no address or phone number, their only hope lies in their mother’s small black and white photograph taken decades before. Crossing the vast landscape of ancient Persia, Ward interweaves its incredibly rich past, while exploring modern Iran’s deep conflicts with its Arab neighbors and our current administration. Searching for Hassan puts a human face on the long-suffering people of the Middle East with this inspirational story of an American family who came to love and admire Iran and its culture through their deep affection for its people. The journey answers the question, “How far would you go for a friend?” Including a revised preface and epilogue, this new and updated edition continues to demonstrate that Searching for Hassan is as relevant and timely as ever in shaping conversations and ways of thinking about different cultures both in the US and around the world.

    Her American grandmother's love affair with an Iranian physician took her from New York to Iran in 1931. Ardalan herself moved from San Francsico to rural Iran in 1964 with her Iranian American parents who barely spoke Farsi. After her parents' divorce, Ardalan joined her father in Brookline, Massachusetts, where he had gone to make a new life; however improbably, after high school, Ardalan decided to move back to an Islamic Iran. When she arrived, she discovered a world she hardly recognized, and one which demands a near-complete renunciation of the freedoms she experienced in the West. In time, she and her young family make the opposite migration and discover the difficulties, however paradoxical, inherent in living a free life in America.

    Sardar brings his young bride with him across the mountains to the suburbs of Tehran, where the couple settles down and builds a home. From the outskirts of the capital city, they will watch as the Qajar dynasty falls and Reza Khan rises to power as Reza Shah Pahlavi. Into this family of illiterate shepherds is born Bahram, a boy whose brilliance and intellectual promise are apparent from a very young age. Through his education, Bahram will become a fervent follower of reformer Mohammad Mosaddegh and will participate first-hand in his country's political and social upheavals.Against the backdrop of a rapidly changing Iran, Parisa Reza has written a powerful love story filled with scenes of hope and heartbreak.

      In 1979, seemingly overnight—moving at a clip some thirty years faster than the rest of the world—Iran became the first revolutionary theocracy in modern times. Since then, the country has been largely a black box to the West, a sinister presence looming over the horizon. But inside Iran, a breathtaking drama has unfolded since then, as religious thinkers, political operatives, poets, journalists, and activists have imagined and reimagined what Iran should be. They have drawn as deeply on the traditions of the West as of the East and have acted upon their beliefs with urgency and passion, frequently staking their lives for them.   With more than a decade of experience reporting on, researching, and writing about Iran, Laura Secor narrates this unprecedented history as a story of individuals caught up in the slipstream of their time, seizing and wielding ideas powerful enough to shift its course as they wrestle with their country’s apparatus of violent repression as well as its rich and often tragic history. Essential reading at this moment when the fates of our countries have never been more entwined, Children of Paradise will stand as a classic of political reporting; an indelible portrait of a nation and its people striving for change.

    . . absorbing. This finely written book gives us a whole new sense of Iran."--The Washington Post Book WorldWhile doing research in the Iranian village of Deh Koh, Erika Friedl was able to quietly observe and record the cloistered lives of women in one of the strictest of all Muslim societies. In this fascinating book, Friedl recounts these women's personal stories as they relate the strain of their daily activities, their intricate relationships with men, and their hopes, dreams, and fears. Women of Deh Koh is a rare and vivid look at what life is really like for the women of Iran."Her intimate understanding of the life and customs of the village has made her confident about conveying her view from the inside. To share this view with us, and to comment quietly and wisely on the scene, is the striking and illuminating achievement of Women of Deh Koh."--The New York Times Book Review

    When he also devised a simple how-to-blog guide for Iranians, it unleashed a torrent of hitherto unheard opinions. There are now 64,000 blogs in Farsi, and Nasrin Alavi has painstakingly reviewed them all, weaving the most powerful and provocative into a striking picture of the flowering of dissent in Iran. From one blogger’s blasting of the Supreme Leader as a “pimp” to another’s mourning for an identity crushed by the stifling protection of her male relatives, this collection functions not only as an archive of Iranians’ thoughts on their country, culture, religion, and the rest of the world, but also as an alternative recent history of Iran. Government crackdowns may soon still these voices — in February 2005, one blogger was sentenced to 14 years in jail — and We Are Iran may serve as the only serious record of their existence.

