Presented in Sacajawea's voice in the form of a diary, the book makes moving and illuminating fiction out of a famed piece of history that has long been masked by myth. Glancy adds breadth and immediacy to the story by juxtaposing excerpts from Lewis and Clark's diaries with her brilliantly imagined journal of Sacajawea. At once a trail uncovered and a life revealed, "Stone Heart draws a lingering portrait of a woman of resilience and courage.

    Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will’s character. All the while, his love of Claire, the enigmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will’s heart. In a voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion.

    But she was murdered by the greed of white men, and the Graycloud family, who cared for her daughter, began dying mysteriously. Letters sent to Washington, D.C. begging for help went unanswered, until at last a Native American government official, Stace Red Hawk, traveled west to investigate. What he found has been documented by history: rampant fraud, intimidation, and murder. But he also found something truly extraordinary--his deepest self and abiding love for his people, and their brave past.

    It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli.Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making.Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.

    One girl’s life—and the lives of her people—are changed forever.To Pocahontas and her people, the Tidewater is the rightful home of the Powhatan tribe. To England, it is Virginia Territory, fertile with promise, rich with silver and gold. As Jamestown struggles to take root, John Smith knows that the only hope for survival lies with the Powhatan people. He knows, too, that they would rather see the English starve than yield their homeland to invaders. In the midst of this conflict, Pocahontas, the daughter of the great chief, forges an unlikely friendship with Smith. Their bond preserves a wary peace—but control can rest only in one nation’s hands. When that peace is broken, Pocahontas must choose between power and servitude—between self and sacrifice—for the sake of her people and her land.Revised edition: This edition of Tidewater includes editorial revisions.

    P. Morgan's personal librarian—who became one of the most powerful women in New York despite the dangerous secret she kept in order to make her dreams come true, from New York Times bestselling author Marie Benedict and acclaimed author Victoria Christopher Murray. In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture on the New York society scene and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps build a world-class collection.But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belle's complexion isn't dark because of her alleged Portuguese heritage that lets her pass as white—her complexion is dark because she is African American.The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths to which she must go—for the protection of her family and her legacy—to preserve her carefully crafted white identity in the racist world in which she lives.

    This pioneering work, first published in 1986, documents the continuing vitality of American Indian traditions and the crucial role of women in those traditions.

    She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne. Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.

    Now, faced with the unknown they must rely on each other to survive. A new teacher, Sarah Reynold’s sets out to meet her father in the untamed territory of 1837 Georgia, where she is to become a teacher for children of the white settlers. While her father claims all is peaceful between the settlers and the Cherokee, there is much left unsaid. When she is saved from certain death by White Eagle, a bold Cherokee warrior opposed to his tribesmen renegade attack, he, too, is injured. As he fights to survive, they are thrust into the turmoil of the forced emigration of his people. Thrown together by circumstances not of their own making, Sarah and White Eagle overcome betrayal and tragedy to find a love strong enough to bring nations together.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    Now they're fighting for justice and revenge! They Came from one Missouri family, but Lance and Buck Chaney had been fighting on opposite sides of the war—until they were brought together ba a shipment of gold dust. Fighting for the Confederacy, Buck had been ordered to hijack the gold his brother's Union troops were bringing north to Jefferson City. By the time the skirmish was over the shipment of gold was missing. Now the former enemies have joined together again—to hunt down the man who had taken the gold from them both in an act of treachery and bloodshed.

    Now this amazing story is told for the first time in a trilogy of novels entitled Southern Son: The Saga of Doc Holliday. The story begins with Inheritance, set during the turbulent times of the American Civil War, as young John Henry Holliday welcomes home his heroic father and learns a terrible secret about his beloved mother. Inheritance is the first novel in an epic tale of heroes and villains, dreams lost and found, families broken and reconciled, of sin and recompense and the redeeming power of love.

    The place, the Apache nations, a region torn apart by decades of war. Goyahkla, a young brave, has lost his family and everything he loves. After having a vision, he approaches the Apache leader Cochise to lead an attack against the Mexican village of Azripe. It is this wild display of courage that transforms the young brave Goyahkla into the Native American hero Geronimo. But the Apache Wars rage on. As they battle their enemies, lose loved ones, and desperately cling to their land and culture, they utter, "Indeh," or "the dead." When it appears that lasting peace has been reached, it seems like the war is over. Or is it? INDEH captures the deeply rich narrative of two nations at war--as told through the eyes of Naiches, the son of the Apache leader Cochise, and Geronimo, as they try to find peace and forgiveness. INDEH not only paints a picture of some of the most magnificent characters in the history of our country, but it also reveals the spiritual and emotional cost of the Apache Wars. Based on exhaustive research, INDEH offers a remarkable glimpse into the raw themes of cultural differences, the horrors of war, the search for peace, and, ultimately, retribution. The Apache left an indelible mark on our perceptions about the American West, and INDEH shows us why.

    Work on the Santa Fe Trail, and on a Mississippi River boat give him a start, but the years of Civil War leave him broke and footloose in South Texas. There he discovers more cattle running loose than he ever knew existed. Teaming up with two ex-Federal soldiers, he sets out to gather his wealth, one head at a time. While gathering and driving Longhorns, Mac and his friends meet an interesting collection of characters, including Margo. Mac and Margo and the crew learn about Longhorns, and life, from hard experience before they eventually head west. Outlaws and harrowing river crossings are just two of the challenges they face along their way.

    Instead, he stays and delivers a beautiful baby girl. Unable to leave the pretty young widow and her little son and newborn unprotected in the Montana wilderness, he brings them along on his family’s cattle drive, to the absolute delight of the other friendly cowboys. Luke, third son of Montana’s wealthy McCutcheon family, is different from his brothers. As the offspring of a Cheyenne warrior, he carries a chip on his shoulder for all to see. His flashing eyes and handsome face make Faith feel she’s stepped into some long-ago tale where men cherish their women--and keep them safe. If only she could trust him! Faith is on the run, and although she’s pampered and protected by Luke and his family, she just can’t risk the consequences of sharing the details of her past--one that’s hunting to take her back to the nightmare she’s just escaped. Happy-ever-afters are for fairytales, she reminds herself sternly as her heart feels the warm pull of his. Still, she can’t help but dream of a loving family, a home to call her own, a beautiful and bright…Montana Dawn