    In describing life in Iran today, Christiane Bird, an American who spent part of her childhood there, breaks the silence that has surrounded Iran's culture -- unlike its politics -- for nearly twenty years. Traveling alone and largely by bus, Bird journeys from the modern, bustling capital of Tehran to the medieval holy city of Qom, from the sacred pilgrimage site of Mashhad -- visited by more than twelve million Shi'ites annually -- to the isolated valley of Alamut, once home to the legendary cult of the Assassins. She visits mosques, public baths, Khomeini's former home, and a Caspian Sea resort, and attends prayer meetings and a horse racing meet. Along the way, she talks to muleteers and ayatollahs, Kurds and Turkomans, Westernized and traditional Iranians -- many of whom invite her home for a cup of tea. The result is an astounding, insightful journey into the Islamic Republic of Iran -- in all its beauty, ferocity, and contradiction.

    The questions about the revolution shape The Golden Cage while the answers shed light on Islamic Iran's current events and tell us why it strives for nuclear energy, chants "Death to Israel," and claims to be the most powerful force in the Middle East and Muslim world.History perhaps is best described through life stories we each can hold dearly. The Golden Cage is one such story about three brothers the author knew through their sister, Pari, a childhood friend. Each brother subscribes to a different political ideology that tears Iran and their lives apart. As Pari observes, her brothers live deluded lives in golden cages of ideology. These words mark the beginning of this story, illuminating the multifaceted, oppressive Iran of today and years past.

    “They have given your photo to snipers,” a government source warned her. Soon after, with undercover agents closing in, Fathi fled the country with her husband and two children, beginning a life of exile.In 'The Lonely War', Fathi interweaves her story with that of the country she left behind, showing how Iran is locked in a battle between hardliners and reformers that dates back to the country’s 1979 revolution. Fathi was nine years old when that uprising replaced the Iranian shah with a radical Islamic regime. Her father, an official at a government ministry, was fired for wearing a necktie and knowing English; to support his family he was forced to labor in an orchard hundreds of miles from Tehran. At the same time, the family’s destitute, uneducated housekeeper was able to retire and purchase a modern apartment—all because her family supported the new regime.As Fathi shows, changes like these caused decades of inequality—especially for the poor and for women—to vanish overnight. Yet a new breed of tyranny took its place, as she discovered when she began her journalistic career. Fathi quickly confronted the upper limits of opportunity for women in the new Iran and earned the enmity of the country’s ruthless intelligence service. But while she and many other Iranians have fled for the safety of the West, millions of their middleclass countrymen—many of them the same people whom the regime once lifted out of poverty—continue pushing for more personal freedoms and a renewed relationship with the outside world.Drawing on over two decades of reporting and extensive interviews with both ordinary Iranians and high-level officials before and since her departure, Fathi describes Iran’s awakening alongside her own, revealing how moderates are steadily retaking the country.

    In a nation on the cusp of modernity, women actively participated. They were given the right to vote and free to be in public without veils. They wore miniskirts on university campuses. Then came the Islamic Revolution in 1979, with Ayatollah Khomeini at the helm. The burgeoning freedoms for women were extinguished. The veil was required and institutions were segregated by gender. The Islamic Republic had thus achieved its goal of resurrecting the image of the traditional Muslim woman."This book shatters the stereotypical assumptions and the often misunderstood story of women in Iran today. Highlighting many courageous female leaders and advocates throughout Iran's history, the book illuminates the unanticipated consequences of the Islamic Revolution and the unexpected twists and turns leading to a full-blown feminist movement within a post-revolutionary patriarchal society.100% of all proceeds from the sale of the book will go to charitable organizations and institutions, with the primary recipient being the OMID Foundation, a 501(c)(3) registered organization that has been empowering disadvantaged young women for over 10 years. For more information on the OMID Foundation, please visit the omidfoundation.com.

    Within hours, the video footage of her death, captured on a roving camera-phone, had circled the globe. It was also the moment of choice for Arash Hejazi—a writer who had originally trained as a doctor—who tried and failed to save Neda’s life. Within days Hejazi left Iran to tell the world the story the government was denying: Neda had died at the hands of the pro-government militia.  The Gaze of the Gazelle is Hejazi’s personal story of how that tragedy came to be and how it will change the course of politics in Iran for a new generation. In a tale that mingles politics and the personal, mythology and history, Hejazi tries to answer the question: How did it come to this? His quest for an answer leads him through the story of the decades long aftermath of the Iranian Revolution, when Ayatollah Khomeini was brought back from exile to drive the Shah from his throne and set up the Islamic Republic of Iran.Against the background of Saddam Hussein’s invasion of Iran and the prolonged war that followed, Hejazi skillfully interweaves his own story and those of his family and friends with the machinations of the mullahs and politicians who seek to control Iranian lives. This timely, moving, and eloquent book describes the determination of a new generation to recover hope in the name of Neda, who gave her life in pursuit of a freer and better world.